Houston critics, as follows.
Best Picture
A Most Violent Year, A24 Films
Birdman, Fox Searchlight Pictures
Boyhood, IFC Films
Guardians of the Galaxy, Marvel
Inherent Vice, Warner Bros.
Nightcrawler, Open Road Films
Selma
The Grand Budapest Hotel, Fox Searchlight Pictures
The Imitation Game, The Weinstein Compaany
Whiplash, Sony Pictures Classics
Director
Alejandro G. Iñárritu, Birdman
Damien Chazelle, Whiplash
Paul Thomas Anderson, Inherent Vice
Richard Linklater, Boyhood
Wes Anderson, The Grand Budapest Hotel
Actor
Bendict Cumberbatch, The Imitation Game
Eddie Redmayne, Theory Of Everything
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke
Actress
Essie Davis, The Babadook
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Marion Cotillard, Two Days, One Night
Reese Witherspoon, Wild
Supporting Actor
Andy Serkis, Dawn of the Planet of the Apes
Edward Norton, Birdman
Ethan Hawke, Boyhood
J.K. Simmons, Whiplash
Josh Brolin, Inherent Vice
Mark Ruffalo, Foxcatcher
Supporting Actress
Emma Stone, Birdman
Jessica Chastain, A Most Violent Year
Kiera Knightley, The Imitation Game
Patricia Arquette, Boyhood
Tilda Swinton, Snowpiercer
Screenplay
Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris Jr., Armando Bo; Birdman
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Richard Linklater, Boyhood
Wes Anderson, The Grand Budpest Hotel
Animated
Big Hero 6
How to Train Your Dragon 2
The Book of Love
The Boxtrolls
The Lego Movie
Cinematography
Emmanuel Lubezki, Birdman
Hoyte van Hoytema, Interstellar
Robert Elswit, Nightcrawler
Robert Yeoman, The Grand Budapest Hotel
Roger Deakins, Unbroken
Documentary
Citizenfour
Glen Campbell: I’ll Be Me
Jodorowsky’s Dune
Life Itself
The Overnighters
Foreign
Force Majeure
Ida
Leviathan
The Raid 2
Two Days, One Night
Original Score
Alexander Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Antonio Sánchez, Birdman
Hans Zimmer, Interstellar
Johann Johannson, The Theory of Everything
Original Song
Big Eyes, Big Eyes
Everything is Awesome, The Lego Movie
Glory, Selma
I’m Not Going to Miss You, Glen Campbell: I’ll Be Me
Lost Stars, Begin Again
Texas Independent Film Award
Above All Else
Boyhood
Hellion
Joe
No No: A Dockumentary
Stop the Pounding Heart
Best Poster
Birdman
Godzilla, IMAX
Guardians of the Galaxy, Primary Theatrical
Inherent Vice
The Grand Budapest Hotel
Technical Achievement
Birdman – Creation of single long take for bulk of film
Boyhood – Filming over 12 years
Dawn of the Planet of the Apes – creation of ape characters
Worst Film of the Year
Blended
Dumb and Dumber To
Left Behind
The Identical
Transformers: Age of Extinction
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When is the HFCA awards ceremony? And will it still be at the Museum of Fine Arts Brown Theater?
Gosh, plz people, rules are fucking rules. Get over it.
There isn’t even half this much whining when the WGA deems half the fucking films of the year ineligible for its awards, and it does it year after year. Who gives an actual fuck?
Oh no wait, I missed the part where this tiny breach of the rules for a minor awards group (among many) resulted in enormous financial losses for Fox, a complete discrediting of all of those involved in the production of Gone Girl and the retrospective destruction of the film’s quality and reputation in the public consciousness.
Amy Pascal got one thing right. It made money. That was the best revenge.
Best Picture
Guardians of the Galaxy, Marvel
NOPE. Jesus fucking christ. You give this piece of trash a BP nomination, AND NOTHING ELSE? Seriously, why give it if it doesn’t come on top for anything else. At least they gave Serkis a well deserved nomination that those ignorant fudges at the Academy won’t ever dare to recognize.
Into the Woods was screened and screeners were sent.
No “Into the Woods?” What – Meryl Streep didn’t knock on these critics’ doors, curtsy and hand them a screener?
I guess Houston showed them who is boss!!!
I hope the studios who sent screeners and didn’t send screeners to this group read this post to see how ridiculous these folks are.
Whaaaaa! What a bunch of babies! Film critics from HOUSTON screaming and screeching and punishing films because they weren’t hand-delivered screeners or had screenings that suited their schedule? Seriously?
*(“wonder why some filmmakers get honored and others get left out.”
Like, I’m really pretty sick of hearing people say, “wow, apparently this group didn’t like Selma at all.” *snicker* … or hey, maybe those people couldn’t vote for a movie they were unable to see.)
**(I didn’t say press release. I didn’t post this.
In all honesty, if I HAD posted this, I would have said “press release” too — because I actually thought to myself, “ok, well thanks for explaining — nobody else ever bothers to explain such things. Bravo for being upfront about it.”
The honesty was impressive. The need to come along later and delete that honesty is kind of sad.
Dustin, I admired your honesty in trying to explain a situation that you felt would raise an eyebrow or two.
The rule was originally enacted so more popular critics in the group, those on TV, doing press junkets, etc weren’t receiving special treatment, and getting screeners that say a new member had no option to review before voting.
My frustration stems from when a “rule” is enacted for an honorable reason (as you describe) but then when it’s obvious that the reason (which you describe) does not pertain to all movies (as you concede) for some reason the “rule” is still enforced — even though the essence and spirit of the “rule” don’t apply to the movie that’s getting punished.
Bottom line, the rule is to make sure “the entire group has a way to watch the film.” For Gone Girl that difficult process involves forking over $8 at any one of 3000 multiplexes.
Maybe the Houston person in charge of making “rules” is concerned that somebody will call foul if the “rule” is not enforced with draconian severity for every situation? If so, then why is that person not concerned if somebody calls foul when the rule is enforced for the silliest of irrelevant exceptions?
Worried about somebody getting hurt if the rule isn’t applied the same way to every unique situation? How about being worried about who gets hurt when a movie is punished for an infraction it did not commit (the offense: “you don’t give all of us a chance to see the movie! Gone Girl, you’re ineligible because we don’t all have equal opportunity to see Gone Girl!”
It’s no surprise you caught a little flak for being perfectly honest about a very fishy situation. Most people who do fishy things would prefer nobody was made aware of the fishiness.
I didn’t say press release. I didn’t post this. Frankly, I held off because I didn’t know what to do with it. I thought about not posting it all — any of it. I was going to ask Sasha about it, but… I forgot.
Whenever any critics group eliminates major movies for arbitrary irrelevant reasons, the group might just announce “Here are our picks for the movies our members were allowed to vote on, and don’t ask which movies those were or why, not unless you want to get in trouble, buster.”
My earlier comment came across too cranky. I deleted the whole thing I wrote 2 hours ago.
You did nothing wrong, Dustin. Thanks for helping us understand a sticky mix-up.
What you wrote goes a long to reminding everyone that ALL critics groups set their own private parameters. We should all always bear that in mind when we look at any set of award winners and wonder why some filmmakers get honored and others get left out.* The only difference today is that we don’t have to wonder.
hey, maybe San Diego, for reasons we’ll never know, disqualified every movie except Nightcrawler,
@NICK JOHNSON – Oyelowo really depends on the Selma’s general appeal level in AMPAS. If it fails to get a best director nod then yes Jake will get the chance to join the best actor lineup.
Am I the only one who thinks that “Worst film of the year” is a ridiculous category?
“Screener blackmail. It’s fucking repulsive.”
Amen.
David Oyelowo, who I always thought was a sure thing. Is actually starting to look vulnerable. Jake actually looks to have the edge over him right now. Interesting they would nominate Selma for best picture but not nominate him.
Director lineup is just perfect with Chazelle and Anderson in.
@ MSP that was not a press release. I just e-mailed Ryan as I do every year when our nominees come out. I am not sure why he said “press” release. I just noted him an FYI because I knew the question about Gone Girl would come up. To my knowledge there were no other ineligible films. I can see why everyone is saying it’s all about getting the screeners, but I truly don’t think that is the case. The rule was originally enacted so more popular critics in the group, those on TV, doing press junkets, etc weren’t receiving special treatment, and getting screeners that say a new member had no option to review before voting. For instance, until SPC gave in at the last minute, and I am talking like 2 days before voting, all of their films were going to be ineligible, they also said they were refusing to hold screenings for Still Alice or Mr Turner, which means the entire group would have had no way to even watch those films. It really isn’t about getting screeners, we would all prefer to watch them on the big screen. I personally drive an hour to Houston 3-4 times a week just to catch the screenings, and I have had over 220 reviews published as of this post. Each group has their rules, even the Academy, I just clued you guys into ours where most groups don’t tell you.
By the way, the pretension of PROFESSIONAL film critics to rule inellegible films like Gone Girl (released October 3rd, wide, over 3,000 screens) andThe Judge (October 10th, wide, over 3,000 screens) is beyond ridiculous. I can understand with “Cake”, but it’s supposed that these “professionals” have already reviewed and published their thoughts on both films. So, basically, they’re just complaining, they didn’t have the damn FREE screeners. Embarrassing.
I have to say, I’ve seen two of ther nominees for worse film of the year… as bad as Transformers: Age of Extinction is, at least has some entertainment value (wasn’t that boring, just loud and dumber than usual in the saga), and is no competitor to “win” over Left Behind, which deserves to break records at the Razzies… it’s the only “0” I’ve given in the last years. Nicholas Cage, hitting rock bottom, he even avoids his over-the-top, histrionic acting trademark to just become a blur in the film that adds little to the whole experience. I’m already worried about his mental health, with career choices like this one. Self-destructive? Bankruptancy? He’s becoming a joke.
Ryan, I’m a former movie reviewer. I’ve also been a member of critics groups that vote on awards. I know about balloting works. I’m not a rube. … Still, it seems cheesy that only 6 members of a critics’ group that numbers 25+ were enough to vote ”Selma” a Best Picture nod. I think a fairer solution would’ve been to defer the voting of ”Selma” to 2015 when more Houston critics have had a chance to weigh in. At least a majority. But no, all the critics’ groups want to weigh in NOW, so they might get listed in For Your Consideration ads. … But I agree with you on this: This was all about getting screeners.
Thanks for the clarity and inside knowledge Dustin. I will definitely eat my crow on the worst screenings and that I misread the read the rule.
I get that the studios organize these events/campaigns and agree that all critics should have equal opportunity to view the films, but as you say, it’s likely they saw the wide release of Gone Girl (and they had the opportunity for The Judge). This makes the rule seem excessive as it does not really address the supposed problem. If they saw the movie or had the chance in October, why should it matter if some members did not get a screener? If a rule is in place that is not addressing the problem, then that is the organizations concern and not the studio.
Especially in the light of the worst nominees getting screenings) I would be interested in knowing what the full eligibility/ineligibility list is. Is the press release saying these are the only films released in 2014 that were ineligible or were there others? By including three films in the thick of the race as ineligible at the top of the press release, it comes across like some form of preemptive excuse to the studios and that non.-traditional awards movies were not even considered. Maybe it’s not and I’m reading way to much into it. I’m not the PR gal.
@ Aragorn, they all saw Gone Girl, that isn’t the issue.
I am assuming we all put Selma in the Top 10, the ones that attended.
So if ”Gone Girl,” ”The Judge,” etc., HADN’T sent screeners to only the Houston members of BFCA, they would’ve been eligible?
It’s hard for me to imagine any movie critic worth his/her salt who didn’t see ”Gone Girl,” so to disqualify it because some Houston critics didn’t get a screener seems silly. I’ll assume that ”Gone Girl” DID hold screenings earlier in the year, so every member DID have an earlier chance to see it.
Also, can you explain the arithmetic of how ”’Selma” still got a Best Picture nod when only a quarter of HFCS members saw it?
DUSTIN CHASE SHUT UP AND KISS ME.
How come they didnt see Gone GIrl by now? more than 15million people went to see that movie by paying for the tickets so these people couldnt find time or money to do that????
Also, only 6 people out of 25 attended the screening of Selma and it made the top 10?? How many votes does it take? 3?
And one dumb question: Is Babadook really scary??? I know it is silly but I cannot watch very intense scary movies:)
Yes, you are wrong. All films on the worst list were screened for the HFCS.
MSP you are missing the point entirely! All films are eligible unless the studio sends screeners to part of the group and not all, thats it. It’s a pretty fair rule to make sure all members have the same chance to see the film. To contradict what you said, it was the large studios behind Gone Girl and The Judge that didn’t send screeners, the smaller ones did. The critics saw Gone Girl, I’m betting all 25 of them saw Gone Girl, but due to a by-law rules that the group must follow, they could not vote for it because FOX refused to sent screeners to all the group, only the overlapping BFCA members got screeners.
And I would be willing to bet (but also admit it if I am wrong) that most of the movies nominated for worst movie didn’t have screeners or a screening. Apply the rule across the board Houston…
That rule is bull for Gone Girl and The Judge as they had wide releases. These critics could have seen the movies had they really wanted to. This is a blatant attempt to score free dvds and it’s embarrassing. So any movie without the money behind it to send screener or just doesn’t consider itself an awards movie so no screener is out of consideration? That severely limits your choices and really only furthers whatever narrative the studios and publicists are pushing. You are CRITICS and should accept whichever films you feel are worthy. Not that I take any regional film critic award too seriously (save LAFCA) but this shoots Houston (and Any others with such a bogus rule) to the bottom of the pack.
Swinton, Hardy and Nightcrawler are really moving up. Good for them.
@ K, I think nearly everyone in the group saw The Judge & Gone Girl, but just like the Academy, Globes, SAG’s etc, the HFCS have bylaws that determine what can be eligible for nomination. Just like last year Sony Pictures Classics refused to send screeners for the group to see. Even though most of them have attended the screenings, the purpose of the rule is to create a fair playing field for all the films, large or small, it’s a rule about fairness.
If they’re real critics, they should have seen Gone Girl and the Judge by now. Those two have been in theaters long enough for the group to have seen them. That makes no sense that they’re inelgible because of screeners and screenings just for them.
WW here is the rule:
If a film “screens” and sends no screeners it’s eligible, that’s fair game for all members to attend. (This was the case of Selma, no one got screeners)
If a film “screens” then sends “screeners” later to ALL HFCS members it’s eligible. (this is most of the films)
If a film “screens” then sends “screeners” to only part of the HFCS members it becomes ineligible. (which is what happened with Gone Girl).
Uh, I’m confused. Only ”6 of the 25+” members of the Houston critics got to see ”Selma” at a screening, but it STILL made the cut for Best Picture? … Also, if the entire membership of HFCS didn’t get screeners of ”Selma,” doesn’t that mean it’s ineligible, like ”Gone Girl,” ”The Judge,” etc.?
Quick note: Screenplay seems to be labeled as Director. Perhaps because all of the nominees were, in fact, also the directors of their movies! Birdman was the giveaway. 🙂
Wonder if Tilda could shake up Supp. Actress, though, I prefer her this year as Lead in Only Lovers Left Alive.