Scorsese developing Shutter Island prequel series with HBO

Martin Scorsese’s TV foray Boardwalk Empire is wrapping up after this season, but the man is already working on a potential new series for HBO: Ashecliffe, a prequel to his box office hit Shutter Island.

Hollywood Reporter says the show, “would explore the hospital’s past and misdeeds by its founders” and that Scorsese himself would direct the pilot if the show gets picked up. Dennis Lehane who wrote the novel upon which Shutter Island was based would write the script along with Tom Bernardo.

I don’t know about you, but I would watch the hell out of this show.

The Knick: A Little On the Nose

Look on the bright side. It’s not 1900 and you probably don’t have syphilis… or if you do, at least your nose hasn’t fallen off. The Knick kind of likes to revel in how miserable life could be at the turn of the 20th Century (for rich and for poor) and, as if to prove that point, Dr. Thackery’s old flame Abigail Alford (Jennifer Ferrin) shows up at the beginning of episode 3 with a hole where her nose used to be.

As Thackery pokes and prods the crater in her face and describes to her the rather horrible and difficult process of grafting a flap of skin from her arm to her nose, Abigail gives us a few more glimpses into Thackery’s romantic past and personality. He was her first love, blah blah blah, but his dedication to his work was too crazy-making, yadda yadda yadda, and she chose to marry a more stable, less exciting fellow… who gave her the raging case of syphilis that destroyed her nose (cue Price is Right losing horn). It’s pretty obvious character development of Thackery as a man who chose work over love and has hardened into a lonely, bitter man. It’s this kind of unsubtle, kind of predictable writing that has been The Knick’s main weakness so far, but Seven Soderbergh (as director and as cinematographer “Peter Andrews”) orchestrates and shoots the whole thing with such subtle energy and class that it all seems much smarter than it really is.

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2014 Emmy Predictions

ADTV contributors Clarence Moye, Joey Moser, Megan McLachlan and I (Craig Kennedy, your editor) make predictions for Monday night’s Emmy telecast. Be sure to join us at Twitter hashtag #EmmysADTV on Monday night when the four of us will be live tweeting our reactions as the winners and losers unfold.

In the mean time, check out our will/should picks after the jump. Majority “will win” predictions (if any) are highlighted in green. Majority “should win” picks (if any) are highlighted in a lighter shade of green if they match the “will win” predictions or yellow if they’re different:

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Extant: Not Without My (Alien) Baby!

There are two, count ‘em TWO, episodes of Extant this week, so let’s get down to brass tacks, shall we?

Molly plans on getting in Sparks’ face.  She sends Sam on a mission to go through the Aruna crew’s medical files to see if there are any anomalies.  “I want to see him sweat,” she tells Sam.  It also turns out that Kern still has Kryger in custody, and he’s still shocking his head while he’s tied to a chair.  Even our torture methods have gotten more futuristic!  Water boarding is sooooo 30 years ago!

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Under the Dome: White Redheads Can’t Jump

I hate to say it. But life outside of the dome is more exciting than inside of it. Last week’s twist—that Barbie, Sam, and Lyle had all escaped—has given season 2 some new life.

Let’s look at it this way. They’re not doing much of anything in Chester’s Mill. In this week’s episode “Awakenings,” Joe and Norris started a video blog inside the dome. (Yeah. That happened). Meanwhile, outside of it, Barbie roughed up a tech nerd and broke into his dad’s computer to find a bunch of pictures of him and Julia (not doing it, thankfully). Continue reading “Under the Dome: White Redheads Can’t Jump”

Masters of Sex: Seismic Shifts

I’ll be the first to admit that I can’t quite figure out what Masters of Sex intends to do with its second season. All of the pre-release press I’d read focused largely on the heavy African-American influence, which made sense considering this is a drama set during the 1950s. The era was on the precipice of the socio-political tumult of the 1960s, and it seemed a logical path for the show to take.

But after this week’s episode, Blackbird, I give up trying to predict its direction. Course correction for one or two minor plotlines is expected in any drama, but the changes enacted were abrupt right turns in its direction. Still, I’m along for the ride, and who knows where it will take us. But be forewarned: my discussion of Blackbird will be positively spoilerific. You have been warned…

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Creative Arts Emmy Winners: Cosmos, Detective, SNL, Thrones all get 4

The Creative Arts Emmy Awards, bestowed in the categories Emmy has deemed not sexy enough for the big broadcast, were handed out tonight. It’ll have its own show on 8/24 on FXM if you’re interested. In the mean time here’s a complete list of winners:

Guest Actress In A Comedy Series: Uzo Aduba, Orange Is the New Black

Host For A Reality Or Reality-Competition Program: Jane Lynch, Hollywood Game Night

Unstructured Reality Program: Deadliest Catch

Structured Reality Program: Shark Tank

Variety Special: AFI Life Achievement Award, A Tribute to Mel Brooks

Writing For A Variety Series: The Colbert Report

Directing For A Variety Series: Saturday Night Live

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The Knick: Lights Out

After last week’s attention-grabbing, gory pilot episode, Steven Soderbergh’s The Knick settles into more of a standard routine in its second outing. “Standard” for this show, however, just means they’ve cut back on some of the more intense (re: stomach churning) surgical scenes. The show still retains the brilliant anachronistic touches that Soderbergh employed in the pilot while further deepening his exploration of early 20th century social mores.

The pilot episode knocked me off my feet with its adventurous filmmaking and razor-sharp perspective. Its second outing, “Mr. Paris Shoes,” continues to similarly dazzle.

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