Sad Men

Mad Men made me kind of sad last night for the first time in a long time, if ever in fact. It was a little thing I guess, but seeing Peggy be an asshole to her secretary hurt a little. I use the word asshole because it’s not a sexually loaded word like bitch or that other one that starts with a C. It’s not Peggy’s femininity that made it hurt – Roger would also be an asshole in the same situation – it hurt because Peggy has always been my “in” to a show I didn’t much care for at first. She’s had to be prickly at times with her equals and those above her on her way up, but that was justified and necessary. Last night was the first time I can think of where she was mean to someone below her and it was not at all called for. I didn’t like seeing it.

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Turn is a Grower, Not a Shower

AMC has made a serious miscalculation in offering its newest dramatic series, the Revolutionary War spy drama Turn, in the increasingly competitive Sunday night line-up.  The intent, I suspect, is to wed it to their flagship show, Mad Men, to boost the ratings out of the gate. But let’s be honest, it airs in the same time slot as HBO’s Game of Thrones. If your show airs and no one watches it, then does it make a sound?

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Making the Case for “Girls” Season 3

[Ed. Please welcome the first of what will hopefully be many contributions from Clarence Moye (@chmoye). There’s no new girls tonight, but it’s a perfect time to look back at how this season went.]

“Guys, we’re so disconnected now. I thought that this would be a good opportunity to have fun together and prove to everyone via Instagram that we can still have fun as a group.” – Marnie Michaels

That quote is from the “Beach House” episode of HBO’s Girls, Season Three. The episode is the pinnacle of a blisteringly honest and brilliant third season that seismically shifts the series in new directions. In its short running time, “Beach House” typifies everything we’ve come to expect from the show, namely lead character Hannah Horvath (Lena Dunham) spending the entire episode hanging out of a lime green 2-piece bikini, and elevates it to Osage County levels during a hilarious moment of “truth telling” amongst Horvath’s circle of friends.

It’s an intense moment, at once comically cathartic and intensely uncomfortable. Many shows have attempted it, but not to this level of authenticity. Emmy voters take notice: these Girls are perfecting the art of aging gracefully.

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Coming to Terms with TV’s new Fargo

[Spoilers abound. Do not read if you haven’t seen the first episode]

“Some roads you shouldn’t go down. Because maps used to say ‘There be dragons here.’ Now they don’t… but that don’t mean the dragons aren’t there.” – Billy Bob Thornton as Lorne Malvo

FX’s 10-episode limited series Fargo – inspired by Joel and Ethan Coen’s 1996 film of the same name but eventually striking out in its own interesting directions – begins at dusk along a lonely road moving in a straight line through a flat, white, winter endlessness. First, there is an assurance that what we’re about to see really happened (I haven’t read any of the show’s press, but I assume this is as much a lie as the Coens’ similar claim before the original film), and then there is a single car. The driver is Lorne Malvo played by Billy Bob Thornton wearing a Mephistophelean beard and curiously boyish bangs like some kind of beatnik from hell. Disturbingly, the noises from the trunk seem to suggest there’s someone in there and they really want out. Then, before the exact meaning of all this can be parsed, there’s the flash of a deer in the road, and another, and a sickening crash, and then Thornton’s ’93 New Yorker flies off the side of the road into the snow. Up pops the trunk and out jumps a fleshy man in nothing but his boxers who proceeds to stumble off pathetically (and probably fatally) into the snowy dark.

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Game of Thrones moves a Big Piece (spoilers)

You may or may not have seen last night’s wicked installment of Game of Thrones. But if you have you probably don’t want to read further. But if you’ve already seen it, and/or read the books, you will already know which character was ejected from the series.

Finally, that little twerp Joffrey got what he had coming from him. My only objection was that it wasn’t a violent enough death, particularly after the way he tormented Tyrion. I had read the spoilers so I knew not to expect a major Joffrey beat-down but still, given the way he was asking for it, begging for it, I wanted something along the lines of pouring melted metal atop his head.

All Men Must Die indeed. Now, we merely have to wait for the women to rise to power.

Stephen Colbert Announced as Letterman’s Replacement

No specifics have yet been added but if Stephen Colbert takes over Letterman as a straight shooter – that is, someone who makes the occasional political joke then gives giant blow jobs to studios for promotion’s sake – what a shame, what a loss. To me, Colbert is the only sane voice on the airwaves and he does this through 100% satire. What is not known is whether he will take over as his TV persona or as himself.

Sure, you can’t punish someone’s successful rise by hoping they stay exactly where they are. This is his life, after all. He doesn’t owe us anything. But here’s the thing: he does good work. That matters. But if he is to drop the Colbert persona he’s cultivated so carefully and beautifully for years it will be a wash. To this fan anyway.

It’s such a smart show. Who else but Colbert could have, or would have had such a vibrant, memorable interview with Jane Goodall? His entire career has been made on his persona. He is not audience-tested otherwise, which makes me think he will have to continue as his fake persona — perhaps a tiny bit of both. Here’s hoping.

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HBO’s Sunday: Game of Thrones, Veep Soar – Silicon Valley Stumbles

Sunday night’s HBO settle-in brought back two solid season premieres of the best HBO has to offer right now: Game of Thrones and Veep. It also introduced a new series, Silicon Valley, by Mike Judge, which suffered greatly for delivering a singularly male vision of the tech industry. This did two things to sabotage the series from the outset. The first, it is unrealistic in 2014 to shut women out completely out of any story. The second, it just isn’t that funny when the characters on the show don’t point out the obvious: that it’s a sausage fest of nerds.
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