Emmy Tracker: Official AwardsDaily TV Emmy Predictions!

Team ADTV pulls together their 2016 Emmy predictions

Here are the 2016 Emmy predictions from AwardsDaily TV’s full set of contributors. Based on our predictions, HBO’s Game of Thrones and Veep won’t be the only repeat winners of the night. Nearly everyone thinks Julia Louis-Dreyfus will repeat for her iconic role as Selina Meyer in Veep, and a few of us think her cohort Tony Hall will follow suit. Jeffrey Tambor is also tipped by most to repeat for his transformative role in Amazon’s Transparent.

One of the biggest questions on the drama side is, “Will this finally be Robin Wright’s year?” Some of us think so. Others think Viola Davis will repeat last year’s historic win. With the actors, Mr. Robot‘s Rami Malek seems a sure bet to win for his stellar performance on the USA freshman series. Oh yeah, and FX’s critically acclaimed limited series The People v. O.J. Simpson: American Crime Story should go home very happy Sunday night winning series, direction, writing, and at least one – possibly two – acting trophies. It can’t lose, right?

The winners will be formally announced Sunday night on ABC with host Jimmy Kimmel.

Clarence MoyeMegan McLachlanJoey MoserJalal Haddad
Drama SeriesGame of ThronesGame of ThronesGame of ThronesGame of Thrones
Lead Actor in a Drama SeriesRami Malek,
Mr. Robot
Rami Malek,
Mr. Robot
Rami Malek,
Mr. Robot
Kevin Spacey,
House of Cards
Lead Actress in a Drama SeriesViola Davis,
HTGAWM
Keri Russell,
The Americans
Robin Wright,
House of Cards
Viola Davis,
HTGAWM
Supporting Actor in a Drama SeriesJon Voight,
Ray Donovan
Kit Harington,
Game of Thrones
Jonathan Banks,
Better Call Saul
Jon Voight,
Ray Donovan
Supporting Actress in a Drama SeriesMaura Tierney,
The Affair
Maggie Smith,
Downton Abbey
Lena Headey,
Game of Thrones
Maggie Smith,
Downton Abbey
Direction for a Drama Series"Battle of the Bastards,"
Game of Thrones
"Battle of the Bastards,"
Game of Thrones
"Battle of the Bastards,"
Game of Thrones
"Battle of the Bastards,"
Game of Thrones
Writing for a Drama SeriesMr. RobotMr. RobotMr. RobotMr. Robot
Comedy SeriesVeepVeepVeepVeep
Lead Actor in a Comedy SeriesJeffrey Tambor,
Transparent
Jeffrey Tambor,
Transparent
Jeffrey Tambor,
Transparent
Jeffrey Tambor,
Transparent
Lead Actress in a Comedy SeriesJulia Louis-Dreyfus,
Veep
Julia Louis-Dreyfus,
Veep
Julia Louis-Dreyfus,
Veep
Julia Louis-Dreyfus,
Veep
Supporting Actor in a Comedy SeriesTony Hale,
Veep
Tony Hale,
Veep
Tony Hale,
Veep
Tony Hale,
Veep
Supporting Actress in a Comedy SeriesAllison Janney,
Mom
Allison Janney,
Mom
Kate McKinnon,
Saturday Night Live
Kate McKinnon,
Saturday Night Live
Direction for a Comedy SeriesTransparent"Mother,"
Veep
"Mother,"
Veep
Transparent
Writing for a Comedy SeriesMaster of None"Mother,"
Veep
Master of None"Mother,"
Veep
Limited SeriesThe People v. O.J. Simpson, American Crime StoryThe People v. O.J. Simpson, American Crime StoryThe People v. O.J. Simpson, American Crime StoryThe People v. O.J. Simpson, American Crime Story
TV MovieAll The WayAll The WayAll The WayAll The Way
Lead Actor in a Limited Series/TV MovieCourtney B. Vance,
The People v. O.J. Simpson, American Crime Story
Bryan Cranston,
All The Way
Courtney B. Vance,
The People v. O.J. Simpson, American Crime Story
Courtney B. Vance,
The People v. O.J. Simpson, American Crime Story
Lead Actress in a Limited Series/TV MovieSarah Paulson,
The People v. O.J. Simpson, American Crime Story
Sarah Paulson,
The People v. O.J. Simpson, American Crime Story
Sarah Paulson,
The People v. O.J. Simpson, American Crime Story
Sarah Paulson,
The People v. O.J. Simpson, American Crime Story
Supporting Actor in a Limited Series/TV MovieHugh Laurie,
The Night Manager
Hugh Laurie,
The Night Manager
Sterling K. Brown,
The People v. O.J. Simpson: American Crime Story
Hugh Laurie, The Night Manager
Supporting Actress in a Limited Series/TV MovieJean Smart,
Fargo
Jean Smart,
Fargo
Olivia Colman,
The Night Manager
Jean Smart,
Fargo
Direction for a Limited Series"From the Ashes of Tragedy,"
The People v. O.J. Simpson, American Crime Story
"From the Ashes of Tragedy,"
The People v. O.J. Simpson, American Crime Story
"From the Ashes of Tragedy,"
The People v. O.J. Simpson, American Crime Story
"From the Ashes of Tragedy,"
The People v. O.J. Simpson, American Crime Story
Writing for a Limited Series"Marcia, Marcia, Marcia,"
The People v. O.J. Simpson, American Crime Story
"From the Ashes of Tragedy,"
The People v. O.J. Simpson, American Crime Story
"Marcia, Marcia, Marcia,"
The People v. O.J. Simpson, American Crime Story
The Night Manager
Variety TalkThe Late Late Show With James CordenThe Late Late Show With James CordenLast Week Tonight with John OliverLast Week Tonight with John Oliver
Variety SketchInside Amy SchumerPortlandiaInside Amy SchumerInside Amy Schumer
Reality CompetitionThe VoiceThe Amazing RaceThe VoiceThe Voice

Robin WriteJazz TangcayRyan Showers
Drama SeriesGame of ThronesThe AmericansGame of Thrones
Lead Actor in a Drama SeriesRami Malek, Mr. RobotKevin Spacey, House of CardsKevin Spacey, House of Cards
Lead Actress in a Drama SeriesRobin Wright, House of CardsRobin Wright, House of CardsRobin Wright, House of Cards
Supporting Actor in a Drama SeriesMichael Kelly, House of CardsPeter Dinklage, Game of ThronesKit Harington, Game of Thrones
Supporting Actress in a Drama SeriesMaggie Smith, Downton AbbeyEmilia Clarke, Game of ThronesLena Headey, Game of Thrones
Direction for a Drama Series"Battle of the Bastards," Game of ThronesHomeland"Battle of the Bastards," Game of Thrones
Writing for a Drama SeriesMr. RobotThe AmericansThe Good Wife
Comedy SeriesVeepVeepVeep
Lead Actor in a Comedy SeriesAziz Ansari, Master of NoneAnthony Anderson, black-ishJeffrey Tambor, Transparent
Lead Actress in a Comedy SeriesEllie Kemper, Unbreakable Kimmy SchmidtJulia Louis-Dreyfus, VeepJulia Louis-Dreyfus, Veep
Supporting Actor in a Comedy SeriesTony Hale, VeepTituss Burgess, Unbreakable Kimmy SchmidtTony Hale, Veep
Supporting Actress in a Comedy SeriesGaby Hoffmann, TransparentAnna Chlumsky, VeepAllison Janney, Mom
Direction for a Comedy SeriesTransparent"Mother," Veep"Kissing Your Sister," Veep
Writing for a Comedy SeriesMaster of None"Mother," Veep"Mother," Veep
Limited SeriesThe People v. O.J. Simpson, American Crime StoryThe People v. O.J. Simpson, American Crime StoryThe People v. O.J. Simpson, American Crime Story
TV MovieConfirmationAll The WayConfirmation
Lead Actor in a Limited Series/TV MovieCourtney B. Vance, The People v. O.J. Simpson, American Crime StoryCourtney B. Vance, The People v. O.J. Simpson, American Crime StoryCourtney B. Vance, The People v. O.J. Simpson, American Crime Story
Lead Actress in a Limited Series/TV MovieSarah Paulson,
The People v. O.J. Simpson, American Crime Story
Sarah Paulson,
The People v. O.J. Simpson, American Crime Story
Sarah Paulson,
The People v. O.J. Simpson, American Crime Story
Supporting Actor in a Limited Series/TV MovieSterling K. Brown, The People v. O.J. Simpson: American Crime StorySterling K. Brown, The People v. O.J. Simpson: American Crime StorySterling K. Brown, The People v. O.J. Simpson: American Crime Story
Supporting Actress in a Limited Series/TV MovieSarah Paulson, American Horror Story: HotelRegina King, American CrimeJean Smart, Fargo
Direction for a Limited Series"The Race Card," The People v. O.J. Simpson, American Crime Story"From the Ashes of Tragedy," The People v. O.J. Simpson, American Crime Story"From the Ashes of Tragedy," The People v. O.J. Simpson, American Crime Story
Writing for a Limited Series"Marcia, Marcia, Marcia," The People v. O.J. Simpson, American Crime Story"From the Ashes of Tragedy," The People v. O.J. Simpson, American Crime Story"From the Ashes of Tragedy," The People v. O.J. Simpson, American Crime Story
Variety TalkLast Week Tonight with John OliverLast Week Tonight with John OliverLast Week Tonight with John Oliver
Variety SketchInside Amy SchumerInside Amy SchumerInside Amy Schumer
Reality CompetitionThe VoiceThe VoiceThe Voice

Emmy Tracker: Tight Emmy Races and Dark Horse Surprises

Some Emmy Races Are Too Close to Call

2016 raised a lot of questions in the Emmy races, and for once it seems like more races are completely up in the air than not, which leads to what could be one of the more exciting Emmy ceremonies in recent history. These five races are some of the closet of the night.

Lead Actress in a Drama – Viola Davis vs. Robin Wright Viola Davis is becoming one of the most revered actresses of 21st century and won every peer voted award for her work on HTGAWM. However, viewers recently found the show to be pretty divisive. Robin Wright had a huge year on House of Cards in front of and behind the camera and probably came in second just about every year since the show premiered.

Lead Actor in a Drama – Kevin Spacey vs. Rami Malek   The two-time Oscar winner is pitted against the breakout star, and the two choices couldn’t be more different. House of Cards is at an all-time high in popularity within the actors branch of the academy (not so much anywhere else), and Spacey is the reigning champ at the SAG awards for the second year in a row, meaning he is clearly popular. Rami Malek isn’t technically new to Hollywood, but he is now a household name and dominated the critical conversation since Mr. Robot premiered last summer. This race is really a test on whether or not a newcomer can win a popular vote or if lead races like these will always go to the most respected actor in the category.

Anna Chlumsky vs. Allison Janney vs. Kate McKinnon Without a clear front-runner, this supporting actress race could give us one of the only new winners of the night. Allison Janney is a two-time winner for her work on Mom, but how long the question needs to be asked of how long voters will award her for a show they don’t watch? Anna Chlumsky was snubbed last year, but as Veep becomes even more popular she could easily win a make-up Emmy if the political comedy sweeps. Kate McKinnon has had the best year of her career playing Hillary Clinton on SNL as well as great reviews in a summer blockbuster (which has helped winners in the past).

Writing of a Drama Series Last year Game of Thrones nearly swept the drama categories and the writing branch even surprisingly awarded them for an episode not particularly noticeable for its writing. This year the writers could follow the same path for the action heavy “Battle of the Bastards” or they could instead back a more interesting choice like The Americans or Mr. Robot. The writing branch has never been afraid to follow their hearts and give us a few surprises (Friday Night Lights), and they could easily vote for either show especially since they were both recognized at the WGA awards as well.

Bryan Cranston vs. Courtney B. Vance Bryan Cranston is the industry darling in a prestigious HBO film with a performance for which he has already won a Tony. Courtney B. Vance is a character actor finally receiving the recognition he deserves for his work as Johnnie Cochran on the biggest TV sensation of the year. Voters could easily vote for their favorite actor even though All The Way was one of HBO’s most underperforming shows in recent years or Vance and American Crime Story could easily sweep throughout the night.

Last Week Tonight with John Oliver v. The Late Late Show With James Corden   The Jon Stewart/Stephen Colbert dominance at the Emmys is as old as this year’s freshman highschoolers, which makes the first year neither of them are in contention an exciting year for variety talk shows. John Oliver is an obvious heir to their throne with his snarky political commentary especially after winning two Emmys last weekend including the writing award. James Corden is just as popular with two wins last weekend and a year in pop culture with a hosting stint at The Tonys and the viral sensation Carpool Karaoke.

Dark Horse Contenders to Watch

Like Merritt Wever or Bobby Cannavale in the past it wouldn’t be a year at the Emmys without some left-field choice that no one saw coming.

black-ish  and Company Veep may be the front-runner in almost every category, but if voters are looking for an alternative they may go for the exact opposite, a family sitcom that reminds viewers that sitcoms can be just as funny as they were in the 70’s and 80’s. The same could be said for the show’s stars, Anderson and Ross, who have been working in Hollywood for years and are probably the polar opposite to their respected front-runners.

Sarah Paulson for American Horror Story There is no doubt that 2016 is Sarah Paulson’s year, but what if voters decide that she also deserves recognition for the anthology series they snubbed her for in the first place? Maybe some voters might feel guilty for not voting for her performance as Marcia Clark in the lead race (if there are even any members not voting for her) and decide to throw her a bone in supporting since the category is a little underwhelming anyway.

Hugh Laurie After years of Emmy-nominated work on House, he has never been recognized the television academy, and after a huge year on The Night Manager and Veep voters might decide it is finally his time. He also stands out on a ballot next to three men from American Crime Story and two men from Fargo.

Kerri Russell  As farfetched as it may sound maybe there is a portion of the acting branch of closeted Felicity fans? She has been working in television since the late 90’s and if voters are looking for another opportunity to award The Americans she comes across as the more overdue of the two stars.

Liev Schreiber The industry cult around Ray Donovan has grown over the years, and the Showtime drama already won its first acting award last weekend. With season four airing during the voting period, Liev Schreiber received a lot of visibility making him the perfect surprise in a Kevin Spacey/Rami Malek matchup.

Keegan-Michael Key With ten nominations in various categories over the years (including a surprise voice-over nod this year), Keegan-Michael Key is pretty well-known among his peers. He’s easily had more visibility than any other nominee throughout the year on shows like Archer, Playing House, Modern Family, Bob’s Burgers, House of Lies, The Muppets, as well as his first major film Keanu.

The “Parents” Episode of Masters of None  This may not count as a dark horse contender, but partially due to vote splitting between Silicon Valley and Veep and partially because this might be the best comedic episode of TV this year Aziz Ansari has a good shot at taking home his first Emmy.

Niecy Nash From Reno 911! to Scream Queens, Niecy Nash has proven she is one of the most consistently hilarious actresses of the past decade, and in a category with so many uncertainties pure goodwill towards her might actually pay off. Not to mention her Didi Ortley is the most relatable and likable characters in the group which might make her standout in a category filled with over-the-top performances.

nashFinal Thoughts Before The Emmys

Like Kylie Jenner predicted, 2016 will be the year of realizing things, not only in life but especially at the Emmys. We’ll finally have an answer on whether or not vote splitting is really a dilemma the Television Academy will have to deal with. The writing and directing races will be the most telling races of the year, especially those for the Limited Series and Comedy races. In any other year, American Crime Story and Veep would dominate those races, but now that they consist of half the nominees in any given race that might not be the case.

We’ll also get a better idea on whether or not newcomers and breakout stars are able to stand out in a popular vote system against well-respected names that have been working in television for decades. Can Rami Malek attract enough voters over a two-time Oscar winner like Kevin Spacey? Can a young stud like Kit Harington ride the success of a year all about Jon Snow to a win, or will he lose to his beloved costar Peter Dinklage or even someone like Jon Voight? Last year Tituss Burgess was the breakout performance of the year, but he still lost to Tony Hale who didn’t have anywhere near Emmy-winning material in 2015. If this continues there may never be another winner like America Ferrera or even Merritt Wever again.

 

Readers, what races are you most excited to see play out on Sunday? Make sure to catch the rest of our Emmy coverage including the ADTV Emmy Confidential series, our final predictions, and to enter our Emmy predictions contest with prizes donated by HBO!

Emmy Confidential: The Actress

This is the last in our 2016 Emmy Confidential series. The Emmy Confidential series allows Emmy voters the opportunity to anonymously discuss what they voted for and why in four major Emmy categories. 
Our final post comes from a character actress whose has a prominent role on a hot new Fall cable drama. This actress considered the A-Z, Z-A ranking of nominees a non-starter and considers the noise around it silly. She is a huge fan of Game of Thrones but thinks Bates Motel (and its stars Vera Farmiga and Freddie Highmore) were all robbed for what she considers a classic season of television.Emmy Confidential

Drama Series – Game of Thrones

First of all, I voted for Game of Thrones because it’s an amazing hour of television literally every week. The sets, the costumes, the story, the acting… It’s literally an amazing achievement every week. That said, I’m heartbroken that “my” show Bates Motel wasn’t nominated. But, like, it’s just a popularity contest. I barely know anybody who watches it unfortunately. It’s huge on Twitter, though. I don’t get The Americans. I tried to watch the first season, but it was too slowly paced for me. Downton Abbey I haven’t watched in years. I’m a bad Emmy voter, I know, but it’s just not something that ever really catches my attention. I loved the second season of Better Call Saul because I have a massive crush on Bob Odenkirk, but who would vote for it because of that? (Laughs) I almost did though. Homeland was good this season. I have no complaints there, but it’s kind of “been there, done that.” You know? I’m obsessed with House of Cards, but it’s really not “great drama.” It’s more of a really well done political soap opera. I hope Robin Wright wins this year. She should really have at least 3 Emmys for this show. Mr. Robot was the show all my friends talked about this year, and I liked it. I absolutely hate the second season, though. Good luck next year, guys.

Comedy Series – black-ish

black-ish is the funniest show on network television. Hands down. I thought Veep was great this season. That “Congressional Ball” episode was amazing, especially when Julia (Louis-Dreyfus) dressed that congresswoman down. They won last year, though, and I have a problem with repeat winners. Yeah, I know I voted for Game of Thrones, but there weren’t really any other dramas I felt could compete. black-ish needs this win this year. We need to celebrate its diversity and different perspectives as much as possible. Unbreakable Kimmy Schmidt felt like a step down in Season 2. They totally wasted Lisa Kudrow, too, when they had her ride roller coasters at Universal. What the fuck was that all about? Tina Fey was fun though. Transparent shouldn’t be in this category because it’s not a comedy. Next please. I don’t personally find Silicon Valley all that funny in Season 3. They focused on Richard too much. I’ll still watch it, but not enough to vote for it. (Laughs) What the hell is Modern Family doing here still? I love Aziz Ansari, and I almost voted for Master of None. It’s too soon, though. It was a sweet show, but it’s not as good as both black-ish or Veep.

Limited Series – The People v. O.J. Simpson: American Crime Story

I’m so glad American Horror Story: Hotel wasn’t here. It would be ridiculous putting that up against The People v. O.J. Simpson: American Crime Story. I voted for that, of course, because it’s amazing in literally every way. I worship Sarah Paulson, and her Marcia Clark was a revelation to me as an actress. I would have killed for that role. There really isn’t any competition here. Fargo was really kind of great up until the finale, which I thought they completely botched. The Night Manager was something I didn’t really want to watch, but I did because a friend of mine knows Tom Hiddleston. I liked it, but I multi-tasked through it. Did I tell you I’m a bad Emmy voter? Roots was fantastic but so hard to watch. I’m glad they remade it, and I’m a little surprised it didn’t get more nominations.

TV Movie – A Very Murray Christmas

Did I tell you I was a bad Emmy voter? I didn’t really love or even like anything in this category. I voted for A Very Murray Christmas because… ok this is really shallow… but I love Christmas. And I love variety shows like that, which is pretty hard to pull off without making it seem fake. Does that make sense? It was a very honest sort of call-back to variety shows of the 70’s. I think that was cool and different. All the Way and Confirmation were just sort of made to win Emmys. I didn’t see Luther or Sherlock. People are going to get mad at me when I say this, but I just didn’t care. They both sat at the bottom of the pile for a solid month.

1st Annual AwardsDaily TV Cooler Awards

Sure, the Emmys are great, but it’s our turn first. And so, the Cooler Awards…

Sunday night marks the 68th Annual Primetime Emmy Awards. Sure, they’re kind of the gold standard for television awards. Yeah, they’re voted on by the 20,000+ members of the Television Academy. OK, they hand out pretty gold (gold-plated, am I right?) statues. But they aren’t voted on by the staff of AwardsDaily TV. They’re not The Cooler Awards. All I can say is, we stepped up where the Television Academy did not.

We voted back in June, just like the Television Academy did. We tried to stick with their voting rules and regulations as best we could, and we published our nominees on July 13 – one day before the Television Academy. Now, we’re announcing the winners just before all that Emmy noise. We just don’t have pretty, gold (gold-plated, am I right?) statues to hand out.

And the winners are…

(Photo: FX)
(Photo: FX)

screen-shot-2016-09-15-at-10-09-18-pm-1024x764

Ansari
(Photo: Netflix)

screen-shot-2016-09-15-at-9-58-25-pm-1024x765

(Photo: A&E)
(Photo: A&E)

screen-shot-2016-09-15-at-9-56-26-pm-1024x686

‘Better Things’ Is a Tasty Morsel of Comedy

Pamela Adlon learns from her collaboration with Louis C.K. and delivers a great Better Things

Better Things is quick and scrappy. Star Pamela Adlon (LouieGrease 2) created the show with Louie collaborator Louis C.K., and her new show is obviously influenced (in a good way) by her work with the veteran comedian. There is something very thoughtful and hilarious about Better Things that shines through. It’s immediate proof that some of the best comedy comes from the absurdities of real life.

Adlon plays Sam, an actress who is juggling acting gigs with the hardest job of all: being the single mother of three girls. During a callback, another actress asks her if she’s dating anyone at the moment, Sam vehemently denies it, and says, “I’m dating my daughters. They’re my love life.” Sam’s seemingly nonexistent love life is clearly going to be a constant theme in Better Things.

The only other regular characters that we are introduced to in the too-short premiere are Sam’s daughters, and the drastically different dynamics she has with each one is one of the strongest things about the first episode. Max is giving Sam the most trouble at home. She asks her mother if she could get her pot because Max thinks her mother would actually appreciate being in control of her daughter’s drug curiosity. Her youngest, Frankie, is curious about her body, but Duke, the youngest, is still very much in love with her mommy.

The episodes are short, and they feel like comedy morsels. You just want more. Talking about the plot much would really spoil it, but what you need to know is that Better Things makes a strong debut by not telling us everything. The sidelines are very loaded with humor, and Adlon is screamingly good and grounded as Sam. She’s been on the periphery for a long time (you’ve heard her voice a million times surely), and this is a chance for her to come front and center.

Better Things airs Thursdays on FX at 10pm ET.

Jay Roach On ‘All the Way’ and That Trump Movie You’ve Been Wondering About

When it comes to Emmy wins, director Jay Roach remains undefeated. In 2008, he took home statuettes for Recount, his candid look at the 2000 presidential election. And in 2012 he won again for Game Change, which follows Sarah Palin’s rise as the Republican Party’s V.P. candidate.

But despite his growing reputation as the go-to political guy, he still occasionally feels like the new kid on the block. “Keep in mind,” said Roach with a laugh. “I’m the Austin Powers guy. We comedians still feel like we’re always at the clown table.” Roach comes from a comedy background, having directed all three films in the Mike Myers franchise in addition to Meet the Parents and Meet the Fockers.

jay roach
(Photo: HBO)
Lately, his interests have moved from giggles to government. “They’re the stories that count right now. I think of them as political, but also as classic drama. These are human beings in their own private battles, but they’re also taking on issues that affect all of us. To have a story work on so many levels makes for a richer story.”

When he started work on All the Way, which secured eight Emmy nominations, he felt like the outsider. Both Outstanding Lead Actor nominee Bryan Cranston and playwright/screenwriter Robert Schenkkan had worked together on the play from which the film was adapted.

“Robert wrote the screenplay adaptation of his own great play,” said Roach. “He was around constantly. I had him involved in pre-production and he was on set every day. He would help me and the actors sort out issues. We had Bryan Cranston, too, who’s such a great storyteller himself, so we’d often powwow with Bryan.” In fact, Roach had the opportunity to work with Cranston back to back: first on 2015’s Trumbo and then on All the Way.

The film follows the chaotic aftermath of the assassination of John F. Kennedy, with Vice President Lyndon B. Johnson stepping in and working across parties to pass the Civil Rights Act. One aim with the movie versus the play was to open up the scope of what LBJ accomplished in his early years, to go deeper into the heart and soul of this president and what he was up against. “There’s dynamism and charisma in his face that you couldn’t showcase as much in the play.”

The All the Way film adaptation comes just a little over a year after the Academy Award-nominated Selma, which follows a similar storyline focused on Martin Luther King Jr.’s point of view.

“I loved that film, and thought [director] Ava DuVernay did an incredible job, and David Oyelowo as MLK was breathtaking. I was really moved by it. But this story was from a year earlier and from LBJ’s point of view, so I knew this story would feel different. I was hoping it would actually be a welcome companion piece. I think any film that brings up the conversations going on in ‘64 and ‘65 are so important right now. Unfortunately, the issues prevail. We’re still talking about the same problems that haven’t been solved.”

When it comes to depicting history, one of the most important things to Roach is getting the story right, with he and his team doing a lot of research. However, he admits it’s hard to fit every single fact into a two-hour movie.

“You have to take license. The audience has to remember, really none of what you’re watching is accurate. These are actors on a set with fake props. But you hope you get to a place where the audience recognizes that it is based on the true story. It is authentic.”

jay roach
(Photo: HBO)
And for some stories, like that of Donald Trump’s current run for president, Roach is simply watching and waiting.

“We are definitely [Danny Strong, HBO, and I] talking about how to do this. We plan to explore what that story would be. We’re not even sure what it would be yet, since it’s not over. I don’t know if a fictional adaptation of reality is even possible. We’ve been doing research. I went to the Republican Convention. I think it’s so fascinating.”

Covering Trump could be quite the contrast from All the Way.

“LBJ is really the anti-Trump. He was a pro at getting things done. He had worked for years in the legislature and then as vice president. I think people devalue experience, but he was a master legislator before he was president.”

As for remaining undefeated at the Emmys, Roach doesn’t feel any pressure.

“I like all of the projects in the category. I just look at it as, I’m so happy to get the chance to make movies like this. I’m really honored to be a part of it and glad for the film to be noticed, but I’m more just celebrating that we’re even at the table.”

From clown table to Emmy table.

 

All the Way is available to watch on HBO Go, on Amazon Video, or for purchase on Blu-Ray and DVD.

‘American Horror Story 6’ Unplugged

Ryan Murphy returns with a stripped-down and effective American Horror Story 6

In a way, tonight’s premiere of American Horror Story 6 felt like the premiere of a brand new series. Take away the famous faces, and the hour felt nothing like a standard episode of the Emmy-winning horror anthology series. That’s probably the best news for audiences and Emmy voters who largely treated Hotel like a red-headed stepchild. That season and most before it equated exquisite costuming and gorgeous production designs with gore and sex. Most episodes dazzled thanks to their visual style, but even fans would agree that, sometimes, it just didn’t add up. True scares often felt like an afterthought, a shame for a horror series.

Enter American Horror Story 6.

The new season immediately plunges the audience in a David Lynchian world where different actors play the same characters (Lynch’s daughter, Jennifer, reportedly directs “Chapter 3,” according to Wikipedia). In a more literal sense, Lily Rabe (AHS 1-5) and Andre Holland (The Knick) narrate the pilot as a docudrama apparently called “My Roanoke Nightmare.” That may or may not be the actual subtitle of the series, but nothing here is certain. The docudrama depicts their fleeing of Los Angeles and eventual purchase of an abandoned house near the coast of North Carolina. Sarah Paulson and Cuba Gooding, Jr., star as the couple within the re-creation.

Despite shifting in and out of the narrative with voice-over work, the central story begins to settle into a blend of home invasions with a heavy dose of old fashioned haunted house. Paulson begins to encounter possibly supernatural events that escalate by the end of the episode, which takes on a very specific Blair Witch sheen. The new season boasts a stripped down look and feel, and, while the production design is still effective, most of the scarier scenes are lit with dim candlelight.

I’m going to hold judgment on the series until I’ve seen more of it. Did I like the pilot? Yes. It’s an intense hour with at least three great jump-out-of-your seat moments. Additionally, the cast works wonders with the traditional haunted house material. I, for one, am thrilled to see Angela Bassett get a really meaty role at the start. However, there is this shrill, nagging voice in the back of my head telling me the docudrama-style narration is intrusive and works against the tense atmosphere, but the jury’s out on that. Clearly, Murphy wants to push American Horror Story into a The Jinx or Making a Murderer direction by relying on similar filmmaking techniques. I’m just not sure how effective that would be over an entire season.

But for now, I’m fully on board with American Horror Story 6. I appreciate the stripped down, back-to-basics approach that make this season feel more like Murder House. And, for the first time in a while, the series holds a certain sense of mystique about it, something sorely lacking in recent years. It has an unknown quality where we can’t immediately imagine what to expect over subsequent episodes. Two of my ADTV colleagues posited each episode of the season would be different from the last, and, after the pilot, that’s a very smart possibility.

Overall, this appears to be a leaner, meaner American Horror Story. One that plays a little harder to get on the first date rather than the full spread-eagle approach of past seasons. Has Ryan Murphy finally learned a sense of discipline and constraint? That would be the biggest shock of all. Time will tell…

Live Tweet: ADTV Reacts to ‘American Horror Story:6’

Team ADTV live tweets the premiere of American Horror Story: 6

Even those who have strayed from the American Horror Story flock have to be pretty intrigued tonight. This marks the premiere of the top secret American Horror Story:6, called 6 because we know nothing about it. We have no details on theming, setting, events. You name it. And we haven’t been this excited about a television show in a very, very long time. We’ve already ranked the first five seasons. Where will the new one fall?

To celebrate, members of AwardsDaily TV will provide their immediate reaction on Twitter using #AHS6ADTV. A full review will appear tomorrow once we’ve been able to sleep.

Enjoy the show! Join in the tweets!

 


Emmy Tracker: Unpacking The Creative Arts

The Creative Arts Emmy Awards are over and done. What do they tell us about Sunday’s Primetime Emmys?

Over a two-day Creative Arts Emmy event, Game of Thrones and The People v. O.J. Simpson: American Crime Story have essentially been solidified as the frontrunners going into the final week of Emmy prognosticating as well as good signs for The Last Week Tonight With John Oliver and Inside Amy Schumer. Other than that no other major questions were answered, and the most exciting news to come out of the ceremony was the long overdue win for the one and only RuPaul Charles who, in full Aretha Franklin fashion, marched onto that stage with a ferociously giant designer bag.

I’ve never been so happy to be wrong.

Splitting The Vote?

After a weekend of Creative Arts winners, the jury is still out on whether or not voting without a ranked ballot will have any sort of effect on this year’s winners. In the past, nominees weren’t affected when they competed against their co-stars because the small voting juries were able to rank their ballots, but now the entire voting membership is deciding and simply asked to vote for a single nominee. There was some evidence of co-stars being at a disadvantage last weekend with actors from House of Cards cancelling each other out, most surprisingly Ellen Burstyn losing what should have been a sure win to Margo Martindale. The Guest Actor in a Comedy race was also thought to be between the two SNL hosts, but the award ended up going to Peter Scolari who wasn’t even originally nominated. In fact, the one guest race where a nominee was able to beat out a co-star was Tina Fey & Amy Poehler in the comedy actress race, but that win could be accredited to the duo standing out as a pair, something that has never happened in an acting race before.

A couple of the below-the-line races had lineups with two shows having double nominees and then a single show represented once. In the Comedy Editing race, Silicon Valley had two nominations, Veep had two nominations, and the fifth nominee was Crazy Ex-Girlfriend which ended up winning. In the voice-over performance category, South Park had two nominations as did SuperMansion, but the winner ended up being Seth McFarlane, the sole nominee representing Family Guy. The only category that goes against this new theory is the drama editing race where two episodes of Better Call Saul and Game of Thrones were nominated against Narcos. Game of Thrones won anyway for one of the biggest episodes of television this year “Battle of the Bastards.”

If The Pattern Continues, What Races Will Be Affected? 

If the pattern continues, a couple of this weekend’s big races might have some surprises coming. Most of the races that have the biggest risk of vote splitting include nominees from the three biggest contenders of the year: Game of Thrones, Veep, and The People v. O.J. Simpson: American Crime Story. These shows were so popular in the nomination process that they outperformed the predictions of just about everyone following the Emmys. Now that they might be at a disadvantage, it makes predicting this year’s winners even more complicated. The six categories to keep an eye on are:

  1. Supporting Actor in a Comedy: Tony Hale and Matt Walsh from Veep   
  2. Supporting Actor in a Drama: Peter Dinklage and Kit Harington from Game of Thrones 
  3. Supporting Actress in a Drama: Lena Headey, Emilia Clarke, and Maisie Williams from Game of Thrones
  4. Lead Actor in a Limited Series/TV Movie: Courtney B. Vance and Cuba Gooding Jr. from American Crime Story
  5. Supporting Actor in a Limited Series/TV Movie: 3 actors from ACS and 2 actors from Fargo 
  6. Directing & Writing of a Limited Series/TV Movie: ACS with three nominees in each category

schumer

Other Observations from the Creative Arts Ceremony

  • Inside Amy Schumer and Last Week Tonight With John Oliver seem to be the clear frontrunners for the Variety Sketch and Variety Talk races after pulling off wins in the directing and writing races respectively.
  • Five different awards went to documentaries that contended for Oscars earlier this year (Cartel Land, The Hunting Ground, What Happened, Miss Simone?), complicating the streaming lines between film and television even further. Could this usher in new rules from the Television Academy to prevent streaming sites in the future submitting failed theatrical releases into the television movie races?
  • Game of Thrones won nine Emmys at the Creative Arts ceremonies, one more than the eight Creative Arts awards last year. With those nine Emmys, Game of Thrones became the most decorated drama in the history of the Television Academy and cemented itself even further as the show to beat this year during the Primetime ceremony.
  • Crazy Ex-Girlfriend won the Emmy for Outstanding Single-Camera Picture Editing for a Comedy Series, an award that has always gone to major Emmy contender in the past. Every winner (except for My Name is Earl) became an Outstanding Comedy nominee so is this potentially good news for the CW musical? Probably not, but maybe the attention for the underrated show could potentially benefit Rachel Bloom for an acting nomination in future years.

Ranking ‘American Horror Story’ Seasons Before Tonight’s ‘6’ Premiere

Opinions are like a-holes, everyone has one. So here are our opinions on American Horror Story‘s first five seasons, ranked in order of greatness.

With the sixth and ever-so-mysterious season of American Horror Story starting tonight on FX (10pm ET), the team at AwardsDaily TV ranked their favorite seasons of the series. What will the team choose as their favorite season? Were we allured by the witches of Coven? Did we all want to stay with the residents and vampires of the Hotel Cortez? Were we sympathetic to Freak Show? Or, did we prefer checking in with the crazies of Asylum over Murder House? Read below to see our choices.

Murder House

Best In Show

Welcome to 2011 where producer Ryan Murphy unveiled a daring new horror anthology series called American Horror Story (the subtitle Murder House would come later after subsequent seasons were assured). It dug into horror tropes of the 70’s (female sexuality, fear of pregnancy, sex in general…) and meshed them beautifully with 20-century murder milestones. Black Dahlia? Check. Nurse murders? Check. Columbine? Check. Murphy penchant for kitchen-sink writing kind of worked beautifully here as we didn’t yet understand the rhythms he would undertake for the series. The cast is uniformly good with Connie Britton lending gravitas to the proceedings and, of course, Jessica Lange dominating with her Tennessee Williams-based Constance. Perhaps best of all, Murder House started in October and finished shortly before Christmas with a tight season. Whereas later seasons would drag out into the new year, this one is horror television for the ages. – Clarence Moye

Asylum

A worthy follow up

American Horror Story: Asylum aired back when audiences were super-intrigued, you might say hyper-actively committed, by the new franchise following the success of Season 1, Murder House. The second series got us hooked, confirmed our devotion. Set predominantly in a mental institution during the 1960s, the wacky characters this time fit the bill of the season’s premise: struggling inmates, evil nuns, twisted doctors, an angel of death, a horrific Santa, and even a certain Anne Frank makes an appearance. Tackling under eerie, gripping execution are themes of bloody murder, homosexuality, possession, amputations, and a whole host of fucked-upness. With 17 Emmy Award nominations, Asylum was a creepy blast with the awards bodies too. Performers like Lily Rabe, Emmy-winner James Cromwell, Zachary Quinto, and of course Sarah Paulson, particularly go for it – not to mention an unforgettable bout of the name game. – Robin Write

Hotel

Better than its reputation suggests

With Jessica Lange gone from AHS and Lady Gaga stepping in, there was going to be trepidation with the fan-favorite gone from the show after four seasons. Hotel returned the show to Downtown Los Angeles and ranks as our third favorite in the series. What did we love? Denis O’ Hare as Liz Taylor. Great as always, but the rebirth scene was such a wonderful send off for this loved character who had had such a heartwarming story arc. Sarah Paulson as Hypodermic Sally was a welcome addition but seeing her character Billie Dean Howard from Murder House was a giddy delight.

We all loved Emmy-winner Lou Eyrich for keeping the clothes off of Matt Bomer’s vampire Tristan, and we all loved that vampire orgy scene. In true AHS style, there was lots of blood and lots of sex. Finally, Lady Gaga as The Countess delivered a seamless transition from stage to TV and gave a stellar, Golden Globe-winning performance in her series debut. Each week, she donned those glam gowns and went for the kill in that Michael Schmidt glove, adding to the visual beauty of the show which remains outstanding season after season. – Jazz Tangcay

Quote of the season : ““Hack me, bludgeon me, surprise me!”

Coven

Eh…

If you were wondering what tone the third season of American Horror Story was going to have, look no further than the title of the first episode. “Bitchcraft” assures us that the scares will be aplenty but so will the toxic tone. Set in sweaty New Orleans, the season focuses on the small group of girls that attend Miss Robichaux’s Academy, and it’s basically a more violent, stylish Hogwarts. For the most part, the season tries to keep it light, but it falls apart by the end due to over-plotting and too many episodes. It’s the perfect example of how the holiday break ruins the momentum of this series. Despite a horribly villainous (and Emmy-winning) turn by Kathy Bates as slave owner Madame LaLaurie, the season really belongs to AHS newcomer Angela Bassett. Her voodoo priestess reminded us how much we missed seeing Bassett in a juicy role, and it proved that Ryan Murphy has a knack for reviving actresses’ careers. – Joey Moser

Freak Show

Worst. Season. Ever.

A lot of people love American Horror Story: Freak Show. It’s just that none of those people work at AwardsDaily TV. What started out so promising ultimately devolved into a plot-devoid, drawn-out, and exhausting mess. The major hook of the up-front ad campaign was the brilliant creation Twisty the Murdering Clown. But, as he often does, Ryan Murphy lost interest, and Twisty met a too-soon end in the series after being made something of a sympathetic figure. We want none of that. Instead, we’re given the good-looking monster Dandy (Finn Wittrock) who whined and pouted and bitched his way through the rest of the season. His personality was the biggest horror show of the whole season, nearly squashed a delicately beautiful performance from Sarah Paulson as Dot and Bette Tattler, conjoined twins. Then, there were the awful production numbers… We’re not actually convinced the Television Academy really watched the season. It garnered 19 Emmy nominations – a high for the series – but won only 5 awards in the Creative Arts categories. This was the first year the series failed to take home a major award. We think that’s because voters finally watched it rather than ticking off best friend Ryan Murphy’s name 19 times. Freak Show emerges as a sad, sad mess, and we welcome anyone to legitimately defend it. Razor-tipped glove thrown down. – Clarence Moye

American Horror Story: 6 premieres tonight on FX at 10pm ET. Check back for the full reaction from AwardsDaily TV later tonight. You can also follow @AwardsDailyTV for our AHS:6 live tweeting event.