Emmy Tracker: Movers and Shakers in the Limited Series Categories

The Emmy Tracker Limited Series categories are ever in-flux thanks to an abundance of potential nominees

On this week’s Water Cooler Podcast, Joey, Megan, and I had a robust conversation about the highly competition Limited Series Emmy races. If you haven’t had the chance to listen, it’s a comprehensive (re: long) overview of we consider to be the hottest categories at the 2016 Emmys. I know I said it’s long. Hopefully, you’ll find it flies by as we did. At any rate, the conversations on the podcast led to today’s updates in the Emmy Tracker Limited Series categories. Plus, we’ve now seen Roots and The Dresser, two television productions that deserve serious consideration.

Today’s updates include…

  • We’ve added Oscar-winner Forest Whitaker to the overstuffed Supporting Actor race thanks to a stand-out performance on nights one and two of A&E’s Roots update. We’d left him off because we weren’t sure how impactful he would be in the ensemble cast. Well, we’ve seen it now, and he’s a significant standout. As Fiddler, he gives the kind of performance that truly pops, playing the violin as Kunta Kinte (Malachi Kirby) escapes a plantation during a Christmas celebration. Then, Fiddler becomes the driving force behind Kunta Kinte emotionally recovering from an extremely brutal punishment. As such, Whitaker will likely figure into the race in a very significant way should the Television Academy respond positively to Roots.
  • So, if Forest Whitaker goes in, then someone must come out. After fully considering All the Way, none of us were truly impressed by Frank Langella’s stereotypically mustache-twirling performance. This week, we’re dropping him in favor of Whitaker. Far better in All the Way was Bradley Whitford as LBJ’s vice president, Hubert Humphrey. Similar to Greg Kinnear’s Joe Biden, Whitford manages to both impersonate Humphrey and make him a compelling character. Plus, the Television Academy loves Whitford, having awarded him multiple nominations and a win last year for Transparent. Sorry Martin Freeman. Maybe another year.
  • Richard Dreyfuss steps up a few notches for his Madoff performance. We weren’t sure exactly how the performance would resonate from its original airdate last February, but Mr. Dreyfuss has been on the campaign circuit as well as going on a few highly publicized anti-Trump Twitter rants. You may call that lunacy. We call it brilliant campaigning.
  • There was a lot of conversation around Wendell Pierce’s performance in Confirmation as future Supreme Court Justice Clarence Thomas. Pierce is a well known and much-liked television actor who was also seen this year in Fox’s Grease Live! The problem with Pierce is the role of Clarence Thomas isn’t fully realized as the film is without a doubt in Anita Hill’s corner. This is her movie. He’s not given a compelling scene to warrant attention above many other fine actors. Plus, there’s that whole simple battery charge to deal with stemming from a Bernie Sanders rally in Atlanta. Political rants on Twitter are one thing, allegedly attacking a woman is entirely another. We didn’t include him for now…
  • The American television premiere of Starz!’s The Dresser introduced two very strong contenders in the Best Actor race. Sirs Anthony Hopkins and Ian McKellen both give great performances, even if they are polar opposites. Who has the upper hand? The role gives Hopkins free license to be big, broad, and hammy (something he joyously excels at) while performing King Lear and contemplating a life in the theater. McKellen has the bittersweet role of the ignored dresser. McKellen is always fantastic and has awards heat when he acts, but it’s been a while since Hopkins has been this great. I’m giving Hopkins the upper hand for now as Timothy Hutton (American Crime) and Patrick Wilson (Fargo) fall below the top ten.
  • Quick updates: Anika Noni Rose (Roots) is apparently now being considered for Supporting Actress in a Limited Series rather than Best Actress in a category dominated by Sarah Paulson (The People v. O.J. Simpson). Additionally (and sadly), And Then There Were None was completely removed from the list because it was not submitted for Emmy consideration. It will compete at the International Emmy Awards instead.

Troy Garity On Playing an Agent in HBO’s ‘Ballers’

HBO’s buzzy comedy Ballers takes us inside the world of NFL players and agents. Golden-Globe nominee (Soldier’s Girl) Troy Garity plays Jason, an NFL super agent hustling to get his players contracts and changing their lives. The second season returns to HBO this July.

I recently caught up with Troy Garity to talk about football, Los Angeles, and his excitement over Ballers‘ second season as he was driving around Hollywood.

AwardsDaily TV: I loved the first season of Ballers. I’m so excited for season two.

Troy Garity: Ah, great. That makes me so happy. The second season is fantastic.

ADTV: For those who haven’t seen the first season and need to binge watch before season two drops, tell us about your character.

TG: I play Jason. He’s a super agent, meaning he’s one of those big top NFL agents. I have about 30 clients, most of which I’ve been with since they left college and entered the draft. So, really a bridge from the amateur into the professional world, and that’s really where people run into most of their problems… that dramatic adjustment. Not only do I get them contracts and enough money to change their life for generations, I have to help them adjust to the life of being insanely rich and often times mediate in the family acting as a counsellor. It’s a constant never ending job. My character also has intimacy issues because he has no time for intimacy as all of his relationships deal with his players. He lives in hotels and on the road.

The Rock plays Spencer who he went to college with. I was his agent, and he was my first client. I helped him from player to financial manager, the irony of which, he is terrible with finances.

ADTV: You mentioned season two is going to be something we can look forward to, so what can we expect from Jason in season two?

TG: Well, we see him really push Spencer into an uncomfortable place that I put him in competition with his enemy who is played by Andy Garcia. You also get a glimpse behind the curtain of what it takes to sign a player. You get to watch Jason pursue a college NFL prospect who wants to enter the draft. He has to go to this house and convince him to put his life in his hands, and convince him that I, as Jason would be able to get him the most amount of money. He puts my character through the ringer. It’s so much fun this season. You get to watch Jason and Spencer prep this kid for life in the NFL.

TroyBallPic1

ADTV: What research did you do for Jason?

TG: I met with a bunch of NFL and sports agents. I worked out at Jay Glazer’s gym, Unbreakable, with a group of NFL players who were in off season training. I spent a few hours with them and got a first hand look at the blood and sweat into how hard they work and how dedicated they are.

Several guys I worked with are league veterans who no longer had a team and were training to get one last contract. I really got to experience the pressure they were under for that last opportunity. They also have this fear of facing a normal life, they liken it to leaving the military.

ADTV: Were you always an NFL fan?

TG: I grew up a Raiders fan. In the mid 90’s they moved back to Oakland. LA hasn’t had a team for over 20 years until recently. I’ve been in football purgatory. I’ll be curious to see if the LA Rams can win over my heart and mind.

I’m a baseball fan. I also am a big soccer fan. I like Arsenal.

ADTV: They did terribly this season. Leicester City won.

TG: Here’s the beauty of TV. The writers entered the first season with an idea of where the show was going to go and who the characters are. We get to know each other better. In the second season, is the maturation of the show. We have a better understanding of who everyone is and what’s at stake.

ADTV: What were some season one highlights?

TG: The episode with Marlo Thomas was great because it deviated from the central plot. I enjoyed looking into these guys negotiating the deal. What isn’t often reported is the negotiations and what’s happening.

Closing the deal is a big plot line you’ll see in season two.

ADTV: How does TV work compare to working on a movie?

TG: A film, you know the beginning, middle and the end. You have a finite amount of time to tell the story. TV is an evolutionary process. I have an idea of who Jason is, but he grows with me as I learn what’s happening and where the story is going to go. It’s much more fluid. You also really get to know who these people are. TV gives you characters and it’s about interaction, it’s a different form of story, and when done correctly, it’s so incredibly rich.

ADTV: I’m excited for season two.

TG: If we can get seven years on this show… Where these characters will be in seven years would be insane.

The final episode of the second season is the greatest episode I’ve ever read. It’s really insane what this superhero of American cinema does. It’s insane! Episode ten is over the top crazy!

https://www.youtube.com/watch?v=aCuWMywd8yU

Troy Garity and Ballers season two return to HBO on July 17.

Netflix: June is Bustin’ Out All Over

While it’s not quite The Best Month Ever, there are some intriguing Netflix June offerings busting out on the streaming content provider. Here are a few of the higher profile items that struck our fancy.

Bob Ross: Beauty Is Everywhere (June 1)

No matter if you’re a senior citizen who paints as a hobby or a stoned hipster, chances are you’ve seen at least a dozen episodes of painter Bob Ross. Ross passed away back in 1995, but he will be forever known for his “happy little trees” (clip below). This throw-away utterance became viral before we even had an inkling of what being viral really meant.

 

72 Cutest Animals: Season One / 72 Dangerous Places (June 1)

The number 72 is having the best month ever. Not only do we have season one of 72 Cutest Animals, but we also have 72 Dangerous Places, also season one. Perhaps the two have some secret tie-in? Maybe some sort of Netflix version of the Marvel Cinematic Universe linked by the number 72? Will the 72 cutest animals perhaps fight evil in 72 dangerous places? Am I high? Have I been watching too much Bob Ross. Those are happy little trees… At any rate, I could not find a trailer for the 72 Dangerous Places. Perhaps they were a little too dangerous.

 

Voltron: Legendary Defender (June 10)

Also appealing to man-children everywhere, Voltron: Legendary Defender is apparently a new take on the mid-80s animated series. For those not in the know, Voltron covers the saga of five astronauts who pilot uniquely hued robotic lions that join to form one giant ass-kicking robot, the titular Voltron. This new series contains 13 episodes. Steven Yeun (The Walking Dead) voices the Red Lion.

 

Orange is the New Black: Season 4 (June 17)

Honestly, I could really care less about this one. I know. I’m in the minority. Season three just went absolutely nowhere without a central villain or thread to really unite the characters. Coming off of the great second season, season three was a crushing disappointment. Anyway, here’s the trailer. Enjoy.

And the full list of Netflix June offerings (both films and television) is below.

June 1
7 Chinese Brothers
72 Cutest Animals: Season 1
72 Dangerous Places: Season 1
A Walk to Remember
Big Stone Gap
Bob Ross: Beauty is Everywhere
Breaking the Magician’s Code: Magic’s Biggest Secrets Finally Revealed: Seasons 1-2
Cold in July
Conspiracy Theory: Did We Land On The Moon?
Cuba: The Forgotten Revolution
(Dis)Honesty: The Truth About Lies
El Libro de Piedra
Elizabeth: The Golden Age
Extraordinary Tales
The Fear of 13
Gabo: The Creation of Gabriel Garcia Márquez
Gentlemen and Gangsters: Season 1
The Good Witch: Season 1
The Great Alone
Hadwin’s Judgement
J. Edgar
Jaco
Janis: Little Girl Blue
Jurassic Park
Jurassic Park III
Lion Heart
The Lost World: Jurassic Park
Meadowland
The Odd Couple II
Off Camera: Season 1
Pokémon the Movie: Hoopa and the Clash of Ages
Pokémon: XY: Kalos Quest: Season 2
Portrait of a Serial Monogamist
The Resurrection of Jake the Snake
Rock the Kasbah
Sam Klemke’s Time Machine
Second Coming
Tab Hunter Confidential
UFOs: The Best Evidence Ever (Caught on Tape)
Underdogs
What Our Fathers Did: A Nazi Legacy
Wildlike

June 2
Beauty & the Beast: Season 3
Hibana: Spark
Pretty Little Liars: Season 6

June 3
Bo Burnham: Make Happy

June 6
Darkweb

June 7
Every Thing Will Be Fine
Jarhead 3: The Siege

June 10
LEGO Friends: The Power of Friendship: Season 2
Voltron: Legendary Defender: Season 1

June 11
Me Him Her
Scandal: Season 5

June 12
Already Tomorrow in Hong Kong

June 14
The League: Season 7

June 15
After The Spill
Boom Bust Boom
The Giver
In the Shadow of the Moon
Naz & Maalik
Night Owls
Poverty, Inc.
Top Spin
TransFatty Lives

June 16
Being Mary Jane: Season 3
Marvel’s Agents of S.H.I.E.L.D. : Season 3
The Unborn

June 17
All Hail King Julien: Season 3
Orange is the New Black: Season 4

June 18
Cedar Cove: Season 3
Grey’s Anatomy: Season 12

June 19
Bunk’d: Season 1
I Am Thor

June 20
Life Stories: Season 1
The Making of Life Story

June 21
Best Friends Whenever: Season 1

June 22
Sin City: A Dame to Kill For
Spotlight

June 24
Dragons: Race to the Edge: Season 3
The Fundamentals of Caring
Justin Time GO!

 June 27
Cronies

June 29
Life

June 30
A Very Secret Service: Season 1
Palio
(T)ERROR

‘UnReal’ Season Two Trailer

Lifetime’s UnReal was one of last summer’s buzziest hits. Starring a fantastic Constance Zimmer, the reality satire looks at the troubled production of “Everlasting,” a fictitious dating show. Naturally, Zimmer and her co-star Shiri Appleby go to great lengths to create drama for ratings. It even got a little dark. The UnReal season two trailer hints at things getting much darker.

We killed somebody, didn’t we?

Additionally, UnReal was recently renewed for season three. The third season will consist of 10 episodes and will air in 2017. The early renewal was no doubt ushered forward by a recent Peabody award, a Critics’ Choice award for Zimmer, and placement on AFI’s Television Programs of the Year.

UnReal season two premieres on Lifetime June 6 at 10pm.

Latest Renewals and Fall Premieres

Here are a few notes on upcoming renewals and fall premieres for some high profile and Emmy-nominated Showtime and Starz! series. The biggest news thus far is the confirmation that Homeland will indeed sit out the 2016 television season. Needing additional time in the conceptual stage, Showtime’s former Drama Series Emmy winner will debut in January 2107. The sixth season will reportedly focus on the aftermath of a U.S. Presidential election. It will also be renewed for a seventh and eighth season under show runner Alex Gansa and star Claire Danes.

Also in the renewals and fall premieres category are the premiere dates for Showtime’s big fall tv series. Masters of Sex season four will debut September 11. Shameless season seven will premiere October 2. Finally, The Affair will return for a third season on November 20 after Masters of Sex wraps up.

Over on Starz!, the beloved costume drama Outlander has been renewed for seasons three and four. Season two aired this spring and was broadly embraced by critics, receiving a 98% percent approval rating on Rotten Tomatoes. Season three will center around Diana Gabaldon’s Voyager with season four based on Drums of Autumn.

Stay tuned to AwardsDaily TV for more announcements on renewals and fall premieres!

FYC: Emmys, Consider ‘Pee-wee’s Big Holiday’

Pee-wee’s Big Holiday has a big heart and even bigger laughs but that shouldn’t block Emmy consideration

The Emmy television movie category is always crammed with serious subject matter. Looking back throughout the list of past winners, the award features true tales of historical figures and sweeping emotional dramas. The word “prestige” is often attached to these projects. Maybe it’s time for the Television Academy to embrace something looser, sillier, and absolutely from left field. Maybe it’s time for the Emmys to consider a comedic movie to shake up their streak of seriousness. Maybe it’s time for the Emmys to nominate Pee-wee’s Big Holiday.

This year’s major contenders include All the Way and Confirmation—two titles (both from HBO) that deal with real life events and real people. It’s the epitome of a film in the Emmy wheelhouse. Pee-wee’s Big Holiday is about a quirky guy breaking out of his boring life to form a bromance with Joe Manganiello. Seriously. Wouldn’t you rather watch something a bit cheerier Bryan Cranston glowering at the screen as he struggles with passing the Civil Rights Act of 1964? None of the comedic offerings eligible this season — Pee-wee, HBO’s hilarious tennis mockumentary 7 Days in Hell, or Sofia Coppola’s gentle A Very Murray Christmas — seem to be locked for a nomination.

Currently, television is sinking into the comfort of nostalgic programming with Gilmore Girls, Fuller House, The X-Files, and future reboots of MacGuyver and Twin Peaks. The new movie from Netflix is true to the original Paul Reubens character, and fans of the Playhouse or of his Christmas Special (diehard fans like myself) love this new outing. It’s packed with everything we love from a Pee-wee movie: quirky characters, a long road trip, and the boyish glee of our titular hero.

One of the reasons to go to bat for such a strange choice is how simple it is. This isn’t an overly complicated setup, but the payoff is incredibly satisfying. It’s straightforward and painless in its delivery. Pee-wee is trying to get to New York for a birthday party of a muscled True Blood star, and he has to weave around a trio of bank robbers, escape a nonet of amorous sisters vying for his hand in marriage, and be a passenger in a flying car. Paul Reubens does all this with Saturday morning charm. It’s not forced, and it’s not crude. It’s not too polite, though—it’s clever and harmless while winking at the audience. Emmy should consider Pee-wee’s Big Holiday just for the 2-minute sustained shot of him letting the air out of a balloon in front of a crowd of confused Amish people.

Pee-wee's Big Holiday

The movie also features one of the most innocent male friendships I’ve ever seen. Pee-wee and Joe just want to hang out together and eat some birthday cake, but there’s no macho mentality or offensive banter. It’s just two guys that want to enjoy each other’s company without requiring insulting hijinks and immature conversation. This movie proves that when guys hang out with one another it doesn’t have to be The Hangover. God forbid we show two men actually being…friends.

The Emmys are continually criticized for their lack of variety in their nominees. The same people are nominated every year, and some voters seem to just check their ballots for things they are familiar with. If you want to vote for standard TV Movie fare (looking at you, Sherlock and Luther!), be my guest, but that choice will only be remembered for being one thing—boring! Vote for Pee-wee’s Big Holiday because everyone deserves a big holiday from predictable awards nominees.

Emmy Spotlight: Can ‘Scandal’ Make an Emmy Comeback?

Emmy has Scandal-ously omitted the series from major consideration. Will a reinvigorated fifth season change that narrative?

Despite a handful of acting nominations, Scandal has never been a show Emmy voters have assembled around. Kerry Washington held a seat at the table in the Outstanding Lead Actress in a Drama Series for two years but was left out last year. Dan Bucatinsky and Joe Morton each won Outstanding Guest Actor in a Drama Series in consecutive years for their work. Other than that and two other guest acting nominations, the Emmys have failed to incorporate Scandal into other categories.

Some argue its soapy nature and formal style prevent the show from being taken seriously, a view I would counter-argue as riddled in pretentious self-importance. To make the prospects for Shonda Rhimes’ political drama even more grim, the buzz surrounding Scandal has been overshadowed by the newest member to “Shondaland,” How to Get Away with Murder, starring Emmy-winner Viola Davis. The Emmys have proven time and time again that once a show loses buzz, it’s nearly impossible to make a sizable comeback. In the case of Scandal, it’s a shame, seeing as its fifth season was invigorating and enthralling in unprecedented ways thus far in the series’ run.

There is a polarizing effect in the way Scandal is received by those who study and analyze television critically. Scandal does not take notes from other “prestigious” shows in its narrative presentation. It is conducted in a consciously over-the-top dramatic key. Because of that, some viewers flinch away from the show, refusing to consider it in the same breath as more somberly toned shows. One could contend that Scandal is an acquired taste. However, I want to invalidate these excuses for ignoring this series because criticizing a show for being too “soapy” is gendered whether critics like it or not. Using “soapy” as a pejorative is like a scapegoat for excluding shows that aren’t manufactured around a hyper-masculine point of reference. By ignoring shows like Scandal, one would be ignoring glorious cultural discussions about race, gender, sexuality, sexual orientation, power, and politics told from an unwavering female perspective.

After its uneven fourth season followed three consistently terrific ones, Scandal began its fifth season by putting all of its cards on the table. In fact, the first half of the fifth season displayed the most audacious narrative developments Rhimes has ever worked into her show. In my experience with television, there’s a frame for the end-game resolution, the conclusion of the series – a will they/won’t they a series uses to to tell a story over a long period of time. Typically, this involves a romantic storyline. With Gilmore Girls, the couple was Lorelai and Luke. With Friends, the couple was Ross and Rachel. With Sex and the City, the couple was Carrie and Big. It was always assumed by fans these couples, despite their obstacles, would end the series together in a happily ever after manner (and they all did). I always assumed Scandal’s end-game would involve the will they/won’t they of Olivia Pope and President Fitzgerald Grant to result in the couple riding off into a Vermont sunset.

However, at the beginning of the fifth season, Rhimes went all in with Olivia and Fitz and allowed them to be together while he was still married and serving as president. Immediately she stopped feigning the show’s end-game was about a romanticized love affair, which allowed for the first nine episodes to be as unpredictable as one could imagine. Each of the fifth seasons’ early episodes uniquely complicated the storyline and changed the narrative direction of the series at large. In addition to the plot simply being a whirlwind, these beginning episodes were ideally fine-tuned from a quality standpoint. Rhimes not only told Olivia and Fitz’s love story in a complete way, but she explored the intricate and emotionally painful layers built into Scandal and the formidable character of Olivia Pope. “Paris is Burning,” “Dog-Whistle Politics,” and “Rasputin” are the episodes that especially stand out in the arc.

The second half of Scandal’s fifth season is more timid than the nine episodes that proceeded it and form less of a unified, clean-cut, experimental arc. However, it’s still television to relish in, largely focusing on the 2016 presidential race. It reflects on the real-life political arena blending into fiction and captivates with elaborate character development. It’s not out of the ordinary for Scandal to have a broader view in its latter half of a season, and in the case of the fifth season, it works well due to the riveting relationship between Olivia and Mellie Grant, Fitz’s ex-wife who seeks out Olivia to run her presidential campaign. This storyline embraces girl power, feminism, and a poised parallel between Mellie and Hillary Clinton.

Rhimes accomplishes more than simply creating agonizing plot twists and fresh narrative arcs. In Scandal’s midseason finale, “Baby, It’s Cold Outside,” Rhimes demonstrated the power she has a cultural force. In the midst of opposition to Planned Parenthood last year between the video controversy and threats of governmental depletion of funds, Rhimes took the opportunity to do something many show-runners would shy away from: Mellie, a Republican United States senator, held an all-day filibuster protesting the defunding of Planned Parenthood, followed by Olivia having an abortion on screen. That’s right: Olivia Pope had an abortion. We all saw it. It wasn’t scary. It wasn’t traumatic. It was a woman exuding agency over her own body and what was best for her life.

When abortion is portrayed in film and television, it’s often shown through a dark lens: the character who was planning on undergoing the abortion changes her mind before the procedure, or she happens into a car accident before reaching the abortion clinic. It’s usually something of that nature. Rhimes said rejected those safe conventions and allowed for her protagonist to make the decision to not carry a fetus to term without justification, apologies, or input from Fitz, who would have been the father to the baby had Olivia decided to carry the feus to term. This unyielding “Her Body, Her Choice” stance in the narrative is revolutionary, even for a show and a showrunner who have produced their fair share of monumental moments.

When the show has received nominations in the past, Scandal has always been celebrated for its actors by the Emmys. Rightfully so, the acting on this show is impressive. The writing allows the actors to unapologetically command scenes with lengthy speeches and extraordinary emotional battles between characters.

Kerry Washington was the victim of a game of musical chairs between an overflowing amount of female actors flourishing in three-dimensional roles competing for Lead Actress slots at the Emmys. Nominated twice, Washington was left out last year and probably will miss again due to a lack of urgency in her show’s award buzz. However, she has every right to be nominated this year and even has a career-best episode in “Thwack” where she muddies Olivia’s morals in a crushing way. It’s the type of acting showcase for Washington that will leave the viewer speechless.

Bellamy Young absorbs series-best material, as well, between Mellie trying to adjust to divorcing Fitz and her quest to quench her own thirst for Oval Office power. Young was previously overlooked for her universally praised work in season three of Scandal, acting which won her the Critics Choice award for Supporting Actress in 2014. One of the fifth season’s best episodes was “The Candidate,” where Olivia and Mellie bond over their shared experience, and it highlights the talent of both actresses, especially Young’s charm and depth in the role.

Recently in a speech, President Barack Obama said that Shonda Rhimes “owns Thursday night.” I cannot help but fully endorse the president’s remarks. Rhimes has become a consequential voice in the entertainment industry, and because of this, Scandal is an important show, one that deserves the honor of being recognized with the Primetime Emmy Awards nominations. Having been nominated three times by the Television Academy in the early days of Greys Anatomy, Rhimes has been curiously absent from the Emmys as her success has expanded in recent years. Rhimes is transforming television as we know. It’s time to reward her, her dazzling imagination, and her ambition in giving authentic voices to disenfranchised groups of people on television.

Possible Nominations

Kerry Washington, Lead Actress
Bellamy Young, Supporting Actress
Guest Actor/Actress (TBD)

 

Scandal-Season-5-logo

Emmys: The Wiz! Panel and Performance

Cast and crew of NBC’s The Wiz Live gathered in Hollywood courting Emmy. The evening was hosted by Holly Robinson Pete and included two special live performances.

Executive producers Craig Zadan and Neil Meron joined cast members including Queen Latifah, Mary J. Blige, David Alan Grier, NE-YO, Shanice Williams, Elijah Kelley, and Amber Riley. Director Kenny Leon, choreographer Fatima Robinson and music producer Harvey Mason, Jr also joined in

The panel was introduced by NBC Chairman Bob Greenblatt. Zadan credited Greenblatt with ushering in the current resurgence of live musicals on Television. “The idea of doing a live TV musical on network television for three hours was unheard of. It hadn’t been done since the ‘50s. When we went to Bob with this, he just said let’s do it,” referring to 2013’s The Sound of Music.

Director Kenny Leon discussed the difficulty of pulling off a live musical on TV. “I’ve done 11 Broadway musicals and David (Alan Grier) has done five. Combined, it’s not as difficult as pulling off one live TV musical,” said Leon.

Each cast member discussed the process of coming on board. Queen Latifah, who was the first cast, credited Zadan and Meron for their visionary casting by slotting her as The Wiz, a character historically portrayed by male actors.

The crowd was treated to two live performances, the first was the original song “We Got it,” performed by Ne-Yo, David Alan Grier, Elijah Kelley, and Shanice Williams. The panel was closed out by of the classic song “Home” performed by Shanice Williams, who received a Critic’s Choice nomination this year for her portrayal of Dorothy. Both of the performances received standing ovations from the capacity crowd.

Check out photos from the evening. Performance and panel excerpts are included below.

 

The Wiz: We Got It PERFORMANCE

Why The Wiz Live?

Passing the Torch: The Wiz Live!

Omar Miller On Being a Baller

It’s a nice warm day in Los Angeles, and Omar Miller is in joyful spirits. We’re talking about the brand new season of Ballers that starts in July on HBO. Miller plays Charles who has retired from the NFL and is adjusting to life outside the world of football. Unlike the other characters who are living in multi-million dollar houses, partying up a storm in hotels and boats, Charles doesn’t. In turn, Omar Miller plays one of the most relatable characters on the show.

I talked with Miller about Ballers and how his real-life love for sports has resulted in a podcast which he hosts from his own living room.

AwardsDaily TV: So, Omar Miller, I’m excited for Ballers season two.

Omar Miller: It’s going down. I feel very confident about the direction of the show and what we laid down. When you first introduce story lines and characters to the public, it takes a while to connect. But we’ve hit our stride and it’ll show when everyone sees the new season.

ADTV: Everyone can relate to your character.

OM: I got the best character on the show if you ask me. Most people can’t relate to spending a 12 million dollar contract or having groupies in the bathroom. Everyone can relate with going through a transition in their life in regards to their personal life and work.

ADTV: What’s it like playing this character while everyone else is playing that character who has this $12 million contract?

OM: It’s so much fun to play because my guy is vulnerable. There are so many different options and choices.

ADTV: What research did you have to do for the role?

OM: There’s so much research I wanted to do. I consulted with former professional athletes, and what it was they did on the day-to-day after they retired and how did they transition to normalcy. These guys are like modern day gladiators and they have to figure out how to be normal again.

ADTV: How physical is the role for you?

OM: That was tricky because, in season one, he was meant to have let himself go and was in the wilderness, and they asked me to gain 35 pounds. In this off season, I’m supposed to be back playing and I had to tighten up and get back into shape to mimic being in offensive for an NFL team. It’s a summer full of working out.

I play baseball and basketball. I’ve never really played organized football, so I had to learn about the position that I was playing on the show. I got to hang out with athletes to figure out what they were going through on a daily basis.

ADTV: Who was your favorite team?

OM: The same team that is still my favorite team, Oakland Raiders. It’s all about Raider nation.

ADTV : Are you looking forward to the Rams coming?

OM: I am actually.

ADTV: What will be expecting from Charles this season?

OM: You can expect that he’ll find his way this season and for him to find his way in his life. He’s on daddy duties, so he’s entering a new area of being a father. He’ll be juggling being a father, husband and NFL player.

ADTV: Prior to Ballers, you were on CSI. How do the two differ?

OM: The thing about CSI, it’s a huge juggernaut. It was a network show, and was safer. This is more about a specific area of life and a having a good time in excess. It weighs the question of what really is success. Is it big cars, big houses and a lot of women, or is it being satisfied with who you are and being in a committed relationship. What is your version of success?

The similarities of the shows are, they are both worldwide hits. People talk to me about the show all over the world. To be recognized all over the world is great, they can relate to Charles. He’s trying to keep it together, he’s married, and trying to do the right thing which is a real struggle for people everywhere.

ADTV: What were some highlights for you from season one?

OM: Season one saw me do my first sex scene with two women. That was interesting. I shot my first scene in a strip club, and I was paid to gain weight. Both, interesting and new. I have to say, working with this cast was phenomenal.

I also got to know more about South Florida, and that was lovely.

ADTV: There’s a lot of on-screen chemistry with the guys. Do you hang out?

OM: This cast is no different, we all get along, there are no divas. We have such a good time. It’s not like we’re doing Macbeth, it helps that we have fun with each other.

ADTV: OK, let’s go back. How did you get involved with Ballers?

OM: I got the phone call about a show they were making. I actually play basketball with the show’s creator Steve Levinson. He’d been keeping up with me and my work. I read the script. I went in and did the reading. I did that. I was the first person cast. They put together this all star cast. HBO did what they do, they promoted it well. Now we’re just kicking ass.

ADTV: What do you do when you’re not on Ballers?

OM: I’m writing. I’m writing TV shows. I really want to get involved with telling my own story after this. The other thing I do is this podcast, with my brother. I’m a Sports junkie. It’s called the O-Zone, and we do it right from our couch in our living room, and we invite everybody to be a part of it. We talk sports.

 

Omar Miller

Omar Miller can be seen on season two of HBO’s Ballers, which premieres Sunday, July 17.

Zach Woods Talks Comedy, Romance on ‘Silicon Valley’

If you’re not watching HBO’s Silicon Valley, then you’re missing out on one of television’s smartest and most relevant sitcoms. It’s no mistake that it airs with another ripped-from-the-headlines comedy, Veep. Developed by Mike Judge, this Emmy and Golden Globe-nominee takes viewers inside the world of tech developers trying to make it big. They’re always only an app away. Don’t let the tech jargon scare you, though. The show is filled with solid laughs and is incredibly smart.

I recently caught up with UCB alumni and Silicon Valley star Zach Woods. Woods plays Jared, your typical office nerd who seems to run into several modern techie trials and tribulations. Jared, the sweet guy, doesn’t always stand up or speak his mind. Viewers should watch out, though, because Zach Woods / Jared is starting to crack the shell more this season. Will Jared finally find love? Is Zach Woods as funny as his on-screen persona? Is he as tech savvy as his on-screen persona?

Read on to find out more about Silicon Valley‘s secret treasure Zach Woods.

Zach Woods: Do you feel like your mood correlates strongly with the day of the week? 

AwardsDaily TV: I think so. What about you? 

ZW: It’s interesting how much it’s endured, like, even though I know my life doesn’t really adhere to the school week anymore. I still get excited for Fridays even though I often have nothing to do on Thursday. It’s weird how enduring that is!

ADTV: Yeah, that’s interesting. Come Wednesday, it’s like I’ve made it through and Thursday is around the corner and then it’s Friday and then it’s the weekend! 

ZW: I had a school bus driver who used to sing every Wednesday, and I think she was a very unhappy person. She’d sing this song about how “You make it through today and its downhill the rest of the week.” I think she was trying to be light and encouraging, but she just sounded like a disaster.

ADTV:  When was your first experience with comedy? Do you remember? 

ZW: When I was growing up, my dad used to read me Neil Simon plays as bedtime stories and those were kind of funny to me, at the time at least. I don’t know how they hold up. I guess family was my first exposure to comedy. My grandmother loved jokes. In terms of actual performed comedy, I don’t remember the first time I saw live comedy. When I was in middle and high school, I was obsessed with Christopher Guest movies and that kind of thing. Kind of like Monty Python a little bit where, to some people, that’s like an early religion [laughs]. Oh! And old Marx Brothers movies! But I was always just a casual audience member. Then, in high school, I started taking classes about those people and just got that much more interested in the whole larger comedy world.

ADTV: Now, you’re playing Jared on Silicon Valley and he’s a tech guy. Are you a techie? 

ZW: No, I’m pretty tech illiterate. I find it intimidating and often very scary [laughs]. I have an iPhone, and I rely on Waze to navigate. Some of the other guys on the show are into video games and Kumail has done a little bit of programming, but by and large we’re just playing tech guys. We’re not actually techies.

ADTV: How has the show been for you so far? Is it a laugh a minute on set and off set? 

ZW: Yeah, it’s been wonderful! It’s really a dream come true. Such a rare thing for an actor to get to be on a show with people you like and writing that you’re excited to do and characters that you feel like there’s a strong voice, but there’s also room to play and develop. It’s sort of surpasses my wildest fantasies about what a job could be. I still feel slightly [laughs] bewildered by my own good fortune. I’m so happy.

ADTV: I think you play the nicest character on the show. Is that hard? Do you ever wish that Jared had like a… not evil side but would mouth off one day? 

ZW: I think he’s sweet. He yells in German in his unconscious life so he’s probably exercising all sorts of darkness that has no outlet in his waking hours. I like it in the instances where Jared gets to stand up for himself. There was like one little story last season premiere where he’s on the Bro app and someone takes advantage of Pied Piper and he scolds the guy. There’s a scene in the first season where Monica is sort of moving in on his turf, in terms of being Richard’s primary care taker, and he gets really upset with her. Any time he gets to have a little bit of an aggressive moment I think that’s fun.

ADTV: What do you see as Jared’s overall journey on the show? Where would you like to see him go? 

ZW: I always think about it as like he’s a Pinocchio story where when he worked at Hooli, which is where he’s working at the pilot episode, he’s kind of just like a wooden puppet. Once he sees Richard, he becomes a real boy and all of the sudden has all kind of new feelings [laughs] and sort of comes alive. The way I think of that is like over the seasons, I think he gets more and more comfortable being a semi-full human being. Even in this season, there’s an episode where everyone’s giving Dinesh a hard time for the chain he’s wearing and Jared gets in on it and is so delighted that now, for the first time, he’s busting someone’s balls and he’s never done that before. I feel like, with Pied Piper, he has a series of firsts that are badly belated in terms of like normal human experiences. I’d like to see that keep evolving. There’s stuff coming up… like in the episode this Sunday… there’s another first for Jared so they’ve been good about that. He’s just like gently kicking the ball down the court for his character.

ADTV: I like that. I’ll be looking forward to Sunday’s episode to see what his next first is [laughs]. I’ve learned with a lot of comedies and from speaking to people that it is actually sometimes tightly scripted so there’s not much room for improv. What about on Silicon Valley? Do you get much room or is it the same? 

ZW: Most of what makes it onto the show is written. It’s like what you were asking earlier with it being a laugh a minute on set and stuff; that is one of the main things that I’m grateful for. The writers on the show just like break their backs making the show good. You know like at the start of a president’s term you see a picture of like Obama and then they’ll show you Obama at the end of his eight years of presidency and he’s aged like drastically more than eight years should age a person, that’s what happens to the writers [laughs]. Like, if you took a photo of the writers at the beginning of the season and the end of the season, you would see just the sheer psychic pull of their incredibly high standards they’ve set take on them. It’s really amazing. Sometimes you’ll go into a show and they’ll be like “Hey can you improvise?” because basically the comedy isn’t up to par and they’re hoping that you can fill a vacancy. We do improvise a fair amount on the show, but that’s just the fine little moments or funny little things or maybe once a month there’ll be an alt line or some character development that you can get into the script, but you’re not improvising to fix something. You’re improvising is just like a little extra for the editors and Alec Berg and Mike Judge when they’re just putting together the episodes.

ADTV: On the subject of Mike, what’s it like working with him? 

ZW: It’s fun. He’s a very soft spoken, nice, funny laid back guy. It’s a little scary because having seen all of the shows and movies he’s made, I know how observant he is. He’s so good at zeroing in on the things about people that make them ridiculous so when I’m talking to him, I can’t help but wonder what ridiculous thing he’s noticing about me that I’m not aware of myself. It’s a bit like having someone look closely at your face in a florescently lit room and having credible vision for something. It feels like, “Oh God, what you going to see?” He’s wonderful. That’s probably more something I’m projecting onto him based on his work rather than something he’s actually doing. The other guy who runs the show is Alec Berg who worked on Seinfeld and Curb Your Enthusiasm and a number of other shows. He’s incredible too. Those two guys together are really kind of unlike any writing team I’ve ever encountered before because they just cover each other’s very small blind spots.

ADTV: You know what it’s like working in an office and on set. Jared is kind of like the outsider, a little bit, so do you maintain that separation off camera? 

ZW: No! That’d be bad for just a fictional ostracizing to be carried over into our professional lives. Although, someone pointed out to me recently, that Jared has been the brunt of a lot less hostility and exclusion this season. I think maybe they’re more accepting of him now. We hang out all the time. I, like, had pancakes with those guys last Sunday. My guess is that probably helps the show too. I think that we legitimately like each other probably in some way influences the feeling of the show. There’s been lots of shows where people detest each other and have great chemistry on screen so I guess it’s not necessary, but it just makes it much, much easier. And, it’s also nice for me because you can take risks and other people get your back and help you out and stuff.

ADTV: It’s like, I want to work with these guys because they seem fun.  

ZW: I always wondered about that when I would watch tv shows and it would seem like the world of the show is so fun. Before I ever got any acting work, I would just think, “Oh man, that looks so fun and I bet they’re all hanging out and eating snacks and dicking around in whatever way they do.” It’s been a great delight to discover that, in fact, that is sometimes the case. It is really fun [laughs]!

ADTV: You’ve also done some drama. You did The Good Wife, and it was like, “This is interesting. Let’s see how that pans out.” Would you do more drama in the future? Or are you a total comedian? 

ZW: No, definitely I would do more drama. My favorite things to watch usually don’t fit neatly into either dramatic or comedic categories. I thought The Sopranos was one of the funniest shows on television and like Freaks and Geeks, which is labeled a comedy, I thought had some of the most quietly dramatic moments of anything I’d seen. For me, the sort of decisive factor in what I want to do is just whether or not it feels like it’s about real human beings. The only things I don’t like doing is if something feels really cynical or cruel, although I’ve certainly done those things too, but if the writing feels like it has contempt for people I’m not interested in that. As long as the material is populated by actual living and breathing human beings. I’m definitely interested in doing dramatic stuff just because I haven’t done as much of it.

ADTV: Do you have any highlights from the last season or some of your favorite moments? 

ZW: Let me think. I love it when Jared and Richard get to have these quiet little scenes together. Like in the first episode, there’s this little scene where he’s telling Richard he’s gotten a bunch of job interviews for Richard, and they’re just sitting in the bedroom quietly. All these little intimate heart to hearts between a reluctant Richard and a very enthusiastic Jared I really like. Coming up in the next episode, there’s some sort of romantic storylines for some of the characters and Jared’s response to that is really fun. It’s hard to remember. I’ll have to think about this. If something occurs to me as like a crowning moment, I’ll tell you.

ADTV: When do you shoot? 

ZW: We actually don’t shoot for that long. We start in October and end in March.

ADTV: Are you enjoying your break? 

ZW: Yeah! It’s great. I’m trying to find a movie to do. I might do some writing. It’s really nice. It’s such a comprehensively ideal show in that it’s my favorite thing to work on and it only takes up a small portion of the year so you have time to do other projects.

Zach Woods can be seen weekly on HBO’s Silicon Valley, airing Sunday nights at 10pm ET.