Watch the spankin’ new trailer here.
It’s unlikely that 2013, despite the slate of exceptionally good films, will equal last year’s collective box office take. Lincoln, Zero Dark Thirty, Life of Pi, Argo, Silver Linings Playbook, Django Unchained and Les Miserables were all $100 million babies before the Oscars. That’s seven out of nine that made over $100 million.
This year, so far, only two films have landed in that sweet spot. The first, is Lee Daniels’ The Butler, which has earned $114 million. And then there is Gravity, which has made $200 million in less than four weeks of release. Next in line, at least so far, is Paul Greengrass’ Captain Phillips, which has earned $70 million. It should have no trouble getting to $100 mil.
The three proven thoroughbreds are fast out of the gate in the early stages of what is shaping up to be a photo finish in several categories for Oscars 2013. Hot on their heels will be Alexander Payne’s Nebraska, Steve McQueen’s 12 years a Slave, The Coens’ Inside Llewyn Davis, Ryan Coogler’s Fruitvale Station, Woody Allen’s Blue Jasmine, JC Chandor’s All is Lost. It’s a testimony to the depth of the field that dazzlers like Spike Jonze’s Her, Jean-Marc Vallée’s Dallas Buyers Club are still penciled in as longshots. None of the remaining films, though, seem poised to triumph at the box office. This has been the norm lately for the Oscar race. Last year’s financial bonanza was unusually good fortune for all involved.
With The Monuments Men and Foxcatcher moving to next year, there are only a small handful of “Oscar movies” left to be seen. Both David O. Russell’s American Hustle and John Lee Hancock’s Saving Mr. Banks seem like they could both hit $100 mil, especially Russell’s, being that it has Jennifer Lawrence in it. She’ll once again own the box office with that and Catching Fire.
But right now, since it was just announced that The Wolf of Wall Street is indeed opening in 2013, all eyes turn to Mr. Scorsese and Mr. DiCaprio, who have never made a movie together that didn’t make at least $100 mil since Gangs of New York didn’t quite get there, earning $70 mil. The DiCaprio/Scorsese hit parade so far:
Shutter Island $128,012,934
The Departed $132,384,315
The Aviator $102,610,330
Of those, only Shutter Island failed to get a Best Picture nomination, though it should have.
Is money going to make a difference this year? Probably not. Though even on the smaller scales that many of the strongest contenders will find themselves, they’re still making money. Oscar buzz does translate to extra dollars at the box office. Even the slightest hint of awards usually means the difference between someone buying a ticket or not. The Oscars are the big one, of course. But the Golden Globes, the DGA and the SAG – maybe even the Spirit Awards – can mean buzz, which means more money.
12 Years a Slave, for instance, made it into the top ten over the weekend, while playing only at 123 locations. It’s only made $3 million so far but that number is going to climb, I promise you, as the film starts collecting statues.
The Wolf of Wall Street now joins American Hustle, 12 Years a Slave, Captain Phillips, Fruitvale Station, The Butler, Rush, Saving Mr. Banks, and The Dallas Buyers Club as the Best Picture contenders based on true stories. Many of those depicted in these films are still alive. The real Captain Phillips is on television constantly – he sells the movie entirely on his own charm.
But only The Wolf of Wall Street and American Hustle are about American anti-heroes rather straight up heroes, as the other films offer up. That makes them stand out, though one without the other would certainly stand out more. As it is, they will have to compete with each other in similar terrain; though their subjects are totally different, neither film is telling the story of good guys fighting the good fight.
For Scorsese, this is comfortable territory, as the director takes to mob and corruption movies like a duck to water and his fans love these movies above all others. While Scorsese is visiting what could be familiar terrain, David O. Russell is currently directing at what many define as his most ferocious in his long history. The Fighter, Silver Linings Playbook and now, American Hustle, he is likely to ring the bell this year at being right at the top of his game. Does that mean he’ll be in line for an Oscar nod for director? I’m sure that right now most pundits have him securely in as one of the five.
Let’s take a look right now at Best Director and how the five might start to shape up. It’s impossible to say whether Scorsese will be in or not, but one must hold his place nonetheless, being that he, along with Woody Allen and the Coens are gods among directors — routinely delivering the goods, year after year after year. Scorsese and Allen, along with the third of the 70s trio Steven Spielberg (who doesn’t have a film this year) are particularly impressive – Allen having made his best film since Crimes and Misdemeanors and Scorsese, well, what is there left to say.
The Directors Guild will once again leave the Academy to mostly fly blind with their predictions. The DGA has around 14,500 members, where the Academy’s directors branch has around 400. It tends to work much more harmoniously when the DGA announces their nominations and then the Academy doesn’t have to do as much work – they can piggy-back what the DGA has done. But last year, for the first time in as long as I could find out (going back sixty years), the Academy picked their five BEFORE the DGA announced theirs. We’re mostly in that same situation again, with only one day between the DGA’s announcement and the Academy’s ballot deadline. But since most members will have long since voted, we’re likely looking at another scenario where the expected five turn out not to be.
It ended up looking like this:
DGA’s nominees
Steven Spielberg, Lincoln
Ang Lee, Life of Pi
Kathryn Bigelow, Zero Dark Thirty
Tom Hooper, Les Miserables
Ben Affleck, Argo (the winner)
Academy’s five:
Steven Spielberg, Lincoln
Ang Lee, Life of Pi (winner)
Benh Zeitlin, Beasts of the Southern Wild
Michael Haneke, Amour
David O. Russell, Silver Linings Playbook
When I say no one was taking my warnings seriously I mean — my theory about the DGA was blown off by everyone in my field. Most said it wouldn’t matter – that the Academy and the DGA would vote the same way. They didn’t. Also, only two nominees made both lists. You have go pretty far back in Academy/DGA history to find such an odd occurrence. It hardly ever happens.
Couldn’t it just be that the Academy relies heavily on the DGA to help them decide who should get nominated? Doesn’t just the nomination itself suddenly elevate the status of any nominee over another? Of course it does.
The other possibility is that the Directors branch didn’t see fit to follow the status quo, the consensus that is built up starting, well, now, and wanted to go another way. Could it be they felt obligated to nominate Bigelow, Affleck, Tarantino, Hooper but instead went with what they liked best? I don’t know the why of it. I only know how it all turned out, which was unlike anything I’ve ever seen in the fifteen years I’ve been watching the race.
That Argo won in such a weird year only added to the weirdness because it was one of the first times I’ve ever seen (well, since Driving Miss Daisy) where the directors, who usually lead the Best Picture race, were selected out of the process. That is kind of like winning the presidential election without Ohio (which Obama could have done, incidentally).
So, where does that leave us this year? How might things go? It is an equally competitive year as last, with as many great movies crowding in for attention. Mercifully, several have opted out of this year’s race which makes it a little less difficult.
Let’s first look at the films that are known quantities – those that have been seen, reviewed, and in some case, actually opened to the public.
The locks right now:
Steve McQueen, 12 Years a Slave
Alfonso Cuaron, Gravity
Alexander Payne, Nebraska
The first two will likely fill every list, much the way Steven Spielberg and Ang Lee did last year. I can’t imagine any sane person leaving off Payne so for me he in.
Next:
4. Paul Greengrass, Captain Phillips (I feel sure he will be one of the mainstays in the category
5. Joel and Ethan Coen for Inside Llewyn Davis — it’s hard to gauge whether this film will hit with the big voting bodies or not. But they’re the Coens, and they made one of the best films of the year.
The next in line would be:
6. Lee Daniels, The Butler (won’t hit with the critics but perhaps with the larger voting bodies)
7. JC Chandor, All is Lost —I suspect Chandor could Benh Zeitlin his way into the Academy’s five.
8. Woody Allen, totally deserves it for Blue Jasmine but he’s had so many at bats… of course, he is being awarded at the Globes for a lifetime achievement award, which could go a long way towards pushing him towards an Academy nod. He could Michael Haneke his way into the Academy’s five.
9. Spike Jonze, Her – anything’s possible with a movie that hasn’t opened yet.
10. Ryan Coogler, Fruitvale Station – this young auteur will have many more opportunities for recognition – his movie might get into Best Picture, and he’ll likely be nominated for Screenplay. Director is a tougher field.
There are plenty of other names hovering on the periphery, like Jason Reitman for Labor Day, Jean-Marc Valle for Dallas Buyers Club, Richard Linklater for Before Midnight, etc. But there are only five slots. Five.
Coming up right behind them are:
1. Martin Scorsese, The Wolf of Wall Street – because Scorsese. Nothing else needs to be said.
2. David O. Russell, American Hustle – homeboy is on fire.
3. John Lee Hancock, Saving Mr. Banks – who knows, right?
4. Scott Cooper, Out of the Furnace.
5. Peter Berg, Lone Survivor – well, you never know.
If I had to guess how they might divide up between DGA and Academy I might do it like this:
DGA
Steve McQueen
Alfonso Cuaron
Paul Greengrass
Alexander Payne
Martin Scorsese
David O. Russell
Then, the Academy, if they don’t choose the same names (it’s a crap shoot whether they will or not) might go:
Steve McQueen
Alfonso Cuaron
Martin Scorsese
JC Chandor
The Coens
We just don’t know anything yet. The only thing we do know is that there is a chance that the DGA and Oscar might not match up. Is that the end of the world? No, but it opens the door for a film like Argo, without a directors nomination, to win. Clearly, that matters now less than it used to.
The only thing we know for sure right now is that this prize is Steve McQueen’s to lose. The Wolf waits at the door. Any year with Scorsese in the race is a good year.
FEATURE FILM AWARD DGA’S Site
DGA | Oscar
*film nominated/+ won Best Picture at the Oscars
2012
Steven Spielberg, Lincoln | Steven Spielberg, Lincoln |
Ang Lee, Life of Pi | Ang Lee, Life of Pi |
Ben Affleck, Argo | David O. Russell, Silver Linings |
Kathryn Bigelow, Zero Dark Thirty | Michael Haneke Amour |
Tom Hooper, Les Miserables | Benh Zeitlin, Beasts of the Southern Wild |
2011
Michel Hazanavicius, The Artist | Michel Hazanavicius, The Artist+ |
Martin Scorsese, Hugo | Martin Scorsese, Hugo* |
Alexander Payne, The Descendants | Alexander Payne, The Descendants* |
Woody Allen, Midnight in Paris | Woody Allen, Midnight in Paris* |
David Fincher, The Girl with the Dragon Tattoo | Terrence Malick, Tree of Life* |
2010
Tom Hooper The King’s Speech | Tom Hooper the King’s Speech+ |
David Fincher, Social Network | David Fincher, Social Network* |
Darren Aronofsky, Black Swan | Darren Aronofsky, Black Swan* |
David O’Russell, The Fighter | David O’Russell, The Fighter* |
Christopher Nolan, Inception* | The Coens, True Grit* |
2009
Kathryn Bigelow, The Hurt Locker | Bigelow, Hurt Locker+ |
Lee Daniels, Precious | Lee Daniels, Precious* |
Jason Reitman, Up in the Air | Jason Reitman, Up in the Air* |
Quentin Tarantino, Inglourious Basterds | Tarantino, Inglourious Basterds* |
Jim Cameron, Avatar | Jim Cameron, Avatar* |
2008
Danny Boyle, Slumdog | Danny Boyle, Slumdog+ |
Ron Howard, Frost/Nixon | Ron Howard, Frost/Nixon* |
Gus Van Sant, Milk | Gus Van Sant, Milk* |
David Fincher, Benjamin Button | David Fincher, Benjamin Button* |
Christopher Nolan, The Dark Knight | Stephen Daldry, The Reader* |
2007
Joel and Ethan Coen, No Country | Joel and Ethan Coen, No Country+ |
Sean Penn, Into the Wild | Jason Reitman, Juno* |
Julian Schnabel, The Diving Bell and the Butterfly | Julian Schnabel, The Diving Bell and the Butterfly |
Tony Gilroy, Michael Clayton | Tony Gilroy, Michael Clayton* |
Paul Thomas Anderson, There Will Be Blood | Paul Thomas Anderson, There Will Be Blood* |
2006
Stephen Frears, The Queen | Stephen Frears, The Queen* |
Alejandro Gonzalez Inarritu, Babel | Alejandro Gonzalez Inarritu, Babel* |
Bill Condon, Dreamgirls | Clint Eastwood, Letters from Iwo Jima* |
Faris and Dayton, Little Miss Sunshine* | Paul Greengrass, United 93 |
Martin Scorsese, The Departed | Martin Scorsese, The Departed+ |
2005
Ang Lee, Brokeback Mountain | Ang Lee, Brokeback Mountain * |
George Clooney, Good Night, and Good Luck | George Clooney, Good Night, and Good Luck* |
Paul Haggis, Crash | Paul Haggis, Crash+ |
Bennett Miller, Capote | Bennett Miller, Capote* |
Steven Spielberg, Munich | Steven Spielberg, Munich * |
2004
Alexander Payne for Sideways | Alexander Payne for Sideways* |
Martin Scorsese for The Aviator | Martin Scorsese for The Aviator* |
Taylor Hackford for Ray | Taylor Hackford for Ray* |
Marc Forster for Finding Neverland* | Mike Leigh for Vera Drake |
Clint Eastwood for Million Dollar Baby | Clint Eastwood for Million Dollar Baby+ |
2003
Sofia Coppola, Lost in Translation | Sofia Coppola, Lost in Translation* |
Clint Eastwood, Mystic River | Clint Eastwood, Mystic River* |
Peter Jackson, ROTK | Peter Jackson, ROTK+ |
Peter Weir, Master and Commander | Peter Weir, Master and Commander* |
Gary Ross, Seabiscuit* | Fernando Merielles, City of God |
2002
Martin Scorsese, Gangs of New York | Martin Scorsese* |
Peter Jackson, Lord of the Rings* | Pedro Almodovar |
Roman Polanski, The Pianist | Roman Polanski* |
Rob Marshall, Chicago | Rob Marshall+ |
Steven Daldry, The Hours | Steven Daldry* |
2001
Ron Howard, A Beautiful Mind | Ron Howard, A Beautiful Mind+ |
Peter Jackson, Lord of the Rings | Peter Jackson, LOTR* |
Christopher Nolan, Memento | Robert Altman, Gosford Park* |
Ridley Scott, Black Hawk Down | Ridley Scott, Black Hawk Down |
Baz Luhrmann, Moulin Rouge* | David Lynch, Mulholland Drive |
2000
Cameron Crowe, Almost Famous | Stephen Daldry, Billy Elliot* |
Ang Lee, Crouching Tiger, Hidden Dragon | Ang Lee, Crouching Tiger, Hidden Dragon* |
Ridley Scott, Gladiator | Ridley Scott, Gladiator+ |
Steven Soderbergh, Erin Brockovich | Steven Soderbergh, Erin Brockovich * |
Steven Soderbergh, Traffic | Steven Soderbergh, Traffic* |
1999
Frank Darabont, The Green Mile* | Lasse Hallstrom, Cider House Rules* |
Spike Jonze, Being John Malkovich | Spike Jonze, Being John Malkovich |
Michael Mann, The Insider | Michael Mann, The Insider* |
Sam Mendes, American Beauty | Sam Mendes, American Beauty+ |
M. Night Shyamalan, The Sixth Sense | M. Night Shyamalan, The Sixth Sense* |
1998
Peter Weir, Truman Show | Peter Weir, Truman Show |
Terrence Malick, Thin Red Line | Terrence Malick, Thin Red Line |
John Madden, Shakes in Love | John Madden, Shakes in Love* |
Steven Spielberg, SPR | Steven Spielberg, SPR |
Roberto Benigni, Life is Beautiful | Roberto Benigni, Life is Beautiful |
1997
James L. Brooks As Good As It Gets* | Peter Cattaneo, The Full Monty* |
Steven Spielberg Amistad | Atom Egoyan, The Sweet Hereafter |
Gus Van Sant, Good Will Hunting | Gus Van Sant, Good Will Hunting* |
James Cameron, Titanic | James Cameron, Titanic+ |
Curtis Hanson, L.A. Confidential | Curtis Hanson, L.A. Confidential* |
1996
Cameron Crowe, Jerry Maguire* | Milos Forman for The People vs. Larry Flynt |
Joel Coen, Fargo | Joel Coen, Fargo* |
Mike Leigh, Secrets & Lies | Mike Leigh, Secrets & Lies * |
Anthony Minghella, The English Patient | Anthony Minghella, The English Patient+ |
Scott Hicks, Shine | Scott Hicks, Shine* |
1995
Mike Figgis for Leaving Las Vegas | Mike Figgis for Leaving Las Vegas |
Mel Gibson for Braveheart | Mel Gibson for Braveheart+ |
Ron Howard for Apollo 13* | Chris Noonan for Babe* |
Ang Lee for Sense and Sensibility* | Tim Robbins for Dead Man Walking |
Michael Radford for Il Postino | Michael Radford for Il Postino* |
1994
Mike Newell for Four Weddings and a Funeral* | Woody Allen for Bullets Over Broadway |
Frank Darabont for The Shawshank Redemption* | Krzysztof Kieslowski for Red |
Robert Redford for Quiz Show | Robert Redford for Quiz Show* |
Quentin Tarantino for Pulp Fiction | Quentin Tarantino for Pulp Fiction* |
Robert Zemeckis for Forrest Gump | Robert Zemeckis for Forrest Gump+ |
1993
Andrew Davis for The Fugitive* | Robert Altman for Short Cuts |
Jane Campion for The Piano | Jane Campion for The Piano* |
James Ivory for The Remains Of the Day | James Ivory for The Remains Of the Day* |
Martin Scorsese for The Age Of Innocence | Jim Sheridan for In the Name Of the Father* |
Steven Spielberg for Schindler’s List | Steven Spielberg for Schindler’s List+ |
1992
Robert Altman for The Player | Robert Altman for The Player |
Rob Reiner for A Few Good Men* | Martin Brest for Scent Of a Woman* |
Clint Eastwood for Unforgiven | Clint Eastwood for Unforgiven+ |
James Ivory for Howards End | James Ivory for Howards End* |
Neil Jordan for The Crying Game | Neil Jordan for The Crying Game* |
1991
Barbra Streisand for The Prince Of Tides* | John Singleton for Boyz N the Hood |
Oliver Stone for JFK | Oliver Stone for JFK* |
Ridley Scott for Thelma & Louise | Ridley Scott for Thelma & Louise |
Barry Levinson for Bugsy | Barry Levinson for Bugsy* |
Jonathan Demme for The Silence Of the Lambs | Jonathan Demme for The Silence Of the Lambs+ |
1990
Francis Ford Coppola for The Godfather Part III | Francis Ford Coppola for The Godfather Part III* |
Kevin Costner for Dances With Wolves | Kevin Costner for Dances With Wolves+ |
Barry Levinson for Avalon | Stephen Frears for The Grifters |
Martin Scorsese for GoodFellas | Martin Scorsese for GoodFellas* |
Giuseppe Tornatore for Cinema Paradiso | Barbet Schroeder for Reversal Of Fortune |
1989
Driving Miss Daisy won Best Picture
Born on the Fourth of July: Oliver Stone | Born on the Fourth of July: Oliver Stone |
Field of Dreams: Phil Alden Robinson | Henry V: Kenneth Branagh |
Crimes and Misdemeanors: Woody Allen | Crimes and Misdemeanors: Woody Allen |
Dead Poets Society: Peter Weir | Dead Poets Society: Peter Weir |
When Harry Met Sally…: Rob Reiner | My Left Foot: Jim Sheridan |
1988
Rain Man: Barry Levinson | Rain Man: Barry Levinson+ |
A Fish Called Wanda: Charles Crichton | A Fish Called Wanda: Charles Crichton |
Working Girl: Mike Nichols | Working Girl: Mike Nichols |
Mississippi Burning: Alan Parker | Mississippi Burning: Alan Parker |
Who Framed Roger Rabbit: Robert Zemeckis | The Last Temptation of Christ: Martin Scorsese |
1987
The Last Emperor: Bernardo Bertolucci | The Last Emperor: Bernardo Bertolucci+ |
Broadcast News: James L. Brooks | Hope and Glory: John Boorman |
My Life as a Dog: Lasse Hallström | My Life as a Dog: Lasse Hallström |
Empire of the Sun: Steven Spielberg | Moonstruck: Norman Jewison |
Fatal Attraction: Adrian Lyne | Fatal Attraction: Adrian Lyne |
1986
Platoon: Oliver Stone | Platoon: Oliver Stone+ |
Hannah and Her Sisters: Woody Allen | Hannah and Her Sisters: Woody Allen |
Children of a Lesser God: Randa Haines | The Mission: Roland Joffé |
A Room with a View: James Ivory | A Room with a View: James Ivory |
Stand by Me: Rob Reiner | Blue Velvet: David Lynch |
1985
Out of Africa: Sydney Pollack | Out of Africa: Sydney Pollack+ |
The Color Purple: Steven Spielberg | Kiss of the Spider Woman: Hector Babenco |
Prizzi’s Honor: John Huston | Prizzi’s Honor: John Huston |
Cocoon: Ron Howard | Ran: Akira Kurosawa |
Witness: Peter Weir | Witness: Peter Weir |
1984
Amadeus: Milos Forman | Amadeus: Milos Forman+ |
Places in the Heart: Robert Benton | Broadway Danny Rose: Woody Allen |
A Soldier’s Story: Norman Jewison | Places in the Heart: Robert Benton |
The Killing Fields: Roland Joffé | The Killing Fields: Roland Joffé |
A Passage to India: David Lean | A Passage to India: David Lean |
1983
Terms of Endearment: James L. Brooks | Terms of Endearment: James L. Brooks+ |
Tender Mercies: Bruce Beresford | Tender Mercies: Bruce Beresford |
Fanny and Alexander: Ingmar Bergman | Fanny and Alexander: Ingmar Bergman |
The Big Chill: Lawrence Kasdan | Silkwood: Mike Nichols |
The Right Stuff: Philip Kaufman | The Dresser: Peter Yates |
1982
Gandhi: Richard Attenborough | Gandhi: Richard Attenborough+ |
An Officer and a Gentleman: Taylor Hackford | The Verdict: Sidney Lumet |
Das Boot: Wolfgang Petersen | Das Boot: Wolfgang Petersen |
Tootsie: Sydney Pollack | Tootsie: Sydney Pollack |
E.T. the Extra-Terrestrial: Steven Spielberg | E.T. the Extra-Terrestrial: Steven Spielberg |
1981
Reds: Warren Beatty | Reds: Warren Beatty |
Chariots of Fire: Hugh Hudson | Chariots of Fire: Hugh Hudson+ |
Atlantic City: Louis Malle | Atlantic City: Louis Malle |
On Golden Pond: Mark Rydell | On Golden Pond: Mark Rydell |
Raiders of the Lost Ark: Steven Spielberg | Raiders of the Lost Ark: Steven Spielberg |
1980
Ordinary People: Robert Redford | Ordinary People: Robert Redford+ |
The Elephant Man: David Lynch | The Elephant Man: David Lynch |
Coal Miner’s Daughter: Michael Apted | Tess: Roman Polanski |
The Stunt Man: Richard Rush | The Stunt Man: Richard Rush |
Raging Bull: Martin Scorsese | Raging Bull: Martin Scorsese |
1979
Kramer vs. Kramer: Robert Benton | Kramer vs. Kramer: Robert Benton+ |
Manhattan: Woody Allen | La cage aux folles: Edouard Molinaro |
The China Syndrome: James Bridges | All That Jazz: Bob Fosse |
Apocalypse Now: Francis Ford Coppola | Apocalypse Now: Francis Ford Coppola |
Breaking Away: Peter Yates | Breaking Away: Peter Yates |
1978
The Deer Hunter: Michael Cimino | The Deer Hunter: Michael Cimino+ |
An Unmarried Woman: Paul Mazursky | Interiors: Woody Allen |
Coming Home: Hal Ashby | Coming Home: Hal Ashby |
Heaven Can Wait: Warren Beatty, Buck Henry | Heaven Can Wait: Warren Beatty, Buck Henry |
Midnight Express: Alan Parker | Midnight Express: Alan Parker |
1977
Annie Hall: Woody Allen | Annie Hall: Woody Allen+ |
Star Wars: George Lucas | Star Wars: George Lucas |
The Turning Point: Herbert Ross | The Turning Point: Herbert Ross |
Julia: Fred Zinnemann | Julia: Fred Zinnemann |
Close Encounters of the Third Kind: Steven Spielberg | Close Encounters of the Third Kind: Steven Spielberg |
1976
Rocky: John G. Avildsen | Rocky: John G. Avildsen+ |
Taxi Driver: Martin Scorsese | Face to Face: Ingmar Bergman |
Network: Sidney Lumet | Network: Sidney Lumet |
All the President’s Men: Alan J. Pakula | All the President’s Men: Alan J. Pakula |
Seven Beauties: Lina Wertmüller | Seven Beauties: Lina Wertmüller |
1975
One Flew Over the Cuckoo’s Nest: Milos Forman | One Flew Over the Cuckoo’s Nest: Milos Forman+ |
Nashville: Robert Altman |
Nashville: Robert Altman |
Jaws: Steven Spielberg | Amarcord: Federico Fellini |
Barry Lyndon: Stanley Kubrick | Barry Lyndon: Stanley Kubrick |
Dog Day Afternoon: Sidney Lumet | Dog Day Afternoon: Sidney Lumet |
1974
The Godfather: Part II: Francis Ford Coppola | The Godfather: Part II: Francis Ford Coppola+ |
The Conversation: Francis Ford Coppola | A Woman Under the Influence: John Cassavetes |
Lenny: Bob Fosse | Lenny: Bob Fosse |
Chinatown: Roman Polanski | Chinatown: Roman Polanski |
Murder on the Orient Express: Sidney Lumet | Day for Night: François Truffaut |
1973
The Sting: George Roy Hill | The Sting: George Roy Hill+ |
Last Tango in Paris: Bernardo Bertolucci | Last Tango in Paris: Bernardo Bertolucci |
The Exorcist: William Friedkin | The Exorcist: William Friedkin |
American Graffiti: George Lucas | American Graffiti: George Lucas |
Serpico: Sidney Lumet | Cries & Whispers: Ingmar Bergman |
1972
Cabaret: Bob Fosse | Cabaret: Bob Fosse |
Deliverance: John Boorman | Deliverance: John Boorman |
The Godfather: Francis Ford Coppola | The Godfather: Francis Ford Coppola+ |
Sounder: Martin Ritt | Sleuth: Joseph L. Mankiewicz |
Slaughterhouse-Five: George Roy Hill | The Emigrants: Jan Troell |
1971
The French Connection: William Friedkin | The French Connection: William Friedkin+ |
The Last Picture Show: Peter Bogdanovich | The Last Picture Show: Peter Bogdanovich |
Summer of ’42: Robert Mulligan | Fiddler on the Roof: Norman Jewison |
A Clockwork Orange: Stanley Kubrick | A Clockwork Orange: Stanley Kubrick |
Sunday Bloody Sunday: John Schlesinger | Sunday Bloody Sunday: John Schlesinger |
1970
Patton: Franklin J. Schaffner | Patton: Franklin J. Schaffner |
MASH: Robert Altman | MASH: Robert Altman |
Love Story: Arthur Hiller | Love Story: Arthur Hiller |
Ryan’s Daughter: David Lean | Fellini Satyricon: Federico Fellini |
Five Easy Pieces: Bob Rafelson | Women in Love: Ken Russell |
1969
Midnight Cowboy: John Schlesinger | Midnight Cowboy: John Schlesinger |
Z: Costa-Gavras | Z: Costa-Gavras |
Butch Cassidy and the Sundance Kid: George Roy Hill | Butch Cassidy and the Sundance Kid: George Roy Hill |
Easy Rider: Dennis Hopper | Arthur Penn, Alice’s Restaurant |
They Shoot Horses, Don’t They?: Sydney Pollack | They Shoot Horses, Don’t They?: Sydney Pollack |
Oh! What a Lovely War: Richard Attenborough | |
Hello, Dolly!: Gene Kelly | |
The Wild Bunch: Sam Peckinpah | |
Goodbye, Columbus: Larry Peerce | |
Medium Cool: Haskell Wexler |
1968
Oliver!: Carol Reed | Oliver!: Carol Reed |
2001: A Space Odyssey: Stanley Kubrick | 2001: A Space Odyssey: Stanley Kubrick |
Rachel, Rachel: Paul Newman | The Lion in Winter: Anthony Harvey |
Funny Girl: William Wyler | The Battle of Algiers: Gillo Pontecorvo |
Isabel: Paul Almond | |
Closely Watched Trains: Jirí Menzel | |
Hello, Dolly!: Gene Kelly | |
Rosemary’s Baby: Roman Polanski | |
The Odd Couple: Gene Saks | |
Romeo and Juliet: Franco Zeffirelli | Romeo and Juliet: Franco Zeffirelli |
1967
The Graduate: Mike Nichols | The Graduate: Mike Nichols |
In Cold Blood: Richard Brooks | In Cold Blood: Richard Brooks |
In the Heat of the Night: Norman Jewison | In the Heat of the Night: Norman Jewison+ |
Guess Who’s Coming to Dinner: Stanley Kramer | Guess Who’s Coming to Dinner: Stanley Kramer |
Bonnie and Clyde: Arthur Penn | Bonnie and Clyde: Arthur Penn |
The Dirty Dozen: Robert Aldrich | |
To Sir, with Love: James Clavell | |
Two for the Road: Stanley Donen | |
Cool Hand Luke: Stuart Rosenberg | |
Ulysses: Joseph Strick |
1966
A Man for All Seasons: Fred Zinnemann | A Man for All Seasons: Fred Zinnemann+ |
Grand Prix: John Frankenheimer | Blow-Up: Michelangelo Antonioni |
The Professionals: Richard Brooks | The Professionals: Richard Brooks |
Alfie: Lewis Gilbert* | |
Born Free: James Hill | |
The Russians Are Coming the Russians Are Coming: Norman Jewison* | |
A Man and a Woman: Claude Lelouch | A Man and a Woman: Claude Lelouch |
Georgy Girl: Silvio Narizzano | |
Who’s Afraid of Virginia Woolf?: Mike Nichols | Who’s Afraid of Virginia Woolf?: Mike Nichols* |
The Sand Pebbles: Robert Wise* |
1965
The Sound of Music: Robert Wise+ | The Sound of Music: Robert Wise+ |
The Ipcress File: Sidney J. Furie | Doctor Zhivago: David Lean |
The Pawnbroker: Sidney Lumet | Woman in the Dunes: Hiroshi Teshigahara |
Darling: John Schlesinger | Darling: John Schlesinger |
Cat Ballou: Elliot Silverstein | The Collector: William Wyler |
1964
My Fair Lady: George Cukor | My Fair Lady: George Cukor+ |
The Night of the Iguana: John Huston | Zorba the Greek: Mihalis Kakogiannis |
Becket: Peter Glenville | Becket: Peter Glenville |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Stanley Kubrick | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Stanley Kubrick |
Mary Poppins: Robert Stevenson | Mary Poppins: Robert Stevenson |
1963
Tom Jones: Tony Richardson | Tom Jones: Tony Richardson |
8½: Federico Fellini | 8½: Federico Fellini |
America, America: Elia Kazan | America, America: Elia Kazan |
Lilies of the Field: Ralph Nelsonk | The Cardinal: Otto Preminger |
Hud: Martin Ritt | Hud: Martin Ritt |
1962
Lawrence of Arabia: David Lean | Lawrence of Arabia: David Lean+ |
Divorce Italian Style: Pietro Germi | Divorce Italian Style: Pietro Germi |
To Kill a Mockingbird: Robert Mulligan | To Kill a Mockingbird: Robert Mulligan |
The Miracle Worker: Arthur Penn | The Miracle Worker: Arthur Penn |
Birdman of Alcatraz: John Frankenheimer | David and Lisa: Frank Perry |
The Manchurian Candidate: John Frankenheimer | |
The Longest Day: Ken Annakin, Andrew Marton, Bernhard Wicki | |
Freud: John Huston | |
Lolita: Stanley Kubrick | |
Long Day’s Journey Into Night: Sidney Lumet | |
Billy Budd: Peter Ustinov | |
What Ever Happened to Baby Jane?: Robert Aldrich | |
The Music Man: Morton DaCosta | |
Mutiny on the Bounty: Lewis Milestone | |
Requiem for a Heavyweight: Ralph Nelson | |
A Taste of Honey: Tony Richardson |
1961
West Side Story: Robert Wise | West Side Story: Robert Wise, Jerome Robbins+ |
La Dolce Vita: Federico Fellini | |
Judgment at Nuremberg: Stanley Kramer | Judgment at Nuremberg: Stanley Kramer* |
The Hustler: Robert Rossen | The Hustler: Robert Rossen* |
The Guns of Navarone: J. Lee Thompson | The Guns of Navarone: J. Lee Thompson* |
Breakfast at Tiffany’s: Blake Edwards | |
One-Eyed Jacks: Marlon Brando | |
Pocketful of Miracles: Frank Capra | |
The Innocents: Jack Clayton | |
Summer and Smoke: Peter Glenville | |
The Misfits: John Huston | |
Splendor in the Grass: Elia Kazan | |
Flower Drum Song: Henry Koster | |
A Majority of One: Mervyn LeRoy | |
Hand in Hand: Philip Leacock | |
Fanny: Joshua Logan | |
El Cid: Anthony Mann | |
The Great Impostor: Robert Mulligan | |
A Raisin in the Sun: Daniel Petrie | |
The AbsentMinded Professor: Robert Stevenson | |
Romanoff and Juliet: Peter Ustinov | |
The Children’s Hour: William Wyler |
1960
The Apartment: Billy Wilder | The Apartment: Billy Wilder |
Sons and Lovers: Jack Cardiff | Sons and Lovers: Jack Cardiff |
Bells Are Ringing: Vincente Minnelli |
Never on Sunday: Jules Dassin |
Psycho: Alfred Hitchcock | Psycho: Alfred Hitchcock |
The Sundowners: Fred Zinnemann | The Sundowners: Fred Zinnemann |
Elmer Gantry: Richard Brooks | |
Sunrise at Campobello: Vincent J. Donehue | |
Sink the Bismarck!: Lewis Gilbert | |
Can-Can: Walter Lang | |
The Dark at the Top of the Stairs: Delbert Mann | |
Home from the Hill: Vincente Minnelli | |
Our Man in Havana: Carol Reed | |
Hiroshima, mon amour: Alain Resnais | |
Please Don’t Eat the Daisies: Charles Walters |
1959
Ben-Hur: William Wyler | Ben-Hur: William Wyler |
Anatomy of a Murder: Otto Preminger | Room at the Top: Jack Clayton |
The Diary of Anne Frank: George Stevens | The Diary of Anne Frank: George Stevens |
Some Like It Hot: Billy Wilder | Some Like It Hot: Billy Wilder |
The Nun’s Story: Fred Zinnemann | The Nun’s Story: Fred Zinnemann |
The Shaggy Dog: Charles Barton | |
A Hole in the Head: Frank Capra | |
Compulsion: Richard Fleischer | |
The Horse Soldiers: John Ford | |
Rio Bravo: Howard Hawks | |
North by Northwest: Alfred Hitchcock | |
Rally ‘Round the Flag, Boys!: Leo McCarey | |
Imitation of Life: Douglas Sirk |
1958
Gigi: Vincente Minnelli | Gigi: Vincente Minnelli |
Cat on a Hot Tin Roof | Cat on a Hot Tin Roof: Richard Brooks |
The Defiant Ones: Stanley Kramer | The Defiant Ones: Stanley Kramer |
The Inn of the Sixth Happiness: Mark Robson | The Inn of the Sixth Happiness: Mark Robson |
I Want to Live!: Robert Wise | I Want to Live!: Robert Wise |
Damn Yankees!: George Abbott, Stanley Donen | |
The Brothers Karamazov: Richard Brooks | |
Cowboy: Delmer Daves | |
The Young Lions: Edward Dmytryk | |
The Vikings: Richard Fleischer | |
Vertigo: Alfred Hitchcock | |
The Long, Hot Summer: Martin Ritt | |
Teacher’s Pet: George Seaton | |
The Big Country: William Wyler |
1957
The Bridge on the River Kwai: David Lean | The Bridge on the River Kwai: David Lean |
Les Girls: George Cukor | Sayonara: Joshua Logan |
12 Angry Men: Sidney Lumet | 12 Angry Men: Sidney Lumet |
Peyton Place: Mark Robson | Peyton Place: Mark Robson |
Witness for the Prosecution: Billy Wilder | Witness for the Prosecution: Billy Wilder |
Funny Face: Stanley Donen | |
The Great Man: José Ferrer | |
Heaven Knows, Mr. Allison: John Huston | |
A Face in the Crowd: Elia Kazan | |
The Pride and the Passion: Stanley Kramer | |
Men in War: Anthony Mann | |
An Affair to Remember: Leo McCarey | |
Fear Strikes Out: Robert Mulligan | |
Gunfight at the O.K. Corral: John Sturges | |
Love in the Afternoon: Billy Wilder | |
A Hatful of Rain: Fred Zinnemann |
1956
Giant: George Stevens | Giant: George Stevens |
Around the World in Eighty Days: Michael Anderson | Around the World in Eighty Days: Michael Anderson |
The King and I: Walter Lang | The King and I: Walter Lang |
War and Peace: King Vidor | War and Peace: King Vidor |
Friendly Persuasion: William Wyler | Friendly Persuasion: William Wyler |
The Teahouse of the August Moon: Daniel Mann | |
The Searchers: John Ford | |
The Trouble with Harry: Alfred Hitchcock | |
The Man Who Knew Too Much: Alfred Hitchcock | |
The Man in the Gray Flannel Suit: Nunnally Johnson | |
Carousel: Henry King | |
Trapeze: Carol Reed | |
Alexander the Great: Robert Rossen | |
Meet Me in Las Vegas: Roy Rowland | |
The Eddy Duchin Story: George Sidney | |
Moby Dick: John Huston | |
Bus Stop: Joshua Logan | |
Somebody Up There Likes Me: Robert Wise |
1955
Marty: Delbert Mann | Marty: Delbert Mann |
East of Eden: Elia Kazan | East of Eden: Elia Kazan |
Mister Roberts: John Ford, Mervyn LeRoy | Summertime: David Lean |
Picnic: Joshua Logan | Picnic: Joshua Logan |
Bad Day at Black Rock: John Sturges | Bad Day at Black Rock: John Sturges |
The Rose Tattoo: Daniel Mann | |
Blackboard Jungle: Richard Brooks | |
The Long Gray Line: John Ford | |
A Man Called Peter: Henry Koster | |
The Bridges at Toko-Ri: Mark Robson | |
Love Me or Leave Me: Charles Vidor | |
The Seven Year Itch: Billy Wilder |
1954
On the Waterfront: Elia Kazan | On the Waterfront: Elia Kazan |
Rear Window: Alfred Hitchcock | Rear Window: Alfred Hitchcock |
The Country Girl: George Seaton | The Country Girl: George Seaton |
The High and the Mighty: William A. Wellman | The High and the Mighty: William A. Wellman |
Sabrina: Billy Wilder | Sabrina: Billy Wilder |
A Star Is Born: George Cukor | |
The Caine Mutiny: Edward Dmytryk | |
Seven Brides for Seven Brothers: Stanley Donen | |
Knock on Wood: Melvin Frank, Norman Panama | |
Hell and High Water: Samuel Fuller | |
Dial M for Murder: Alfred Hitchcock | |
King of the Khyber Rifles: Henry King | |
The Glenn Miller Story: Anthony Mann | |
Three Coins in the Fountain: Jean Negulesco | |
Riot in Cell Block 11: Don Siegel | |
Executive Suite: Robert Wise |
1953
From Here to Eternity: Fred Zinnemann | From Here to Eternity: Fred Zinnemann |
Shane: George Stevens | Shane: George Stevens |
Lili: Charles Walters | Lili: Charles Walters |
Stalag 17: Billy Wilder | Stalag 17: Billy Wilder |
Roman Holiday: William Wyler | Roman Holiday: William Wyler |
Come Back Little Sheba: Daniel Mann | |
Above and Beyond: Melvin Frank, Norman Panama | |
The Robe: Henry Koster | |
Call Me Madam: Walter Lang | |
Julius Caesar: Joseph L. Mankiewicz | |
Titanic: Jean Negulesco | |
Young Bess: George Sidney |
1953
The Quiet Man: John Ford | The Quiet Man: John Ford |
The Greatest Show on Earth: Cecil B. DeMille | The Greatest Show on Earth: Cecil B. DeMille+ |
Pat and Mike: George Cukor | Moulin Rouge: John Huston |
5 Fingers: Joseph L. Mankiewicz | 5 Fingers: Joseph L. Mankiewicz |
High Noon: Fred Zinnemann | High Noon: Fred Zinnemann |
I’ll See You in My Dreams: Michael Curtiz | |
Singin’ in the Rain: Stanley Donen, Gene Kelly | |
My Six Convicts: Hugo Fregonese | |
The Big Sky: Howard Hawks | |
Viva Zapata!: Elia Kazan | |
The Snows of Kilimanjaro: Henry King | |
Rashomon: Akira Kurosawa | |
Pandora and the Flying Dutchman: Albert Lewin | |
The Bad and the Beautiful: Vincente Minnelli | |
Scaramouche: George Sidney | |
Ivanhoe: Richard Thorpe | |
Hans Christian Andersen: Charles Vidor |
1952
A Place in the Sun: George Stevens | A Place in the Sun: George Stevens |
Strangers on a Train: Alfred Hitchcock | The African Queen: John Huston |
A Streetcar Named Desire: Elia Kazan | A Streetcar Named Desire: Elia Kazan |
An American in Paris: Vincente Minnelli | An American in Paris: Vincente Minnelli+ |
Detective Story: William Wyler | Detective Story: William Wyler |
Death of a Salesman: Laslo Benedek | |
Cyrano de Bergerac: Michael Gordon | |
David and Bathsheba: Henry King | |
Quo Vadis: Mervyn LeRoy | |
Decision Before Dawn: Anatole Litvak | |
Show Boat: George Sidney | |
The Great Caruso: Richard Thorpe |
1951
All About Eve: Joseph L. Mankiewicz | All About Eve: Joseph L. Mankiewicz+ |
The Asphalt Jungle: John Huston | Born Yesterday: George Cukor |
Father’s Little Dividend: Vincente Minnelli | The Asphalt Jungle: John Huston |
The Third Man: Carol Reed | |
Sunset Blvd.: Billy Wilder | Sunset Blvd.: Billy Wilder |
1950
All the King’s Men: Robert Rossen | All the King’s Men: Robert Rossen+ |
The Third Man: Carol Reed | A Letter to Three Wives: Joseph L. Mankiewicz |
Champion: Mark Robson | The Fallen Idol: Carol Reed |
Lost Boundaries: Alfred L. Werker | Battleground: William A. Wellman |
SuThe Heiress: William Wyler |
1949
A Letter to Three Wives: Joseph L. Mankiewicz | Hamlet: Laurence Olivier+ |
The Treasure of the Sierra Madre: John Huston | |
Red River: Howard Hawks | The Search: Fred Zinnemann |
The Snake Pit: Anatole Litvak | The Snake Pit: Anatole Litvak |
The Search: Fred Zinnemann | Johnny Belinda: Jean Negulesco |
+also won Best Picture
(best picture that didn’t match director)
2012 | ||
2011 | Michel Hazanavicious, The Artist | Michel Hazanavicious, The Artist+ |
2010 | Tom Hooper, The King’s Speech | Tom Hooper, The King’s Speech+ |
2009 | Kathryn Bigelow, The Hurt Locker | Kathryn Bigelow, The Hurt Locker+ |
2008 | Danny Boyle, Slumdog Millionaire | Danny Boyle, Slumdog Millionaire+ |
2007 | Joel and Ethan Coen, No Country | Joel and Ethan Coen, No Country+ |
2006 | Martin Scorsese, The Departed | Martin Scorsese, The Departed+ |
2005 | Ang Lee, Brokeback Mountain | Ang Lee, Brokeback Mountain* (Crash+) |
2004 | Clint Eastwood, Million Dollar Baby | Clint Eastwood, MDB+ |
2003 | Peter Jackson, Return of the King | Peter Jackson, Return of the King+ |
2002 | Rob Marshall, Chicago | Roman Polanski, The Pianist (Chicago) |
2001 | Ron Howard, A Beautiful Mind | Ron Howard, A Beautiful Mind+ |
2000 | Ang Lee, Crouching Tiger | Steven Soderbergh, Traffic (Gladiator) |
1999 | Sam Mendes, American Beauty | Sam Mendes, American Beauty+ |
1998 | Steven Spielberg, Saving Private Ryan | Steven Spielberg (Shakespeare in Love) |
1997 | Jim Cameron, Titanic | Jim Cameron, Titanic+ |
1996 | Anthony Minghella, English Patient | Anthony Minghella, English Patient+ |
1995 | Ron Howard, Apollo 13 | Mel Gibson, Braveheart+ |
1994 | Robert Zemeckis, Forrest Gump | Robert Zemeckis, Forrest Gump+ |
1993 | Seven Spielberg, Schindler’s List | Steven Spielberg, Schindler’s List+ |
1992 | Clint Eastwood, Unforgiven | Clint Eastwood, Unforgiven+ |
1991 | Jonathan Demme, Silence of the Lambs | Jonathan Demme, Silence of the Lambs + |
1990 | Kevin Costner, Dances with Wolves | Kevin Costner, Dances with Wolves+ |
1989 | Oliver Stone, Born on the Fourth of July | Oliver Stone, Born on the Fourth of July (Driving Miss Daisy – director Beresford not nommed for Oscar or DGA) |
1988 | Barry Levinson, Rain Man | Barry Levinson, Rain Man+ |
1987 | Bernardo Bertolucci, Last Emperor | Bernardo Bertolucci, Last Emperor+ |
1986 | Oliver Stone, Platoon | Oliver Stone, Platoon+ |
1985 | Steven Spielberg, Color Purple | Sidney Pollack, Out of Africa+ |
1984: | Milos Forman, Amadeus | Milos Forman, Amadeus+ |
1983: | James Brooks, Terms of Endearment | James Brooks, Terms of Endearment+ |
1982: | Richard Attenborough, Gandhi | Richard Attenborough, Gandhi+ |
1981: | Warren Beatty, Reds | Warren Beatty, Reds (Chariots of Fire) |
1980: | Robert Redford, Ordinary People | Robert Redford, Ordinary People+ |
1979: | Robert Benton, Kramer Vs. Kramer | Robert Benton, Kramer Vs. Kramer+ |
1978: | Michael Cimino, Deer Hunter | Michael Cimino, Deer Hunter+ |
1977: | Woody Allen, Annie Hall | Woody Allen, Annie Hall+ |
1976: | John Avildson, Rocky | John Avildson, Rocky+ |
1975: | Milos Foreman, One Flew Over the Cuckoo’s Nest | Milos Foreman, One Flew Over the Cuckoo’s Nest+ |
1974: | Frances Coppola, Godfather II | Frances Coppola, Godfather II+ |
1973: | George Roy Hill, The Sting | George Roy Hill+ |
1972: | Frances Coppola, The Godfather | Bob Fosse, Cabaret (Godfather) |
1971: | William Friedkin, The French Connection | William Friedkin, The French Connection+ |
1970: | Franklin J. Schaffner, Patton | Franklin J. Schaffner , Patton+ |
1969: | John Schlesinger, Midnight Cowboy | John Schlesinger, Midnight Cowboy+ |
1968: | Anthony Harvey, Lion in Winter | Carol Reed, Oliver+ |
1967: | Mike Nichols, The Graduate | Mike Nichols, The Graduate (In Heat of the Night) |
1966: | Fred Zinneman, A Man for all Seasons | Fred Zinneman, A Man for all Seasons+ |
1965: | Robert Wise, The Sound of Music | Robert Wise, the Sound of Music+ |
1964: | George Cukor, My Fair Lady | George Cukor, My Fair Lady+ |
1963: | Tony Richardson, Tom Jones | Tony Richardson, Tom Jones+ |
1962: | David Lean, Lawrence of Arabia | David Lean, Lawrence of Arabia+ |
1961: | Jerome Robbins, Robert Wise, West Side Story | Jerome Robbins, Robert Wise, West Side Story+ |
1960: | Billy Wilder, The Apartment | Billy Wilder, The Apartment+ |
1959: | William Wyler, Ben Hur | William Wyler, Ben Hur+ |
1958: | Vincent Minnelli, Gigi | Vincent Minnelli, Gigi+ |
1957: | David Lean, Bridge on the River Kwai | David Lean, Bridge on the River Kwai+ |
1956: | George Stevens, Giant | George Stevens, Giant (Around/World in 80 Days) |
1955: | Delbert Mann, Marty | Delbert Mann, Marty+ |
1954: | Elia Kazan, On the Waterfront | Elia Kazan, On the Waterfront+ |
1953: | Fred Zinnemann, From here to Eternity | Fred Zinnemann, From here to Eternity+ |
1952: | John Ford, The Quiet Man | John Ford, The Quiet Man (Greatest Show on Earth) |
1951: | George Stevens, A Place in the Sun | George Stevens, A Place in the Sun (An American in Paris) |
1950: | Joseph L. Mankiewicz, All About Eve | Joseph L. Mankiewicz, All About Eve+ |
1949: | Robert Rossen, All the King’s Men | Joseph L. Mankiewicz for A Letter To Three Wives (All the King’s Men) |
1948: | Joseph L. Mankiewicz for A Letter To Three Wives | John Huston, Treasure of the Sierra Madre (Hamlet) |
1947 | Elia Kaza for Gentleman’s Agreement | |
1946 | William Wyler for The Best Years of Our Lives | |
1945 | Billy Wilder for The Lost Weekend | |
1944 | Leo McCary for Going My Way | |
1943 | Michael Curtiz for Casablanca | |
1942 | William Wyler for Mrs. Miniver | |
1941 | John Ford for How Green Was My Valley | |
1940 | John Ford for The Grapes of Wrath (Rebecca) | |
1939 | Victor Flemming, Gone with the Wind | |
1938 | Frank Capra, You Can’t Take it With You | |
1937 | Leo McCary, The Awful Truth (The Life of Emile Zola) | |
1936 | Frank Capra, Mr. Deed Goes to Town (The Great Ziegfeld) | |
1935 | John Ford, The Informer (Mutiny on the Bounty) | |
1934 | Frank Capra, It Happened One Night | |
1933 | Frank Lloyd, Calvalcade |