BEST PICTURE
Birdman
Boyhood
The Grand Budapest Hotel
Under the Skin
Whiplash
BEST DIRECTOR
Wes Anderson–The Grand Budapest Hotel
David Fincher–Gone Girl
Alejandro Gonzalez Inarritu–Birdman
Richard Linklater–Boyhood
Christopher Nolan–Interstellar
BEST ACTOR
Benedict Cumberbatch–The Imitation Game
Jake Gyllenhaal–Nightcrawler
Michael Keaton–Birdman
David Oyelowo–Selma
Eddie Redmayne–The Theory of Everything
BEST ACTRESS
Marion Cotillard–Two Days, One Night
Scarlett Johannson–Under the Skin
Julianne Moore–Still Alice
Rosamund Pike–Gone Girl
Reese Witherspoon–Wild
BEST SUPPORTING ACTOR
Josh Brolin–Inherent Vice
Ethan Hawke–Boyhood
Edward Norton–Birdman
Mark Ruffalo–Foxcatcher
J.K. Simmons–Whiplash
BEST SUPPORTING ACTRESS
Patricia Arquette–Boyhood
Jessica Chastain–A Most Violent Year
Laura Dern–Wild
Agata Kulesza–Ida
Emma Stone–Birdman
BEST ORIGNAL SCREENPLAY
Birdman–Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris and Armando Bo
Boyhood–Richard Linklater
Calvary–John Michael McDonagh
The Grand Budapest Hotel–Wes Anderson
Whiplash–Damien Chazelle
BEST ADAPTED SCREENPLAY
Gone Girl–Gillian Flynn
The Imitation Game–Graham Moore
Inherent Vice–Paul Thomas Anderson
Under the Skin–Walter Campbell
Wild–Nick Hornby
BEST FOREIGN-LANGUAGE FILM
Force Majeure
Ida
Mommy
The Raid 2
Two Days, One Night
BEST DOCUMENTARY
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters
BEST ANIMATED FEATURE
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
Tales of the Princess Kaguya
BEST ART DIRECTION/PRODUCTION DESIGN
The Grand Budapest Hotel
Interstellar
Into The Woods
Only Lovers Left Alive
Snowpiercer
BEST CINEMATOGRAPHY
Birdman–Emmanuel Lubezki
The Grand Budapest Hotel–Robert Yeoman
Ida–Ryszard Lenczewski and Lukasz Zal
Inherent Vice–Robert Elswit
Interstellar–Hoyte Van Hoytema
BEST EDITING
Birdman–Douglas Crise and Stephen Mirrion
Boyhood–Sandra Adair
Gone Girl–Kirk Baxter
The Grand Budapest Hotel–Barney Pilling
Whiplash–Tom Cross
BEST ORIGINAL SCORE
Birdman–Antonio Sanchez
The Grand Budapest Hotel–Alexandre Desplat
The Imitation Game–Alexandre Desplat
Interstellar–Hans Zimmer
Under the Skin–Mica Levi
MOST PROMISING PERFORMER
Ellar Coltrane–Boyhood
Gugu Mbatha-Raw–Belle/Beyond the Lights
Jack O’Connell–Starred Up/Unbroken
Tony Revolori–The Grand Budapest Hotel
Jenny Slate–Obvious Child
Agata Trzebuchowska–Ida
MOST PROMISING FILMMAKER
Damien Chazelle–Whiplash
Dan Gilroy–Nightcrawler
Jennifer Kent–The Babadook
Jeremy Saulnier–Blue Ruin
Justin Simien–Dear White Peopl
Nominations By The Numbers
9–Birdman
8–The Grand Budapest Hotel
7–Boyhood
5–Whiplash
4–Gone Girl, Ida, Interstellar, Under the Skin
3–The Imitation Game, Inherent Vice, Wild
2–Nightcrawler, Two Days, One Night
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(Press Release): Although an especially nasty and vituperative critic was one of the many characters on display in the film “Birdman,” the Chicago Film Critics Association apparently held no grudges, if the nominations for the group’s 2014 film awards are any indication. The hallucinatory black comedy about a washed-up movie star desperately trying to restart his flagging career with a turn on Broadway led all comers with nine nominations, including Best Picture, nods for Alejandro Gonzalez Inarritu for Best Director and Best Original Screenplay, Michael Keaton for Best Actor, Edward Norton for Best Supporting Actor, Emma Stone for Best Supporting Actress and additional nominations for Cinematography, Editing and Original Score.
In second place with eight nominations was “The Grand Budapest Hotel,” Wes Anderson’s whimsical comedy-drama about a concierge in a posh European hotel who becomes involved in intrigue while the world teeters on the brink of war. In addition to Best Picture and nominations for Anderson for Director and Original Screenplay, it was also cited for Art Direction/Set Production Design, Cinematography, Editing, Original Score and newcomer Tony Revolori landed in the Most Promising Performer category. Following up with seven nominations was “Boyhood,” Richard Linklater’s intimate epic charting the growth and maturation of a boy over the course of a 12-year shooting period. In addition to Best Picture and Director/Original Screenplay slots for Linklater, there were nominations for Ethan Hawke for Supporting Actor, Patricia Arquette for Supporting Actress, Ellar Coltrane, the boy at the center of it all, for Most Promising Performer and a nod for Best Editing.
The acclaimed indie drama “Whiplash,” charting the battle of wills between a highly ambitious musical prodigy and his teacher, both obsessed with perfection at all costs, came up with five nominations, including Best Picture, Original Screenplay for writer-director Damien Chazelle, Supporting Actor for J.K. Simmons’s terrifying turn as the teacher and Best Editing. In a surprise, the fifth Best Picture slot was filled by “Under the Skin,” Jonathan Glazer’s alternately creepy and erotic sci-fi drama about an alien in human form wandering through the streets of Scotland looking for. . . something–the film also earned Scarlett Johannson a Best Actress nod for her performance as the alien as well as slots in the Adapted Screenplay and Original Score categories. The year’s other mind-bending sci-fi film, “Interstellar,” earned Christopher Nolan a Best Director nomination and additional citations for Art Direction/Production Design, Cinematography and Original Score.
Among the other notable standouts in this year’s crop of nominees, British actors Benedict Cumberbatch and Eddie Redmayne find themselves going head-to-head in the Best Actor category for playing troubled geniuses in, respectively, “The Imitation Game” and “The Theory of Everything,” the controversial “Gone Girl” received nominations for David Fincher for Director, Rosamund Pike for Actress, author Gillian Flynn for Adapted Screenplay and Editing and the adaptation of Thomas Pynchon’s screw-loose detective novel “Inherent Vice” earned nominations for celebrated filmmaker Paul Thomas Anderson for Adapted Screenplay, Josh Brolin for Supporting Actor and Cinematography. Foreign titles were also represented in several key categories as well–beside being cited in the Foreign-Language Film category, “Ida” earned nods for Supporting Actress (Agata Kulesza), Promising Performer (Agata Trzebuchowska) and Cinematography while the wrenching Belgian drama “Two Days, One Night” earned Marion Cotillard a Best Actress nomination. “Life Itself,” Steve James’s celebration of the life and work of the late Roger Ebert, was nominated for Best Documentary alongside such equally acclaimed titles as “Citizenfour,” “Jodorowsky’s Dune,” “Last Days in Vietnam” and “The Overnighters.”
Now in its 25th year, the CFCA will announce its winners during our year-end awards dinner to be held on the evening of December 15, 2014. Follow @ChicagoCritics on Twitter for the real-time announcement.
Interstellar got nominations including best director.
No sign of Steve Carrell, Jennifer Aniston, Instellar or Unbroken.
Anne Thompson’s top 10
1. Birdman
2. Boyhood
3. Mr. Turner
4. Nymphomaniac
5. Only Lovers left alive
6. Ida
7. Selma
8. The Grand Budapest Hotel
9. Wild Tales
10. Beyond the lights
That Best Actress is a dream! A nom for ScarJo and Marion would make me so happy.
Richard Brody’s wonderful piece on film criticism, independent cinema, his favorites of the year and his all-important Negative Ten–a list he defines as films that “occlude the view toward the year’s most accomplished and daringly original work.” http://www.newyorker.com/culture/cultural-comment/best-movies-2014?mbid=social_facebook
I’m obsessed with the Negative Ten business–not necessarily his list, but the existence of such an idea because I think it’s a rather provocative one.
My negative ten, in order of most obstructive:
Boyhood
The Theory of Everything
The LEGO Movie
Gone Girl
The Grand Budapest Hotel
Whiplash
Foxcatcher
Fury
The Immigrant
Snowpiercer
K. Bowen, it’s no mystery to me. She’s been nominated for a number of critics’ awards this week, and rightly so, for what might be her finest performance to date. And the Captain America boost certainly helps raise her visibility this year, while Under the Skin raises her credibility substantially. But people aren’t keen to put her in their predictions lists – they’re too concerned with accuracy, rather than advocacy. Much as Under the Skin has a lot of fans online, and fierce ones too (I count myself among such company), nobody realistically expects Scarlett to break the Best Actress race with major groups like SAG and AMPAS because the film is too divisive, too arthouse and, as you point out, too challenging. The film will need some very passionate advocacy indeed to even convince Academy members to watch it; most of them probably haven’t even heard of the film to begin with, alas.
Loving all the love for GBH here!
Film Comment’s top 20! http://filmcomment.com/entry/20-best-films-of-2014
One of the great mysteries of awards season, honestly, is how Scarlett Johansson isn’t getting the heat, despite being a big star having a great year. Two big hits, plus a widely praised role in a great and challenging film.
Overall this is a great group of nominees. Still baffled by how Fincher can be nominated for Director but they overlook Gone Girl in Best Picture. Seriously?!
Right now the Best Actress race is really interesting. It seems the locks are Julianne Moore and Rosamund Pike with Witherspoon, Jones, Cotillard and Aniston fighting for the last three remaining spots. That’s not to mention the dark horse that is Scarlett Johannson. She’s been getting mentions throughout the critics awards. It could potentially lead to her first nomination.
Although that Best Actor line up is strong, for my money I would replace Eddie Redmayne with Steve Carrell in Foxcatcher. I hope the Academy gets over their comedians doing drama bias.
Finally a group having the balls to nominate outside the now pre-determined list of contenders by selecting both Interstellar and Ida in categories they’ve been otherwise shut out of.
im pretty sure thatll be the best actor lineup. jake is picking up a lot of steam. I feel confident cotillard will still get in over aniston.
Fincher is on a roll lately. Perhaps I’m underestimating Imitation Game and Theory of Everything but at this rate, I’m expecting the nominees for Director at the Globes to repeat at the Oscars.
@RYAN ADAMS
I may have asked you this in a previous post, but I was genuinely curious–what did you think about Whiplash? It sounded like you were mixed on the ultimate message of the film (in a past post), but I was wondering what you thought. I personally love the movie, but I’ve got no problem that its themes are divisive (it’s what makes it an interesting story vs. the usual student/teacher film)