Rope of Silicon’s Brad Brevet has waded the territory of early Oscar predictions. He’s humble enough to admit nobody knows anything and that only three from his list last year ended up making it to the final race. Things are going to change significantly if the Academy decides to go back to five, or god willing, to an even ten. Right now we have to think about Oscar predictions in terms of “heart light” movies about good people that make voters feel good about themselves.
Pundits will reject films with darker themes because of this, no matter how good they are. Inside Llewyn Davis one of the best films of the year? Forget it, he is not a likable character. Foxcatcher, Gone Girl and Nightcrawler define the year’s best films? Forget it, ew scary people. Ew, not likable. At least they saved face by nominating Selma because if they hadn’t and this month rolled around with the President of the United States in Selma, Alabama the Academy could not look more out of touch.
But let’s look at Brad’s list and see what kind of films might be offered next year. Are we looking at another “Dick in a Box” year or will the dudes who run the Academy broaden their way of thinking even a tiny bit to remember the other 50% of the human population?
I don’t know, let’s have a look shall we?
How do you find Best Picture? You can usually follow the distributor. Fox Searchlight has won Best Picture two years in a row now. Warner Bros. took it in 2012 and then it was The Weinstein Co. for two years. Summit took it in 2009. Fox Searchlight again in 2008. Miramax had it for No Country for Old Men in 2007. Warner Bros. again for The Departed in 2006. Lionsgate had it for Crash in 2005. Warner Bros. for Million Dollar Baby in 2004. And on it goes.
The way you read the race, though, isn’t so much by distributor, although that certainly helps. You also have to look at Oscar strategists and/or publicists. The ones who get paid per nomination and then paid again per win are going to push a lot harder than those who simply work for the studios in their publicity department. For hire strategists are usually attached to these winners. Their names are only really known by those of us in the business. They stand behind much bigger names like Harvey Weinstein, for instance, who used to work with Lisa Taback, or Scott Rudin who often works with Cynthia Swartz. Generally speaking if you have any of the big names attached to a movie you now it’s going to get very close to Best Picture. They are good at their jobs and they leave no stone unturned. For better or worse.
The organic part of the race comes when the movies are screened at festivals and SEEN by those distributors. They pick a winner and they run with it (unless they already know they have one in-house, as with Argo in 2012).
At any rate, predicting Best Picture isn’t rocket science because of that. We can play this game of looking at the filmmakers and the plots and the studios but in the end on paper (Unbroken, Into the Woods, etc) is no match for a film that has the right ingredients to go the distance and the right publicity team behind it.
As we look forward to another year of the Oscar race I already feel tired from the fights that haven’t even happened yet trying to defend this story starring women, this film directed by a woman, this film (will there be any) about a woman that has nothing to do with a man.
The last thing I care about is catering to the needs of Oscar voters by dumbing down the choices to what “they” will like. That is a waste of my time and yours. I try to push movies that are good enough, movies that break new ground, and movies that are either about or made by minority filmmakers. I try as hard as I can to push against the consensus not because I don’t know exactly how it will play out (after 16 years of this, my friends, I KNOW) but because there is nothing about the Oscar race that matters otherwise. Those voters all have mirrors they can look into to see a reflection of themselves. I do not wish to be one of those.
About Men
Midnight Special, directed by Jeff Nichols (Father/son)
Black Mass, directed by Scott Cooper, Whitey Bulger movie, Johnny Depp
The Walk, starring Ben Kingsley, Joseph Gordon-Levitt, directed by Robert Zemeckis
Icon, directed by Stephen Frears, (Lance Armstrong) Ben Foster
Bridge of Spies, directed by Steven Spielberg, starring Tom Hanks
Snowden, directed by Oliver Stone, Joseph Gordon-Levitt
The Sea of Trees, directed by Gus Van Sant
Steve Jobs, directed by Danny Boyle, Michael Fassbender
The Revenant, directed by Alejandro G. Inarritu, Leonardo DiCaprio, Tom Hardy
Truth, directed by James Vanderbilt (Robert Redford, Cate Blanchett supporting)
Concussion, directed by Peter Landesman (Will Smith)
Trumbo, directed by Jay Roach (Bryan Cranston, Diane Lane supporting)
Triple Nine, directed by John Hillcoat (Aaron Paul)
**Money Monster, directed by Jodie Foster (George Clooney/Jack O’Connell, Julia Roberts supporting)
Genius, directed by Michael Grandage (Colin Firth)
About Women and Men
A Bigger Splash, directed by Luca Guadagnino (couples drama) Matthias Schoenaerts, Tilda Swinton, Ralph Fiennes, Dakota Johnson
Demolition, directed by Jean-Marc Vallée, About a man rescued by a woman, Jake Gyllenhaal, Naomi Watts
Me & Earl & the Dying Girl – Fox Searchlight, directed by Alfonso Gomez-Rejon
The Danish Girl, directed by Tom Hooper, starring Eddie Redmayne
The Hateful Eight, directed by Quentin Tarantino
An Irrational Man, directed by Woody Allen, Joaquin Phoenix, Emma Stone
About Women
Far from the Madding Crowd, directed by Thomas Vinterberg (Carey Mulligan) (May 1)
Carol, directed by Todd Haynes, (Cate Blanchett and Rooney Mara)
Brooklyn – Fox Searchlight, directed by John Crowley, young girl’s coming of age (Saoirse Ronan)
Joy, directed by David O. Russell,(Jennifer Lawrence)
Ricky and the Flash, directed by Jonathan Demme (Meryl Streep)
Our Brand is Crisis, directed by David Gordon Green (Sandra Bullock)
Of all of these, only one is directed by a woman and it is starring men, about men. In most of these titles, with the exceptions of the few here at the bottom wherein your likely Best Actress contenders lie, you are mostly dealing with stories about men where women are supporting players or couples dramas. Women as stand-alone subject matter look to be mostly scarce in the Best Picture race.
Note how many films about women, and by women, are released into the dumping ground of March and April.
Eva, directed by Kike Maillo
Kumiko, The Treasure Hunter, directed by David Zellner
Effie Gray, written by Emma Thompson, directed by Richard Laxton.
Woman in Gold, starring Helen Mirren, directed by Simon Curtis
Clouds of Sils Maria, directed by Olivier Assayes, starring Juliette Binoche and Kristen Stewart
The Riot Club, directed by Lone Scherfig
Yes, finding films about women are few and far between. Finding films directed by women are practically non-existant. Finding films by women and about women? Almost impossible.
Next, we head over to Hollywood-Elsewhere‘s Cannes projections to see if there are any gets there, for Oscar, with women or not.
Spotlight, directed by Thomas McCarthy about sexual molestations in the Catholic church.
By the Sea, directed by Angelina Jolie with Brad and Angie co-starring.
The Last Face, directed by Sean Penn and starring Penn and Charlize Theron
High Rise, directed by Ben Wheatley, starring Tom Hiddleston and Jeremy Irons
That leads us over to Todd McCarthy’s Cannes predictions page, which brings us, potentially:
The Lobster, directed by Yorgos Lanthimos, Lea Seydoux, Rachel Weisz, Colin Farrell, Ben Wishaw
Regression, directed by Alejandro Amenabar, with Emma Watson and Ethan Hawke
And some random titles:
Welcome to Me, directed by Shira Piven, starring Kristen Wiig (May 1)
Mad Max: Fury Road, directed by George Miller starring Charlize Theron
Crimson Peak, directed by Guillermo Del Toro, starring Mia Wasikowska. (October 16)
The Lady in the Van, directed by Nicholas Hytner, starring Maggie Smith
Sisters, Jason Moore, starring Tina Fey and Amy Poehler
A Little Chaos, directed by Alan Rickman, starring Kate Winslet
Jane Got a Gun, directed by Gavin O’Connor, starring Natalie Portman
Lila and Eve, directed by Charles Stone, starring Viola Davis and Jennifer Lopez
Live by Night, directed by Ben Affleck, starring Ben Affleck and Sienna Miller
Once again, we are going to be flooded with bravura acting performances by men. And once again, we’re going to be flooded with supporting parts by women. And once again, we are going to see virtually no interest in stories about women. Hardly any. It’s just all so desperately sad.
Here’s the upside – this list doesn’t really show the films that might pop up on the festival circuit, which begins in May – Cannes, Venice, Telluride, Toronto. Perhaps somewhere in there something good might happen or women. I’m not holding my breath.
Thus, if I had to do Predictions in the top categories right now, based JUST on what I see here on these lists, I’d go with:
Best Picture (let’s pick 9 using the preferential ballot currently in place, voters get just five slots to pick their best)
Far From the Madding Crowd
The Walk
Icon
Steve Jobs
Trumbo
Bridge of Spies
The Danish Girl
Joy
Carol (I think the Academy is finally ready for Todd Haynes)
Possible
Money Monsters
Hateful Eight
A Bigger Splash
Demolition
Best Director
Spielberg, Bridge of Spies
Hooper, Danish Girl
David O. Russell, Joy
Todd Haynes, Carol
Possible:
Robert Zemeckis, The Walk
Danny Boyle, Steve Jobs
Jay Roach, Trumbo
Best Actor:
Michael Fassbender, Steve Jobs
Leonardo DiCaprio, The Revenant
Jake Gyllenhaal, Demolition
Eddie Redmayne, The Danish Girl
Tom Hanks, Bridge of Spies
Also possible:
Ben Foster, Icon
Best Actress
Cate Blanchett, Carol
Jennifer Lawrence, Joy
Maggie Smith, the Lady in the Van
Carey Mulligan, Far From the Madding Crowd
Saoirse Ronan, Brooklyn
There are so many more names that will be coming up but these are the ones that strike me off the bat.
My own personal most anticipated include:
Carol – OMFG
Joy (I think it will be funny)
Mad Max: Fury Road
Crimson Peak
Spotlight
A Bigger Splash
Money Monster
Trumbo
Midnight Special
Clouds of Sils Maria
But hopefully we’ll have many more titles to add. Being a fanatical Todd Haynes fan I’m mostly looking forward to his SECOND collaboration with Cate Blanchett, his first being his masterpiece, I’m Not There. So that is probably the one film I’m looking forward to more than any other this year.
![2025 Oscars: Can a Late-Breaker Still Win Best Picture? [POLL]](https://www.awardsdaily.com/wp-content/uploads/2024/10/gladiator-350x250.jpg)
The Assassin by Taiwanese master Hou Hsiao-hsien
Office / Design for Living by HONG KONG master Johnny To
both will be appeared in Cannes film festival and the official entry as OSCAR foreign film contenders , may be a strong contender of Cinematography ,Production Design, Costume Design and Original Score .
William Cheung is the Production and Costume designer of Johnny To’s “Office / Design for Living ” , he earned an OSCAR nomination for his work in ‘The Grandmaster ‘ .
Lee Ping Bin is the Cinematographer of Hou Hsiao-hsien ‘s ” The Assassin ” , he won a Cannes Technical Grand Prize for his work in ” In the Mood for Love”.
Trailer for Koreeda’s UMIMACHI DAIRY; very, very likely to end up In Competition. Otherwise lovely, the preview panders a bit to the manga set, but it’s Koreeda so I wouldn’t be to concerned, you genre skeptics.
https://www.youtube.com/watch?v=9zw9IAF1Acs
I stumbled the very early Oscar predictions. Looks really good.
http://www.thecinemaholic.com/very-early-oscars-2016-predictions/
Would the Academy give a second Oscar to Eddie Redmayne before they give the first one to Leo? Yes, they will.
Color me naive (and I don’t care…I’ll hold out hope), but I don’t think clouds of sils maria is dead because of its release date. It’s the only film pre-june with any awards potential…and it’s common for one film to take advantage of getting out of the gate early…IF and a big IF, IFC sends early screeners AND the critics groups give it some life. I’m not saying it’s probable, but possible it survives, at least in the acting categories. But…maybe I’m just hopeful that a film with three, count em, three strong female roles gets real attention
As long as Avengers: Age of Ultron is asweome as advertised among fans AND critics, it has just as much right to be mentioned as a major Oscar nominee player as 20 arthouse niche movies combined.
Leo almost always comes across as phony to me. A child pretending to be a man. J-Law wearing mommy’s heels and make-up in American Hustle.
That’s why my favorite performances of his were characters who were pretending to be someone else, as in Catch Me If You Can, The Departed, and The Wolf of Wall Street. His phoniness a boon instead of a burden for these roles, so obviously “ACTING” as these characters when in reality he’s just this sweet little boy getting by on charm and mimicking the adults.
Hahahahahaha!!!! LOVE IT!!!!!
Joe, all I can think about when I saw that poster for The Lady in the Van was Little Miss Sunshine. Fan-freaking-fastic!!!!
Great find. 🙂
Predictions for best picture
Black mass
A bridge of spies
Brooklyn
The good dinosaur
Joy
The lady in the van
An irrational man
Ricki and the flash
Steve jobs
Thomas McCarthy unknown director? My gosh. I don’t know if to laugh or cry. Holy s**t!
@Nick
Hope Springs was quite good. It was just not baity. (should be a plus point though, but people seem to forget the movies exists)
Ricki and The Flash sounds more like Postcards from the Edge.
Meryl plays an aging rockstar, that alone is way more interesting/baity than a sexual frustrated wife. She sings and plays the (electric) guitar, which is not as difficult as the violin, but still a skill to learn and the Academy LOVES it when Meryl learns new skills.
Oscar nom or not, I can’t wait to see and hear this.
I’m a little surprised
that Freeheld w/
Julianne Moore,
Ellen Page and
Steve Carrel aren’t
mentioned very much
in this story. I’ve been
reading a lot of positive
stories about this up-
coming film from
Lionsgate.
Carol, Joy, Sea of Trees….
These are mine. I’m looking forward to JLaw sinking her teeth into something that sounds slightly quirky.
Before I accidentally offend anyone, I want to explain what I mean by unknown director. I mean I have either not heard of any of them before, or in the case of Don Cheadle, Miles Ahead is his first directorial film.
I forgot to add to the list of Known Directors, Previously Best Picture Nominated
Knight of Cups – Terrence Malick
With Malick you never know.
I made a list of possible Best Picture nominees, and divided them up to make better sense of them:
Known Director, Previously Best Picture Winner
Bridge of Spies – Steven Spielberg
In the Heart of the Sea – Ron Howard
Irrational Man – Woody Allen
Ricki and the Flash – Jonathan Demme
Snowden – Oliver Stone
Steve Jobs – Danny Boyle
The Danish Girl – Tom Hooper
The Martian – Ridley Scott
The Revenant – Alejandro González Iñárritu
The Walk – Robert Zemeckis
Known Director, Previously Best Picture Nominated
Aloha – Cameron Crowe
Demolition – Jean-Marc Vallée
Icon – Stephen Frears
Joy – David O. Russell
The Hateful Eight – Quentin Tarantino
The Sea of Trees – Gus Van Sant
Known Director
Beasts of No Nation – Cary Fukunaga
By the Sea – Angelina Jolie
Carol – Todd Haynes
Everest – Baltasar Kormákur
Our Brand Is Crisis – David Gordon Green
Southpaw – Antoine Fuqua
Trumbo – Jay Roach
Unknown Director
45 Years – Andrew Haigh
Brooklyn – John Crowley
Freeheld – Peter Sollett
Genius – Michael Grandage
Macbeth – Justin Kurzel
Me and Earl and the Dying Girl – Alfonso Gomez-Rejon
Miles Ahead – Don Cheadle
Spotlight – Thomas McCarthy
Suffragette – Sarah Gavron
“I hope Eddie Redmayne pulls a Tom Hanks, and WINS his second Oscar for The Danish Girl!”
Blasphemy!
Kane, I respect Duvall’s commitment, but not a fan of the picture in general so maybe that’s just it.
In any sane world SILS MARIA would be in serious conversation for Best Picture, Actress (Binoche), Screenplay and and Cinematography. But our world ain’t sane, so it won’t.
Leo’s best performance is The Wolf of Wall Street. Who just said Cameron Diaz is funny? HELL naw. And Blanchett and Gosling is more interesting than DiCaprio,?. I would watch his performance BEFORE both.
Bryce…get rid of Robert Duvall in The Apostle for DiCaprio??? No sir. In my opinion Duvall deserved the Oscar that year. I never saw Ulee’s Gold and only saw half of Wag the Dog and thought Hoffman was very good. I like Damon in GWH.
While I love the other 4 actors mentioned for Best Actor, I hope Eddie Redmayne pulls a Tom Hanks, and WINS his second Oscar for The Danish Girl!
Al, he was r.o.b.b.e.d. of a nomination for TITANIC.*Easily* get rid of *anyone* on that ’98 line-up for DiCaprio (ok maybe not Damon) and what he did opposite Winslet. CATCH is my 4th favorite film from 2002.
Good lord, Sasha – give the gender equality thing a rest. There is some stuff about women, less women are interested in becoming directors in general – there are reasons for the disparity beyond just a long standing sexist design to keep women down.
Every article with you these days, and for too long I think. Delusional.
Top 10 Leo performances:
1. Gilbert Grape
2. Wolf of Wall Street
3. Titanic
4. Basketball Diaries
5. Blood Diamond
6. The Departed
7. Django Unchained
8. The Aviator
9. Catch Me If You Can
10. Shutter Island
Goonnow,
Even if you don’t like Leo you can’t deny the man has made so many great movies. I mean, C’mon now.
I’m so excited for Carol it looks fantastic and I love Todd Haynes style and it’s about time for him to receive a proper recognized. Don’t underestimate Mcbeth though, it has the Weinstein behind it.