2018 MPSE Golden Reel Award Nominees
Outstanding Achievement in Sound Editing – Dialogue / ADR
Baby Driver
Sony Pictures
Supervising Sound Editor: Julian Slater, MPSE
Supervising Dialogue Editor: Dan Morgan
Blade Runner 2049
Warner Brothers
Supervising Sound Editor: Mark Mangini, MPSE
Supervising Dialogue Editor: Byron Wilson
Dialogue Editor: Michael Hertlein
Darkest Hour
Focus Features
Supervising Sound Editors: Becki Ponting, Craig Berkey
Dialogue Editor: Michael Marroussas
Detroit
Annapurna Pictures
Supervising Sound Editor: Paul N.J. Ottosson
Supervising ADR Editors: Daniel Saxlid, Laura Graham
Dialogue Editor: Robert Troy
Dunkirk
Warner Brothers
Supervising Sound Editor: Hugo Weng
Supervising ADR Editor: David Bach
ADR Editor: Russell Farmarco
The Shape of Water
Fox Searchlight
Supervising Sound Editor: Nathan Robitaille, MPSE
Supervising Dialogue Editor: Nelson Ferreira
Dialogue Editor: Jill Purdy, MPSE
Three Billboards Outside of Ebbing, Missouri
Fox Searchlight
Supervising Sound Editor: Joakim Sundstrom
Dialogue Editor: Matthew Skelding
ADR Editor: Brian Bowles
War for the Planet of the Apes
20th Century Fox
Supervising Sound Editors: Douglas Murray, MPSE, Will Files
Supervising Dialogue Editor: R.J. Kizer
Vocal Editors: Kim Foscato, P.K. Hooker, Doug Jackson, Lindsay Alvarez
ADR Editors: Laura Graham, Jim Brookshire
Outstanding Achievement in Sound Editing – Effects / Foley
Baby Driver
Sony Pictures
Supervising Sound Editor: Julian Slater, MPSE
Sound Effects Editors: Jeremy Price, Martin Cantwell, Arthur Graley, Rown Watson
Foley Editor: Peter Hanson
Foley Artists: Zoe Freed, Peter Burgis
Blade Runner 2049
Warner Brothers
Supervising Sound Editor: Mark Mangini, MPSE
Sound Designer: Theo Green
Sound Effects Editors: Chris Aud, MPSE, Lee Gilmore, MPSE, Greg ten Bosch, MPSE, Charlie Campagna, MPSE, Dave Whitehead, Eliot Connors, MPSE
Foley Editor: Ezra Dweck
Foley Artists: Goro Koyama, Andy Malcolm
Dunkirk
Warner Brothers
Supervising Sound Editor: Richard King, MPSE
Sound Effects Editors: Michael Mitchell, Randy Torres
Foley Editor: Michael Dressel
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
Logan
20th Century Fox
Supervising Sound Editor: Donald Sylvester
Sound Designers: Wayne Lemmer, Hamilton Sterling
Sound Effects Editor: Doug Jackson
Foley Editors: Matthew Harrison, John Morris
Foley Artists: John T. Cucci, MPSE, Dan O’Connell
Star Wars: The Last Jedi
Disney
Supervising Sound Editors: Matthew Wood, Ren Klyce
Sound Designer: Ren Klyce
Assistant Sound Designer: Steve Orlando
Foley Supervisor: Frank Rinella
Sound Effects Editors: Coya Elliot, Bonnie Wild, Jon Borland
Foley Editors: Kim Patrick, Dee Selby
Foley Artists: Ronni Brown, Margie O’Malley
The Shape of Water
Fox Searchlight
Supervising Sound Editor: Nathan Robitaille, MPSE
Sound Effects Editors: Tyler Whitham, Dashen Naidoo, Kevin Howard, MPSE, Alex Bullick
Foley Editor: Steve Bain
Foley Artists: Pete Persaud, Gina Gyles
Thor: Ragnarok
Disney
Supervising Sound Editors: Shannon Mills, Daniel Laurie
Sound Designers: David Farmer, Nia Hansen
Sound Effects Editors: David Chrastka, Steve Orlando, Jeremy Bowker, Samson Neslund
Foley Editors: Kimberly Patrick, Jacob Riehle
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
War for the Planet of the Apes
20th Century Fox
Supervising Sound Editors: Douglas Murray, MPSE, Will Files
Sound Effects Editors: David Grimaldi, Jack Whittaker, MPSE, Ken McGill, P.K. Hooker, Doug Jackson, Lindsay Alvarez
Foley Editors: John Morris, Matthew Harrison, Thom Brennan, Willard Overstreet
Foley Artists: Dan O’Connell, John T. Cucci, MPSE
Outstanding Achievement in Sound Editing – Feature Animation
Cars 3
Disney
Sound Designer: Thomas Myers
Supervising Dialogue Editor: Brian Chumney
Sound Effects Editors: EJ Holowicki, Benjamin A. Burtt
ADR Editor: Michael Silvers
Audio Artist: Anthony Defrancesco
Foley Editor: Qianbahui Yang, MPSE
Music Editor: Joe E. Rand
Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan
Foley Editor: Terry Eckton
Coco
Disney
Supervising Sound Editor: J.R. Grubbs
Sound Designer: Chris Boyes
Dialogue Editors: Marshall Winn, Michael Silvers
Sound Effects Editors: Michael Silvers, Justin Doyle, Jack Whittaker
Foley Editors: Terry Eckton, Dee Selby
Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan
Despicable Me 3
NBC / Universal
Supervising Sound Editor: Dennis Leonard
Sound Designer: Tim Nielsen
Dialogue Editor: Matthew Hartman
Sound Effects Editors: Mac Smith, Andre J.H. Zweers
Foley Editors: Christopher Flick, Richard Gould
Foley Artists: John Roesch, Shelley Roden
Music Editor: Slamm Andrews
Ferdinand
20th Century Fox
Supervising Sound Editors: Randy Thom, MPSE, Gwendolyn Whittle, MPSE
Supervising Dialogue Editor: Dmitri Makarov
Sound Designer: Jeremy Bowker
Sound Effects Editors: Leff Lefferts, Pascal Garneau, Devon Kelly, Christopher Barnett, EJ Holowicki
Foley Editors: E. Larry Oatfield, Chris Manning, Qianbaihui Yang, MPSE
ADR Editors: Jamie Branquinho, Will Ralston
Music Editor: Tom Carlson
Foley Artists: John Roesch, Shelley Roden, Scott Curtis
The Breadwinner
GKIDS
Supervising Sound Editors: J.R. Fountain, Nelson Ferreira
Sound Effects Editors: Dashen Naidoo, Tyler Whitham
Foley Artist: John Elliot
Foley Editor: Kevin Schultz
Music Editor: Erich Stratmann
The Lego Batman Movie
Warner Brothers
Supervising Sound Editor: Wayne Pashley, MPSE
Supervising Dialogue Editor: Rick Lisle
Sound Effects Editors: Fabian Sanjurjo, Andrew Miller, Mario Gabrieli, Jared Dwyer, Emma Mitchell,
Nigel Christensen, Terry Rodman, Christopher S. Aud, MPSE, F. Hudson Miller, MPSE, Beth Bezzina
Dialogue Editors: Sonal Joshi, Derryn Pasquill, Linda Yeaney
Foley Artist: John Simpson, MPSE
Music Editor: Will Kaplan
Outstanding Achievement in Sound Editing – Feature Documentary
An Inconvenient Sequel: Truth to Power
Paramount
Sound Designer: Kent Sparling
Sound Effects Editors: Zach Martin
Dialogue Editor: Gwendolyn Yates Whittle, MPSE
Foley Editor: Andrea Gard
Foley Artist: Andrea Gard
Bill Nye: The Science Guy
PBS
Supervising Sound Editor: Peter Albrechtsen, MPSE
Sound Design: Peter Albrechtsen, MPSE
Sound Effects Editor: Morton Groth Brandt
Dialogue Editor: Jacques Pedersen
Foley Editor: Pietu Korhonen
Foley Artist: Heikki Hossi, MPSE
Eric Clapton: Life in 12 Bars
Showtime
Supervising Sound Editors: Andy Shelley, Steven Griffiths
Dialogue Editor: Justin Dolby
Foley Editor: Keith Partridge
Foley Artist: Barnaby Smyth
Hell on Earth: The Fall of Syria and the Rise of ISIS
National Geographic
Supervising Sound Editor: Mary Ellen Porto, MPSE
Dialogue Editor: Michael Suarez
Foley Editor: Rachel Chancey
Icarus
Netflix
Supervising Sound Editors: E.J. Holowicki, Chris Barnett
Supervising Music Editor: Adam Peters
Music Editor: Mikael Sandgren
In Pursuit of Silence
The Cinema Guild
Supervising Sound Editor: Steve Bissinger
Sound Designer: Steve Bissinger
Dialogue Editor: Shaun Farley, MPSE
Sound Effects Editor: Zach Martin
Jane
National Geographic
Supervising Sound Editors: Warren Shaw, Joshua Jackson
Sound Designers: Peter Staubli, MPSE, Odin Benitez, MPSE
Dialogue Editor: Will Digby
Foley Artist: Tara Blume
Music Editor: Suzana Peric
Score: A Film Music Documentary
Gravitas Ventures
Supervising Sound Editors: Kari Barber, MPSE, Peter Bawiec, MPSE
Sound Effects Editor: Kari Barber, MPSE
Dialogue Editor: Peter Bawiec, MPSE
Foley Editor: Kari Barber, MPSE
Music Editor: Peter Bawiec, MPSE
Outstanding Achievement in Sound Editing – Foreign Language Feature
BPM (Beats Per Minute)
The Orchard
Supervising Sound Editor: Valerie Deloof
Sound Effects Editors: Maia Szymczak, Atoine Bertucci
Dialogue Editor: Agnes Ravez
Foley Artists: Pascal Chauvin, Franck Tassel
First They Killed My Father
Netflix
Supervising Sound Editors: Glenn Freemantle, Ben Barker
Supervising Dialogue Editor: Sven Taits
Sound Designers: Glenn Freemantle, Ben Barker
Sound Effects Editors: Danny Freemantle, Rob Malone, Eilam Hoffman
ADR Editors: Rob Chen, Jens Peterson
Foley Editors: Lilly Blazewicz, Nicholas Freemantle
Foley Artists: Peter Burgiss, Jason Swanscott
The Happiest Day in the Life of Olli Mäki
MUBI
Supervising Sound Editor: Pietu Korhonen
Sound Effects Editors: Peter Albrechtsen, MPSE, Erik Bjerknes
Foley Editor: Heikki Kossi, MPSE
Foley Artist: Heikki Kossi, MPSE
Loveless
Sony Pictures Classics
Supervising Sound Editor: Andrey Dergachev
Dialogue Editor: Alexey Kuznetsov
Sound Effects Editors: Alexey Kobzar, Sofia Matrosova
Foley Editors: Elena Starikova, Ruslan Khuseyn, Dmitriy Zuev
Foley Artist: Natalia Zueva
Thelma
The Orchard
Sound Designers: Gisle Tveito, Fredric Vogel, Peter Albrechtsen, MPSE
Sound Effects Editors: Ingar Asdahl, Therese Næss Diesen, Peder Hammerborg
Foley Editor: Yvonne Stenberg
Foley Artist: Roy Fenstad
Wolf Warrior 2
Well Go USA Entertainment / H Collective
Supervising Sound Editor: Hayden Collow
Supervising Dialogue Editor: Chris Ward
Dialogue Editor: Martin Kwok
Sound Effects Editors: Matt Stutter, Matt Lambourn, Brent Burge, Paul Pirola, Tom Scott-Toft
Foley Editor: Craig Tomlinson
Music Editor: Steve Gallagher
Foley Artist: James Carroll
Outstanding Achievement in Sound Editing – Music Score
Baby Driver
Sony Pictures Entertainment
Supervising Sound Editor: Julian Slater, MPSE
Music Editor: Bradley Farmer
Blade Runner 2049
Warner Brothers
Supervising Music Editor: Clint Bennett
Music Editors: Ryan Rubin, Del Spiva
Dunkirk
Warner Brothers
Supervising Music Editor: Alex Gibson
Music Editors: Ryan Rubin, Chris Barrett
King Arthur: Legend of the Sword
Warner Brothers
Supervising Music Editor: Simon Changer
Music Editor: Ben Smithers
The Lost City of Z
Amazon Studios
Music Editor: Katherine Gordon Miller
The Shape of Water
Fox Searchlight
Music Editors: Cam McLauchlin, Rob Hegedus, Dustin Harris
Transformers: The Last Knight
Paramount Pictures
Supervising Music Editor: Alex Gibson
Music Editors: Jeannette Surga, Jason Ruder, Brian Lawson, Sam Zeines, Daniel DiPrima, Darryl Hall, Phillip Tallman, Dane Leon
Wonder Woman
Warner Brothers
Music Editors: Simon Changer, J.J. George, Christopher Benstead, Gerard McCann
Outstanding Achievement in Sound Editing – Musical
Beauty and the Beast
Disney
Supervising Music Editor: Christopher Benstead
Music Editors: Robin Morrison, Chris Brooks
Scoring Editor: Robin Baynton
Coco
Disney
Supervising Music Editor: Stephen Davis, MPSE
Music Editor: Warren Brown
The Greatest Showman
20th Century Fox
Supervising Music Editor: Jen Monnar
Music Editors: Jim Harrison, Jeff Carson, Peter Myles, Sheri Ozeki
Outstanding Achievement in Sound Editing – Live Action Under 30:00
Ballers
“Bull Rush”
HBO
Supervising Sound Editor: Mark Relyea, MPSE
Supervising ADR Editor: Julie Altus
Sound Effects Editor: David Barbee, MPSE
Dialogue Editor: Robert Guastini, MPSE
Foley Artists: Damien Smith, Joseph T. Sabella
Music Editor: Bruno Roussel
Brooklyn Nine Nine
“The Fugitive”
Fox Networks
Supervising Sound Editor: Christopher Reeves, MPSE
Dialogue Editor: Gabrielle Reeves
Sound Effects Editor: David Mann
Foley Editor: Gary Marullo
Music Editor: Jason Tregoe Newman
Foley Artists: Michael Lyle, Ginger Geary
Jean-Claude Van Johnson
“A Little Conversation About Trust”
Amazon Studios
Supervising Sound Editor: Marla McGuire, MPSE
Sound Designer: Lloyd Stuart Martin
Dialogue / ADR Editor: Jason Krane, MPSE
Foley Editor: Mitch Lestner, MPSE
Music Editor: Dean Menta
Foley Artists: Zane Bruce, Lindsay Pepper
Room 104
“Red Tent”
HBO
Supervising Sound Editor: Kevin Zimmerman
Supervising Dialogue Editor: Perry Robertson
Music Editor: Mikael Sandgren
Superstore
“Tornado”
NBC
Supervising Sound Editor: Christopher Reeves, MPSE
Dialogue Editor: Gabrielle Reeves
Sound Effects Editor: David Mann
Music Editors: Jason Tregoe Newman, Bryant Furhmann
Foley Artists: Joseph Sabella, Jesi Ruppel
Foley Editor: Gary Marullo
The Good Place
“Janet and Michael”
NBC
Supervising Sound Editor: Brent Findley, MPSE
Sound Effects Editor: Kevin McCullough
Dialogue Editor: Greg Brown
Music Editor: Jason Tregoe Newman
Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE
The Off Season
“Do Not Disturb”
ABC
Supervising Sound Editor: Mark Camperell, MPSE
Dialogue Editor: Jason Krane, MPSE
Sound Effects Editor: Austin Krier
Foley Editor: Corey Eccles
Foley Artist: Noel Vought
Vice Principles
HBO
“The Union of the Wizard and the Warrior”
Supervising Sound Editor: George Haddad, MPSE
Sound Designers: Marc Meyer, Chad Hughes, MPSE
Dialogue Editors: Karen Foster, Dale Chaloukian
ADR Editor: George Haddad, MPSE
Foley Editor: Butch Wolf
Outstanding Achievement in Sound Editing – Episodic Short Form – Music / Musical
Dark
“Dark Secrets”
Netflix
Music Editor: Lewis Morison
Game of Thrones
“Beyond the Wall”
HBO
Music Editor: David Klotz
Mr. Robot
FX Network
“runtime-err0r.r00”
Music Editor: Ben Zale
Stranger Things
“Chapter Eight: The Mind Flayer”
Netflix
Music Editor: David Klotz
The Get Down
“Unfold Your Own Myth”
Netflix
Supervising Music Editor: Jamieson Shaw
Music Editor: Jordan Ross
The Handmaid’s Tale
“Offred”
MGM Television / HULU
Supervising Music Editor: Yuri Gorbachow, MPSE
Music Editor: Lise Beauchesne
The Leftovers
“It’s a Matt, Matt, Matt, Matt World
HBO
Supervising Music Editor: Amber Funk, MPSE
Twin Peaks
“Part 8”
Showtime
Sound Designer: David Lynch
Music and Sound Editor: Dean Huley
Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
Feud
“And the Winner Is… (The Oscars of 1963)”
FX Networks
Supervising Sound Editor: Gary Megregian, MPSE
Dialogue Editor: Lance Wiseman
Game of Thrones
“The Spoils of War”
HBO
Supervising Sound Editor: Tim Kimmel, MPSE
Supervising Dialogue Editor: Paul Bercovitch
Supervising ADR Editor: Tim Hands, MPSE
Halt and Catch Fire
“So It Goes”
AMC
Supervising Sound Editor: Sue Cahill
Supervising ADR Editor: Sara Benchivega
Dialogue Editor: Jane Boegel-Koch
Orange Is the New Black
Storm-y Weather
Netflix
Supervising Sound Editor: John Kincade
Dialogue Editor: Todd Niesan, MPSE
Stranger Things
“Chapter Eight: The Mind Flayer”
Netflix
Supervising Sound Editor: Bradley North, MPSE
Dialogue Editor: Tiffany Griffith
ADR Editor: Bradley North, MPSE
The Crown
“Paterfamilias”
Netflix
Supervising Sound Editor: Lee Walpole, MPSE
Supervising ADR Editor: Kallis Shamaris
Dialogue Editor: Iain Eyre
The Handmaid’s Tale
“Offred”
MGM Television / HULU
Supervising Sound Editors: David McCallum, Jane Tattersall, MPSE
Supervising Dialogue Editor: David McCallum
Supervising ADR Editor: Dale Sheldrake
Dialogue Editor: Brent Picket
Vikings
“Homeland”
History Channel
Supervising Sound Editor: Jane Tattersall, MPSE
Supervising Dialogue Editor: David McCallum
Supervising ADR Editor: Dale Sheldrake
Dialogue Editor: Claire Dobson
Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
Game of Thrones
“The Spoils of War”
HBO
Supervising Sound Editor: Tim Kimmel, MPSE
Sound Designer: Paula Fairfield, MPSE
Sound Effects Editor: Bradley Katona, MPSE
Foley Editors: Brett Voss, MPSE, John Matter
Foley Artists: Jeff Wilhoit, MPSE, Dylan Tuomy-Wilhoit
Marvel’s The Punisher
“Memento Mori”
Netflix
Supervising Sound Editor: Lauren J. Stephens, MPSE
Sound Designer: Jordan Wilby
Sound Effects Editor: Jonathan Golodner
Foley Editor: Antony Zeller, MPSE
Foley Artists: Zane D. Bruce, Lindsay Pepper
Mr. Robot
“runtime-err0r.r00”
FX Networks
Supervising Sound Editor: Kevin Buchholz
Sound Effects Editor: Dan Kremer
Foley Editors: Randy Guth, Alex Knickerbocker, Mike Marino
Sound Editors: Andrew Morgado, Adam DeCoster, Rene Garcia
Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE
Shooter
“The Dark End of the Street”
USA Network
Supervising Sound Editor: Mark Relyea
Sound Designer: David Barbee, MPSE
Sound Effects Editor:Russell Gorsky, MPSE
Foley Artitst: Joseph T. Sabella, Damien Smith
Stranger Things
“Chapter Eight: The Mind Flayer”
Netflix
Supervising Sound Editor: Bradley North, MPSE
Sound Designer: Craig Hennigan
Sound Effects Editor: Jordan Wilby, MPSE
Foley Editor: Antony Zeller, MPSE
Foley Artists: Zane D. Bruce, Lindsay Pepper
Taboo
“Episode 8”
FX Networks
Supervising Sound Editor: Lee Walpole, MPSE
Sound Effects Editors: Andy Kennedy, Saoirse Christopherson, Alex Ellerington
Foley Artist: Catherine Thomas
The Brave
“Stealth”
NBC
Supervising Sound Editor: Jay Niremberg, MPSE
Sound Designer: Trevor Gates
Foley Editors: Benjamin Gieschin, Terry Boyd, Jr.
Foley Artists: Jody Holwadel Thomas, MPSE, Elizabeth Rainey
Vikings
“The Reckoning”
The History Channel
Supervising Sound Editor: Jane Tattersall, MPSE
Sound Designer: Steve Madeiros
Sound Effects Editor: Brennan Mercer
Foley Artists: Goro Koyama, Sandra Fox
Outstanding Achievement in Sound Editing – Episodic Long Form – Music / Musical
Descendants 2
Disney
Supervising Music Editor: Amber Funk, MPSE
Music Editor: Richard Brown
Ozark
Netflix
Music Editors: Jason Tregoe Newman, Bryant Fuhrmann
Rebel
“Pilot”
B.E.T.
Music Editor: Shie Rozow
The Get Down
“Only from Exile Can We Come Home”
Netflix
Supervising Music Editor: Jamieson Shaw
Vikings
“The Departed”
History Channel
Supervising Music Editor: Yuri Gorbachow, MPSE
Music Editor: Lise Beauchesne
Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR
Black Mirror
“USS Callister”
Netflix
Supervising Sound Editor: Kenny Clark
Dialogue Editor: Michael Maroussas
Godless
“Homecoming”
Netflix
Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
Dialogue Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Greg Swiatlowski
ADR Editors: Leo Marcil, Jackie Zhou
Ozark
“The Toll”
Netflix
Supervising Sound Editors: Nick Forshager, Steve Grubbs
Supervising ADR Editor: Steve Grubbs
Dialogue Editor: Todd Niesen, MPSE
The Deuce
“Pilot”
HBO
Supervising Sound Editors: Will Ralston, MPSE
Dialogue Editor: Alexa Zimmerman
ADR Editor: Mary Ellen Porto
The Long Road Home
“Black Sunday”
National Geographic
Supervising Sound Editors: Gregory King, Greg Brown
Dialogue Editor: Jeffrey Dyal
ADR Editor: Jim Matheny
Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley
Black Mirror
“USS Callister”
Netflix
Supervising Sound Editor: Kenny Clark
Sound Effects Editor: Kenny Clark
Godless
“Homecoming”
Netflix
Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
Sound Effects Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Leo Marcil, Jackie Zhou
Gotham
“Destiny Calling”
Warner Brothers
Supervising Sound Editor: George Haddad, MPSE
Sound Designer: Chad Hughes, MPSE
Sound Effects Editors: David Barbee, MPSE, George Haddad, MPSE
Foley Editor: James Howe
Foley Artists: Joey Sabella, Joanie Rowe, MPSE
Ozark
“The Toll”
Netflix
Supervising Sound Editors: Nick Forshager, Steve Grubbs
Sound Effects Editor: Matt Temple
Foley Editors: Jeff Cranford, Daniel Raphael
The Long Road Home
“Black Sunday”
National Geographic
Supervising Sound Editors: Gregory King, Greg Brown
Sound Effects Editors: Yann Delpuech, John Greasley, Dan Gamache
Foley Artist: John Sievert
Outstanding Achievement in Sound Editing – Single Presentation
Five Came Back: The Price of Victory
Netflix
Supervising Sound Editor: Trip Brock, MPSE
Supervising Dialogue Editor: Bruce Stubblefield
Sound Effects Editors: Demetri Evdoxiadis, Raymond Park, MPSE, Zheng Jia, MPSE
Music Editor: Abhay Manusmare
Fire Chasers: The New Chasers
Netflix
Supervising Sound Editor: Ugo Derouard
Sound Designer: Ugo Derouard
Dialogue Editor: Mehmaz Mohabati
Sound Effects Editor: Rian Balvin
Oasis
Amazon Studios
Supervising Sound Editor: Lee Walpole, MPSE
Sound Designer: Andy Kennedy
Sound Effects Editor: Saoirse Christopherson
Supervising Dialogue Editor: Stefan Henrix
Foley Editor: Philip Clement
Foley Artist: Anna Wright
The Sultan and the Saint
Unity Productions Foundation
Supervising Sound Editor: Matt Davies, MPSE
Supervising Dialogue Editor: Kevin Hill
Sound Effects Editor: Rich Russey
Superheroes Decoded
History Channel
Supervising Sound Editor: Lewis Goldstein, Thomas Ryan
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
Justice League
“Dark”
Warner Brothers
Supervising Sound Editor: Otis Van Osten
Supervising Music Editor: Christine Luethje, MPSE
Sound Effects Editor: Carlos Sanches
Scoring Editor: Robert J. Kral
Lego DC Super Hero Girls
“Brain Drain”
Warner Brothers
Supervising Sound Editor: Devon Bowman
Supervising Dialogue Editor: Mark A. Keatts, MPSE
Sound Designer: Rob McIntyre
Sound Effects Editors: Lawrence Reyes, Evan Dockter, Marc Schmidt, Joel Waters, Derek Swanson, D.J. Lynch
Foley Editors: Mathew Saiz, Aran Tanchum
Dialogue Editors: David M. Cowan, Kelly Foley Downs, Patrick Foley, Michael Garcia
Foley Artist: Vincent Guisetti
Music Editor: Bijan Olia
ADR Editor: George Peters
Teen Titans
“The Judas Contract”
Warner Brothers
Supervising Sound Editor: Devon Bowman
Supervising Dialogue Editor: Mark A. Keatts, MPSE
Sound Designer: Rob McIntyre
Sound Effects Editors: Lawrence Reyes, Evan Dockter, Greg Hainer, D.J. Lynch
Dialogue Editors: David M. Cowan, Kelly Foley Downs, Derek Swanson, Michael Garcia
Teenage Mutant Ninja Turtles
“Mutant Apocalypse”
Nickelodeon
Supervising Sound Editor: Jeff Shiffman, MPSE
Dialogue Editors: Jacob Cook, Eliot Herman, MPSE
Sound Effects Editors: Brad Meyer, MPSE, Jessey Drake, MPSE
Foley Editor: Roger Pallan
Trollhunters
“Tales of Arcadia”
Netflix
Supervising Sound Editor: Matthew Hall
Supervising Dialogue Editor: Jason Oliver
Sound Effects Editor: Goeun Lee, MPSE, James Miller
Dialogue Editor: Carlos Sanches
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Becoming Bond
Supervising Sound Editors: Trip Brock, MPSE
Sound Effects Editors: Raymond Park, MPSE, Zheng Jia, MPSE
Supervising Dialogue Editor: Bruce Stubblefield
Foley Editors: Alexander Jongbloed, Alex Johnson
Foley Artist: Lorita de la Cerna
Breaking the Day
Supervising Sound Editor: Suat O. Ayas, MPSE
Sound Designer: Suat O. Ayas, MPSE
Dialogue Editor: Justin Stark
decanted.
Digital Cave Media
Supervising Sound Editor: Matt Davies, MPSE
Dialogue Lead: Kevin Hill
Sound Effects Editor: Rich Bussey
Motivation 3: The Next Generation
The Orchard
Supervising Sound Editor: Shaun Cunningham, MPSE
Sound Effects Editor: Shaun Cunningham, MPSE
Shot in the Dark
Netflix
Supervising Sound Editor: Suat O. Ayas, MPSE
Sound Designer: Suat O. Ayas, MPSE
Dialogue Editor: Justin Stark
Music Editor: Suat O. Ayas, MPSE
The Defiant Ones
HBO
Supervising Sound Editor: Jay Nierenberg
Supervising Music Editor: Del Spiva
Dialogue Editor: Tim Niesen
Sound Effects Editors: David Mann, Charles Maynes, MPSE, Brent Findley, MPSE, Steven Iba
Foley Editor: Katrina Frederick
Music Editor: Nicholas Fitzgerald
Sound Designer: Chris Terhune
Foley Artist: Brandon Sanchez
The New Radical
The Orchard
Supervising Sound Editor: Shaun Cunningham, MPSE
Music Editor: April Tucker
Sound Effects Editors: Jonathan Bruce, Amy Barber
Outstanding Achievement in Sound Editing – Non-Theatrical Feature
Havenhurst
Brainstorm Media
Supervising Sound Editors: Eric Lalicata, Tom Boykin
Audio Lead: Dan Snow
Sound Designer: Alex Weiss
ADR Editor: Kyle Lane
Foley Editors: Leah Putlek, Ryan Maguire
Foley Artist: Tara Blume
Imperial Dreams
Netflix
Supervising Sound Editors: Trip Brock, MPSE, Steven Avila, MPSE
Sound Effects Editor: Raymond Park, MPSE
Dialogue Editors: Jackie Johnson, Ian Shedd
ADR Editor: Ben Whitver
Foley Editors: Terry Boyd, Matt Salib
In Search of Fellini
AMBI Distribution
Supervising Sound Editors: David Barber, MPSE, Ben Zarai
Dialogue Editor: David Barber, MPSE
ADR Editor: Michael Kreple
Sound Designer: Ben Zarai
Foley Artists: Gonzalo “Bino” Espnoza, David Kitchens, MPSE
Foley Editor: Michael Lanoue
Little Evil
Netflix
Supervising Sound Editor: Mac Smith
Dialogue Editor: Brad Semenoff
Foley Editors: Luke Dunn Gielmuda, Jonathan Greber
Foley Artist: Andrew Gard
Music Editors: Chris McGeary, Angela Claverie
Revolt
Vertical Entertainment
Supervising Sound Editors: Ethan Biegel, Chad Hughes, MPSE
Sound Effects Editors: Chris Terhune, David Barnaby, Shaun Cunningham, MPSE
Dialogue Editor: Charles Kolander
Foley Artist: Carsten Richter
The Babysitter
Netflix
Supervising Sound Editor: Dror Mohar
Music Editors: Lodge Worster, Mark Ryan
Outstanding Achievement in Sound Editing – Computer Cinematic
Call of Duty: WWII
Activision
Supervising Sound Editor: Charles Deenen, MPSE
Sound Designers: Samuel Justice, Csaba Wagner, Eric Wedemeyer,
Ryan McSweeney,Don Veca, Matthew Grimm, Caleb Epps, Eddie Pacheco
Audio Director: David Swenson
Sound Effects Editors: Braden Parkes, Graham Donnelly, Michael Caisley
Foley Editors: Klaus Shipman, Rustam Gimadiyev
Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe
Music Editors: Sam Marshall, Ted Kocher
Destiny 2
Activision
Supervising Sound Editors: Jay Weinland, Adam Boyd, MPSE, Bryen Hensley
Audio Leads: David Henry, Evan Buehler
Sound Designers: Jesse Rope, Carsten Rojhan, Zach Thomas, Daniel Raimo, Beau Jimenez,
Nick Interlandi,Tami Tomito, Bryan Celano, Daniele Carli, MPSE, Stosh Tuszynski
Foley Supervisor: Jesse Garcia, MPSE
Foley Editor: Viktor Phoenix
Foley Artists: Cory Coken, Jamie Vanadia, Dawn Fintor, Alicia Stevenson
Music Editors: Michael Salvatori, Josh Mosser, Michael Sechrist
Halo Wars 2
Microsoft Studios
Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
Sound Designers: Samuel Justice, Tim Walston
Audio Director: Paul Lipson
Sound Effects Editors: Harry Cohen, MPSE, Hayden Collow, Justin Davey
Foley Editors: Braden Parkes, Rustam Gimadiyev
Halo Wars 2: Awakening the Nightmare
Microsoft Studios
Supervising Sound Editor: Patrick Ginn
Sound Designers: Chad Bedell, Shannon Potter, Eliot Connors, MPSE
Audio Director: Paul Lipson
Sound Effects Editor: Michael Finley
Foley Artists: Jeff Wilhoit, Dylan Tuomy-Wilhoit
Star Wars: Battlefront
Electronic Arts
Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
Sound Designer: Tim Walston, MPSE
Audio Director: Olivier Asselin
Sound Effects Editors: Harry Cohen, MPSE, Braden Parkes, Samuel Justice, Graham Donnelly
Foley Editor: Rustam Gimadiyev
Dialogue Editor: Johannie Gervais
Music Editor: Rodrigo Rubilar
Outstanding Achievement in Sound Editing – Computer Interactive Game Play
Call of Duty: WWII
Activision
Audio Director: David Swenson
Audio Lead: Michael Caisley, Don Veca
Sound Designers: Ryan McSweeney, Eric Wedemeyer, Matthew Grimm, Caleb Epps, Eddie Pacheco
Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe, Josehp Lyford,
Adam Boyd, MPSE, David Natale, Jesse Garcia, Duncan Brown
Star Wars: Battlefront II
Electronic Arts
Audio Directors: Ben Minto, Olivier Asselin, Jeff Seamster
Audio Leads: David Jegutidse, Nathaniel Daw
Sound Designers: Terry Fairfield, Tony Prescesky, Gustav Rathsman
Uncharted: The Lost Legacy
Sony Interactive
Audio Director: Phillip Kovats
Sound Designers: Robert Krekel, Jeremy Rogers, Beau Jimenez, Neil Uchitel, Justin Mullens
Supervising Dialogue Editor: Maged Khalil
Supervising Music Editor: Scott Hanau
Sound Effects Editors: Patrick Ginn, Eliot Connors, Joe Cavers
Foley Artists: Dawn Lunsford, Alicia Stevenson
Music Editors: Andrew Buresh, Anthony Caruso, Rob Goodson, Ted Kocher, Ernest Johnson, Joel Yarger
Outstanding Achievement in Sound Editing – Special Venue
Amazon Adventure
SK Films
Supervising Sound Editor: Peter Thillaye, MPSE
Sound Designer: Ed Douglas
Sound Effects Editor: Karol Mohr
Supervising Dialogue Editor: Steve Munro
ADR Editor: Tony Currie
Foley Artists: Goro Koyama, Andy Malcolm
Foley Editors: Jenna Dala Riva, Davi Aquino
Supervising Music Editor: John Kurlander
Carne Y Arena
Legendary Entertainment
Supervising Sound Editors: Randy Thom, MPSE, Martín Hernández, MPSE
Sound Designers: Kevin Bolen, Damian Kastbauer
Sound Effects Editor: Leff Lefferts
Dialogue Editor: Gwendolyn Yates Whittle, MPSE
Audio Artists: Doc Kane, Geoff Vaughan, Dusty Jermier
Audio Director: Steve Morris
ADR Editor: Brian Chumney
Foley Artists: Sean England, Shelley Roden, MPSE, John Roesch, MPSE
Foley Editors: Jason Butler, Scott Curtis
Coco VR
Disney
Supervising Sound Editor: Tim Gedemer, MPSE
Sound Designers: Andrew Vernon, Francois LaFleur, Bryan Jerden, Christopher Boyes
Sound Effects Editors: Sam Lehmer, Justin Doyle, J.R. Grubbs, Jack Whitacker, MPSE
Dialogue Lead: Travis Prater
Dialogue Editors: Jim Schaefer, Nick Jimenez, Doc Kane, Michael Miller, Greg Crawford
ADR Editors: Howard London, Dave Wilson
Foley Editors: Blake Collins, Dee Selby
Audio Artist: Michael Semanick
Dream Big: Engineering Our World
MacGillivray Freeman Films
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designer: Michael Payne
Foley Editor: David Stanke
Sound Effects Editor: Hector Gika, MPSE
Dialogue Editor: Laura Harris Atkinson
We, the Marines
MacGillivray Freeman Films
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Effects Editors: Jay Wilkinson, Alex Knickerbocker
Dialogue Editor: Laura Harris Atkinson
Foley Artists: Alicia Stevenson, Dawn Lunsford
Outstanding Achievement in Sound Editing – Animation Short Form
Castlevania
“Witchbottle”
Netflix
Supervising Sound Editor: Gary Falcone
Sound Designer: Paul Menichini, MPSE
Foley Editor: Roberto Roberto Dominguez Alegria
Dialogue Editors: Tom Maydeck, Mark Mercado
Foley Artist: Cynthia Merrill
Justice League Action
“Follow That Space Cab!”
Warner Brothers
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Dialogue Editor: Mike Garcia, MPSE
Foley Editor: John Hegedes
Not Normal
EmSquared
Supervising Sound Editors: Eric Marks, MPSE, Matt MacDonald
Overwatch
Blizzard Entertainment
“Honor and Glory”
Supervising Sound Editor: Paul Menichini, MPSE
Audio Lead: Caroline Hernandez, MPSE
Sound Designers: Alexander Ephraim, Harry Cohen, MPSE
Sound Effects Editor: Keith Bilderbeck
Dialogue Editors: Issac Hammons, Cody Flick
Music Editor: Neal Acree
Rick and Morty
“Pickle Rick”
Adult Swim
Supervising Sound Editor: Hunter Curra
Sound Effects Editors: Kailand Reily, Andrew Twite, Joy Elett, MPSE, Jeff Halbert
Dialogue Editor: Konrad Piñon
Tangled: The Series
“The Quest for Varian”
Disney
Supervising Sound Editor: Otis Van Osten
Sound Effects Editors: Gerry Gonzalez, Carlos Sanches
Dialogue Editor: Jason Oliver
Foley Editor: Goeun Lee, MPSE
Music Editor: Kevin Kliesch
The Adventure of Puss in Boots
“A Savage Place”
Netflix
Supervising Sound Editor: Heather Olsen, MPSE
Supervising Dialogue Editor: Shawn Bohonos
Sound Designer: Heather Olsen, MPSE
Dialogue Editor: Robbi Smith, MPSE
Foley Editors: David Bonilla, MPSE, Chris Coyne
Foley Artist: John Lampinen
Star Wars: Rebels
“Trails of the Darksaber”
Disney
Supervising Sound Editors: David Acord, Matthew Wood
Sound Effects Editors: Bonnie Wild, Kim Patrick
Foley Editor: Frank Rinella
Foley Artist: Ronni Brown
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Don’t Think of a Pink Elephant
National Film and Television School
Supervising Sound Designer and Editor: Mark Bailey
Dreamweavers
Loyola Marymount University
Sound Designers: Yi Ming Zhou, Amanda Ziles
Homegrown
National Film and Television School
Sound Designer: Thomas Blazukas
The Mayflower
National Film and Television School
Supervising Sound Designer and Editor: Sam Boulton
Poles Apart
National Film and Television School
Supervising Sound Designer and Editor: Morgan Muse