Selma just crashed the Oscar race in a big, big way. Naturally, the questions would follow whether the recent events in Ferguson would help or hurt the film’s Oscar chances. The question is kind of irrelevant because nothing is going to hurt Selma’s Oscar chances. Whether there were violent protests in Ferguson or not, Ava DuVernay’s Selma is one of the best films of the year and would be remembered as such. That isn’t going to stop anyone from attributing its success or popularity to the events in Ferguson – but there is a world of difference between the events in Ferguson in 2014 and the events in Selma, Alabama in 1965. For one thing, citizens of Ferguson can register to vote and exercise that right should they so choose. They have power citizens in Selma simply didn’t have. To that degree, King’s efforts and those who worked with him, were not in vain. What they are clearly missing, what the country is missing, what the film Selma reminds us we’re missing? A leader like Martin Luther King, Jr. to rally the citizens of Ferguson and remind them their power to make positive changes in their community.
Selma, Alabama then:
Like other southern states when white Democrats regained political power after Reconstruction, Alabama had imposed Jim Crow laws of racial segregation in public facilities and other means of white supremacy. At the turn of the twentieth century, it passed a new constitution, with electoral provisions, such as poll taxes and literacy tests, that effectively disfranchised most blacks and many poor whites. This left them without representation in government, as well as deprived them of participation in juries and other forms of citizenship. Through legal challenges and activities of private citizens, blacks became increasingly active following service in World War II in trying to exercise their constitutional rights as citizens.
Selma maintained such typical segregated facilities into the 1960s, which had been adapted to new institutions such as movie theaters. Blacks who attempted to eat at “white-only” lunch counters or sit in the downstairs “white” section of the movie theater were beaten and arrested. More than half of the city’s residents were black but because of the restrictive electoral laws and practices, only one percent were registered to vote. This prevented them from serving on juries or taking local office.[7] Blacks were prevented from registering to vote by the literacy test, administered in a subjective way; economic retaliation organized by the White Citizens’ Council, Ku Klux Klan violence, and police repression. For instance, to discourage voter registration, the registration board opened doors for registration only two days a month, arrived late, and took long lunches.[8]
Look at all the scared, scared white men, huh?
What the film Selma is about:
Beginning in January 1965, SCLC and SNCC initiated a revived Voting Rights Campaign designed to focus national attention on the systematic denial of black voting rights in Alabama, and particularly Selma. After numerous attempts by blacks to register, resulting in more than 3,000 arrests, police violence, and economic retaliation, the campaign culminated in the Selma to Montgomery marches—initiated and organized by SCLC’s Director of Direct Action, James Bevel. This represented one of the political and emotional peaks of the modern civil rights movement.
On March 7, 1965, approximately 600 civil rights marchers departed Selma on U.S. Highway 80, heading east to march to the capital. When they reached the Edmund Pettus Bridge, only six blocks away, where they were met by state troopers and local sheriff’s deputies, who attacked them, using tear gas and billy clubs, and drove them back to Selma. Because of the attacks, this became known as “Bloody Sunday.”
Two days after the march, on March 9, 1965, Martin Luther King, Jr. led a symbolic march to the bridge. He and other civil rights leaders attempted to get court protection for a third, larger-scale march from Selma to Montgomery, the state capital. Frank Minis Johnson, Jr., the Federal District Court Judge for the area, decided in favor of the demonstrators, saying:
The law is clear that the right to petition one’s government for the redress of grievances may be exercised in large groups…and these rights may be exercised by marching, even along public highways.
—Frank Johnson
On March 21, 1965, a Sunday, approximately 3,200 marchers departed for Montgomery. They walked 12 miles per day, and slept in nearby fields. By the time they reached the capitol four days later on March 25, their strength had swelled to around 25,000 people.[13]
The events at Selma helped increase public support for the cause, and that year the US Congress passed the Voting Rights Act of 1965. It provided for federal oversight and enforcement of voting rights for all citizens in state or jurisdictions where patterns of under-representation showed discrimination against certain populations, historically minorities.
What happened in Ferguson, Missouri? A whole different ball of wax but one that comes from a culture not unlike Selma, Alabama’s. That background led up to what amounted to a true horror show in terms of justice – different for black men who seem to be routinely murdered by white cops and they remain unassailable because the law, as currently written, protects them.
Once the grand jury elected not to indict Darren Wilson in Ferguson, it set off a chain reaction of protests, both violent and non-violent all over the country. It even inspired a hashtag – #blacklivesmatter on Twitter. That a hashtag had to be invented for something that should already be a reality is a sad state of affairs. But you see the right-wingers flipping out on TV branding Michael Brown a “thug” (irrelevant in the eyes of the law), which must mean it justifies him being shot 13 times or thereabouts on the street. This officer told conflicting tales of the event and unfortunately the game was rigged in his favor from the outset.
A San Francisco public defender mostly laid waste to the case:
As San Francisco Public Defender, I am deeply disappointed with the grand jury’s failure to indict Darren Wilson for the fatal shooting of unarmed teenager Michael Brown. A series of questionable, and in my opinion, biased legal and ethical decisions in the investigation and prosecution of the case presented to the grand jury led to this unjust result, most notably allowing a local prosecutor with strong family connections to police supervise the investigation and presentation of the evidence. This ethical failure resulted in the exceedingly rare step of the prosecuting attorney refusing to recommend an indictment against the police officer he was prosecuting. The police investigation and inquiry itself were rife with problems:
- Because it was a grand jury inquiry and not a trial, Wilson took the stand in secrecy and without benefit of a cross-examination. Prosecutors not only failed to probe his incredible testimony but frequently appeared to be bolstering his claim of self-defense. Transcripts reveal that witnesses whose accounts contradicted Wilson’s were rigorously questioned by prosecutors.
- Dorian Johnson, the key witness who was standing next to Brown during the encounter, provided strong testimony that called into question Wilson’s claim that he was defending his life against a deranged aggressor. Johnson testified that Wilson, enraged that the young men did not obey his order to get on the sidewalk, threw his patrol car into reverse. While Wilson claimed Brown prevented him from opening his door, Johnson testified that the officer smacked them with the door after nearly hitting the pair. Johnson described the ensuing struggle as Wilson attempting to pull Brown through the car window by his neck and shirt, and Brown pulling away. Johnson never saw Brown reach for Wilson’s gun or punch the officer. Johnson testified that he watched a wounded Brown partially raise his hands and say, “I don’t have a gun” before being fatally shot.
- Wilson’s description of Brown as a “demon” with superhuman strength and unremitting rage, and his description of the neighborhood as “hostile,” illustrate implicit racial bias that taints use-of-force decisions. These biases surely contribute to the fact that African Americans are 21 times more likely to be shot by police than whites in the U.S., but the statement’s racial implications remained unexamined.
- Prosecutors never asked Wilson why he did not attempt to drive away while Brown was allegedly reaching through his vehicle window or to reconcile the contradiction between his claim that Brown punched the left side of his face and the documented injuries which appear on his right side.Wilson, who is 6 feet 4 inches tall and 210 pounds, is never asked to explain why he “felt like a five-year-old holding on to Hulk Hogan” during his struggle with Brown, who is Wilson’s height and 290 pounds.
The police investigation itself revealed strong biases toward the police officer and against Michael Brown, leading to an ongoing federal investigation into the police department’s history of discriminatory policing practices, use of excessive force and violations of detainees’ constitutional rights.
It is important that communities throughout this country re-evaluate and reform our processes by which justice is determined. We must work to ferret out biases that threaten the very foundation of society and taint decisions rendered by our justice system.
It is also critical that we acknowledge the impact of implicit bias in decisions regarding stopping, investigating, arresting and prosecuting citizens, and in gauging whether deadly force is necessary. We must also demand that law enforcement agencies begin using available technology, such as police body cameras, to improve transparency and accountability to the public they are sworn to serve. And we must pledge to honor the request of Michael Brown’s family to work together to ensure that this tragedy is not repeated as it has been in the past.”
Darren Wilson has since resigned from the police force. The Department of Justice is looking into whether civil rights were violated or not. While most grand juries tend to side with police officers regarding the right to protect against harm, there is so much more to it these days where the cumulative effect of too many black men being killed irresponsibly by too many white cops has reached a crisis point – that is what Ferguson is about. Just because they both involve protests and civil rights violations does not mean they are or were the same.
What’s clear is that there is much more reform necessary before King’s dream is fully realized. King called it the next stage where “full equality” is reached. The events in Ferguson remind us that we’re not there yet, even with a black president. Especially with a black president.
The best way to think about the film Selma with regard to the events in Ferguson is not to dwell on how little has changed since then, but to offer up a little bit of important history every young man and woman in America should be educated on. You have the right to vote. Use it or lose it.
ah, ok, good to finally meet the real Cameron.
No, the MEDIA (who relies on the bleeding heart tendencies of some of its viewers)
right, and how about the ignoramuses FOXNews relies on to ‘generate revenue’? What angle was FOX spoonfeeding to the right-wing bobbleheads?
“Wilson created a crisis out of thin air.”
No, the MEDIA (who relies on the bleeding heart tendencies of some of its viewers) created a crisis out of thin air. They knew it would generate revenue and so they made this narrative about a poor little boy who wouldn’t hurt a fly getting shot to death without provocation by the big bad racist police officer. And the fact people are believing this horseshit is astounding
Has anyone else noticesd that almost all noted British black actresses are biracial? Most of them like Gugu-mbatha have one black and one white parent. Naomie Harris is only one I know of who isn’t mixed race, or at least no more so than most Afro Brits who have parents that both identify as black.
I bring this up because I fear they may be creating a cast system for black actresses in Britain. The British pretend they aren’t as race-obsessed as Americans but their casting choices say otherwise.
Jim Broadbent is a contender for supporting.
for Gods sake the kid was a punk…
yasss! kill him!
Memo to patrol officers from Police Chief Cameron: “Go right ahead and execute all the ‘punks’ you see walking down the street. For gods sake, look at all the punks. Kill them all.”
Jesus, if I had done that, my parents would have called me an idiot and I would have deserved it
“gosh, I yell profanities at a kid for jaywalking and pump 4 bullets into him, and he’s acting all aggravated, like he’s mad or something. I had to blow his brains out. What else could I do? He was so AGGRAVATED at me for shooting him full of holes for jaywalking! What kind of savage superhuman demon was he?! Scary!”
And your parents would call you an idiot?
Here’s the ONLY Lesson: It’s unwise to interact with arrogant power-crazed entitled trigger-happy cops.
Is anyone REALLY surprised that what happened happened?
cop shits his pants and can’t stop shooting till after the Big Black Demon is eradicated? no, sadly, it’s not surprising.
never occurred to Wilson that’s he’s in a fast car and the ‘demon’ is wearing flipflops, so there’s a good chance the demon would not be able to catch him if Wilson drove off down the street a bit, put some safe distance between himself and the demon, so then Wilson could get a grip on the true lack of severity of the situation.
Wilson created a crisis out of thin air. Same as George Zimmerman did. And then when Wilson and Zimmerman realize they got themselves in over their heads, their first thought is, “oh, hey, that reminds me: I have a gun. I can finish up this mess I caused real quick.”
“Ouch, ouch, you hit me! You’re dead. Die, demon, die.”
Jesus, if I had done that, my parents would have called me an idiot and I would have deserved it
trying to envision your parents standing over your casket calling you an idiot.
I heard really good things about Beyond the Lights as well, particularly Gugu-mbatha Raw’s performance, which has been nominated for awards. I do hope she gets a nod for Belle, which is one of my faves of the year.
Stop turning this kid into a martyr. Brown should not have died and police officers are out f control and yes, we do need police cameras but for Gods sake the kid was a punk and attacked an officer. Is anyone REALLY surprised that what happened happened? Jesus, if I had done that, my parents would have called me an idiot and I would have deserved it
– So we have to reconsider here: film does NOT represent the cultural fabric of society, it reflect an industry’s idea of how it wants society to be represented.
– Love Steve’s stats, dunno how we figure 29 out of 290 films centered human rights – but I like the analysis.
Or look at it this way. It’s been suggested in this discussion that movies as diverse in style, varied in locale, as dinstinct in genre and intent as In the Heat of the Night, Sounder, The Help, and 12 Years a Slave are somehow “all alike.” Same old, same old, those blacks and their always harping on how hard it is to be a black cop, or a black maid, or black farmer, or black slave. Complain, complain! So hard to be a black person!
and yet, here we are, some pundits and many readers here, ready to give Unbroken an Oscar for Best Picture, SIGHT UNSEEN.
Because Unbroken is going to be so unique in it’s subject matter?
Nobody says it’s “getting kind of lame” to have so many movies about white guys in prison camps?
Unbroken
The Railway Man
Schindler’s List
The Great Escape
Merry Christmas Mr. Lawrence
The Bridge on the River Kwai
Stalag 17
The Hanoi Hilton
Empire of the Sun
The Deer Hunter
Rescue Dawn
etc etc
all the fascinating facets of white guys in prison camps! (don’t even get me started about all the movies about all the white guys in regular prison.)
Some people need to stop a minute to think about how that looks. What’s really bugging them so much? What REALLY feels so tedious and repetitive to you about movies featuring a black cops, or a black maid, or a black farmer, or black lovers, or black a slave, or black people trying to vote?
It’s almost as if some people are now trying to use “civil rights movies” as a new way to say “urban drama” or “ghetto” or that other niche pigeon-hole label: “black-themed.”
How about STOP trying to act like seeing Black people in films represents a genre unto itself. There is no Black=themed genre, alright?
Stop it with these categories: Sci-fi, Rom-com, Horror, War, Western and Black-themed.
That last one is not a genre, so just stop it.
Because if people keep trying to insist on that bullshit, I have to ask: What about the 10,000 movies in the White=themed genre? Are you not sick and tired of THAT “genre”?
They can’t ignore “Selma,” regardless if it’s good, mediocre, terrible, or brilliant. Ignoring it makes the process racist. Given what’s going in Ferguson, no one wants that label. No one should ever “want” that label; but anything that incorrectly leads to that label is what people are afraid of.
“Beyond the Lights”?? Really??
Love Steve’s stats, dunno how we figure 29 out of 290 films centered human rights – but I like the analysis.
what i’d do now??
“Why have there been at least three theatrically released films starring Richard Nixon (played by Frank Langella, Philip Baker Hall, and Anthony Hopkins) and zero starring Martin Luther King?”
+1
Might I add that only one of those films is essential and that is Oliver Stone’s.
I haven’t seen SELMA and probably won’t until January, but I’ve seen enough evidence and read enough trustworthy endorsements to be excited about it in a way I have never been about THE KING’S SPEECH, a film, that among other things, I do not hate. I saw BEYOND THE LIGHTS, the picture features two black leads, it was conceived and delivered by a black writer-director, and above all, it’s a great piece of filmmaking with a ceaseless pulse. It certainly deserves to be in the conversation over half the junk that’s being heavily promoted by all the usual suspects.
We have always used our police forces to suppress blacks. Always. Even today, black men are ten times more likely to be imprisoned (usually losing their votes). In our society they are assumed to be far more guilty and violent. If you don’t get that we live in a society still drenched in racism, mistrust and white privilege you are the problem.
Am I the only one who feels that the interview Wilson did only enhanced a sense of the need of a trial? He came off like a guy in thrall to some deep-rooted totemistic fear.
Also, didn’t Roger Ebert once write something about: it isn’t what a movie’s about it’s HOW it’s about it? That’s a golden rule, right there. Selma or The Iron Lady? It doesn’t matter, cinematically speaking. In principle every subject matter is a worthwhile subject matter, because it’s about the human experience (or fantasy), no matter what. But doing something great with the material? That’s the tough part.
Selma or The Iron Lady? I know which one I would rather watch (and which one I wish I could un-watch!)
Robert A.,
Exactly right. The worst injury Darren Wilson suffered was his injured pride.
“That’s the thing though: Bob McCulloch did not want an indictment. McCulloch violated ethics and tried the case in secret; he argued the case as if Mike Brown was the criminal and Darren Wilson was the victim.”
Bingo! We have a winner.
Also, while McCulloch made much of discrepancies in testimony with the eyewitnesses who contradicted Wilson’s account, he seemed pretty unconcerned with discrepancies in Wilson’s story, such as Wilson claiming Brown leaned in through the window and punched the left side of his face so bad he feared for his life, but the documented injury photos show a red contusion on Wilson’s right cheek (as the San Francisco Public Defender points out in the article that Sasha excerpted in her post). And frankly, that contusion doesn’t look a whole heck of a lot worse than Charlie Brown’s rosy cheeks. One would think that a “demon” of such uncontrolled rage who was out to punch someone to death could inflict a bit more damage.
You might want to puke at what that poster said…
I’m puking at the idea that somehow The King’s Speech and The Iron Lady are exemplary role models of fine upstanding white people who enriched the world with their impressive accomplishments.
One of them was a useless powerless figurehead who got lucky at birth when he popped out of a “royal” quim, who spent his petulant pampered life doing nothing of substance whatsoever other than getting up the nerve to talk into a mic a few dozen times.
The other fine example we’re given of a white person who wasn’t downtrodden and suffering under bleak oppressive circumstances is a “lady” whose enduring legacy was to further destroy the lives of millions of downtrodden and intensified their suffering by worsening their bleak circumstances.
And these two movies are thrown at me as examples of the sort of life story we should give a damn about? Are you kidding? I’m supposed to not feel sick to my stomach to hear that? If I want to see a movie about a black person who did as much good in his life as Margaret Thatcher did for the world, I can go admire the charitable heart of The Last King of Scotland.
Good man, Unlikely Hood.
Just to enhance that idea a bit, since 1960, arguably the beginning of the modern civil rights movement in the US, there have been about 290 films nominated for BP. Of that total, only 29 had human rights of any kind (race, gender, political) as the central theme of the film. Of those few films, 8 were centred on race in the US, and none – zero – had MLK – the penultimate symbol of the movement – as the lead character.
Film supposedly represents the cultural fabric of a society, so we’ve had movies about kings, sports heroes, soldiers, performers, liberators and criminals. Hell, how many films have we had about Hitler? But not one where MLK was the star of the show.
So we have to reconsider here: film does NOT represent the cultural fabric of society, it reflect an industry’s idea of how it wants society to be represented. And if Martin Luther King has not been portrayed in a meaningful and artistic way for 54 years, there is a problem somewhere.
I haven’t seen Selma, I’m not campaigning for it to get a little gold statue, but isn’t it about fucking time that particular subject was allowed an opportunity in the race?
Why have there been at least three theatrically released films starring Richard Nixon (played by Frank Langella, Philip Baker Hall, and Anthony Hopkins) and zero starring Martin Luther King?
You obviously didn’t read everything I actually said. Let’s try again:
The forensic evidence shows that a fight occurred but does not back up Wilson’s dramatic account if Brown attacking him completely unprovoked. That’s a very subtle point, and simply ignoring it doesn’t make that go away.
creating a fear in Wilson that he was going to get shot.
Tell the whole story please.
Wilson was scared of getting shot while Wilson shot twelve bullets at Mike Brown and blew Mike Brown’s brains out when Mike Brown was 90 feet away from Darren Wilson. Scared Darren Wilson, who now held the gun tight in his sweaty hands, kept shooting until the scary black guy fell down.
Yes, I believe Wilson was scared. I agree, he’s a spineless panick-stricken little coward with a badge and gun. And yes, in 21st America all a white person needs to say in order to get away with murder, is: “wow, that black guy sure did look scary! I had to kill him! Killing him was the only way I could calm down and get a grip.”
Again and again. White fear of maybe getting killed trumps the black reality of actually getting killed.
Me? I would stop being scared that someone is going to shoot me when the scary unarmed person is trying to run from all the bullets I am shooting at him.
Pete, the evidence (including DNA) does support Wilson’s account.
http://www.washingtonpost.com/news/volokh-conspiracy/wp/2014/11/28/the-physical-evidence-in-the-michael-brown-case-supported-the-officer/
“This physical evidence is thus quite consistent with Wilson’s testimony that Brown was trying to get hold of Wilson’s weapon, creating a fear in Wilson that he was going to get shot.”
It is tragic that Michael Brown is dead, but it would be even worse to ignore scientific evidence and allow mob rule.
It took great courage from these citizens to come forward, and it is extremely unfair to call them liars.
It takes no more courage to agree with Darren Wilson than it does to disagree with him. The witnesses were evenly divided in describing what what they saw transpire.
“Unfair to call them liars?” In his tidy little press conference Bob McCulloch called all the witnesses liars who saw the events differently. The Prosecutor (whose job is to prosecute possible crimes) called all the witnesses liars who disagreed with the potential criminal cop.
U.S. attorneys prosecuted 162,000 cases in 2010, the most recent year for which we have data. Grand juries declined to return an indictment in 11 of them.
repeat: in only 11 out of 162,000 times did a grand jury fail to indict when a persecutor seeks indictment. That’s the thing though: Bob McCulloch did not want an indictment. McCulloch violated ethics and tried the case in secret; he argued the case as if Mike Brown was the criminal and Darren Wilson was the victim. His behavior is outrageous.
The National Bar Association felt the need to release a special condemnation:
Conflicting witness testimonies in court proceedings happen a million times a year. That’s what trials and juries and judges are for. A trial and jury and judge that Darren Wilson now doesn’t have to worry about.
“Where were you during the Holocaust? Seriously, Jesus H Christ, where the fuck WERE YOU? Was it “getting kind of lame”? too lame for you to care about?”
I had my beauty sleep at that time. That’s why I couldn’t save them. I don’t mind suffering and downtrodden, it’s not just that :/
Anyway, What I’m trying to say is that there is more variety for white actors than black actors when it comes to movie rolls, hence, that’s why I mentioned recent oscar winners for black actress seems odd despite beautifully acted. But, compared to their white counterpart, they look one-sided.
“k, I need to go puke my guts out now.”
Oh honey, that’s nasty.
1. Ryan, I’m hard pressed to think of a black themed film that contended for Oscar that didn’t involve racism or slavery. You might want to puke at what that poster said but I think they had a valid point.
2. All the Ferguson evidence showed was that a fight occurred. Nothing corroborates the cop’s story that he was brutally attacked without any provocation whatsoever. Frankly, the cop’s description of the fight made it sound like a cross between 28 Days Later and the steam bath knife fight from Eastern Promises. It was all a bit too on the nose
I’m looking forward to seeing the film Selma, as I hope it will honor Rev. King and others who stood up for justice. The differences between real-life Selma and Ferguson are far greater than described in this article. In Ferguson, the eyewitnesses who corroborated Wilson’s testimony (i.e., Brown attacked Wilson, his hands were not up, etc.) were all black. It took great courage from these citizens to come forward, and it is extremely unfair to call them liars. (By the way, physical evidence has proven that Dorian Johnson’s claim were false; no surprise, given that he had a history of providing false information to authorities, and he was the accomplice in the store robbery.) Unlike Selma, in Ferguson, the minority storeowners and residents have been attacked primarily by mobs of outside agitators, including a group that planned to set off a bomb at the heavily-visited Gateway Arch. In Selma, the police attacked innocent protestors, while in Ferguson, the police did little to stop looters and arsons.
Also, the relevant authorities for Ferguson, including Governor Jay Nixon and Prosecutor Bob McCulloch, are Democrats and Obama supporters.
when black people do it, it’s almost the suffering and downtrodden
I just want a film that doesn’t have to focus on race and themes of white man use and abuse the black person. When is that going to happen?
It’s getting kind of lame.
Thousands and thousands and thousands of movies are about the suffering of downtrodden white individuals. Where were you during the Holocaust? Seriously, Jesus H Christ, where the fuck WERE YOU? Was it “getting kind of lame”? Schindler’s List too lame for you to care about?
When white movie makers make movies about white people that make it to the Oscars, it’s like The King’s Speech or the Iron Lady.
k, I need to go puke now.
A lot of African Americans on twitter keep quoting the speech from A Tme to Kill: “imagine [he] was white..”
Last year the five conservatives on the Supreme Court eviscerated the Voting Rights Act.
Other than that, I am excited to see Selma. Oprah’s in it. LOL, I enjoyed Oprah (and Forest) in The Butler.
When white movie makers make movies about white people that make it to the Oscars, it’s like The King’s Speech or the Iron Lady.
But, when black people do it, it’s almost the suffering and downtrodden slave/help/opressed era roles like The Help, 12 Years a Slave, Mandela, Selma. When will there be a movie about a black king or queen in africa or something that has NO IKLING with anything about having a white person help him or her or oppress him or her. Lupita won for a slave role. Spencer won for a uneducated maid role. …. Halle Berry…. poor used by white man.
Obviously, this is just a generalization. If you look for it, you can find exceptions to what i’m saying.
I just want a film that doesn’t have to focus on race and themes of white man use and abuse the black person. When is that going to happen?
It’s getting kind of lame.