NYFF

Much of the action in Sofia Coppola’s Priscilla Presley biopic, based on its titular subject’s 1985 memoir Elvis and Me...

Few filmmakers have as eclectic a catalogue as Richard Linklater. The trouble is, he’s not always successful. The director has...

Garth Davis’ Foe, a sci-fi chamber drama based on the eponymous novel by Iain Reid, with whom Davis co-wrote the...

Poor Things, Yorgos Lanthimos’ surreal, hyper-sexual follow-up to The Favourite, may start with a death, but it’s soon after filled...

When depicting a sensitive, personal, and ongoing true story, what responsibility does an artist have to a victim? When is...

The Wind Rises would have made a fine send-off for Hayao Miyazaki. The tender 2013 biopic of fighter plane engineer...

At three hours, writer-director Ryusuke Hamaguchi was able to turn Drive My Car’s deliberate pacing into an asset, transforming its...

It’s hard not to get a little giddy when you read the names Pedro Almodóvar, Ethan Hawke, and Pedro Pascal...

“It’s a very lonely sort of life,” Claire Foy’s youthful ghoul of a mother says to her son, who clearly...

Film at Lincoln Center announces Bradley Cooper’s Maestro as the Spotlight Gala of the 61st New York Film Festival at...

The evolution of queer cinema has long meant a stronger sense of authenticity coming into films about queer people and...

At times, Sarah Polley’s Women Talking feels like an adaptation of a stage play more than it does a novel....

Expecting the unexpected goes hand in hand with the films of Park Chan-wook. His latest, Decision to Leave, a pulpy,...

For a director who has mostly helmed understated character dramas, Joanna Hogg digs deep into the cinematic language of horror...

When one thinks of the greatest directors with the shortest filmographies, Todd Field should immediately spring to mind. With time...

For roughly the first hour of White Noise, it feels like you’re watching the next great American satire. Based on...

A lot of genres make their way into Luca Guadagnino’s adaptation of Camille DeAngelis’s 2015 novel Bones & All. It’s...

Movies exist for a lot of reasons. To reflect our lives. To offer an escape. To trigger something deep within...

People haphazardly existing in a culture outside their own? A complicated, melodramatic romance? Elegant yet deliberate pacing? Must be Claire...

Parallel Mothers feels like classic Pedro Almodóvar. The Spanish director’s 22nd feature, the film carries a plot that it feels...