NYFF Review: Ferrari
In recent years, the snapshot biopic has been the antidote to stuffy, overlong portraits of significant people’s lives that have ...
In recent years, the snapshot biopic has been the antidote to stuffy, overlong portraits of significant people’s lives that have ...
Much of the action in Sofia Coppola’s Priscilla Presley biopic, based on its titular subject’s 1985 memoir Elvis and Me ...
Few filmmakers have as eclectic a catalogue as Richard Linklater. The trouble is, he’s not always successful. The director has ...
The Wind Rises would have made a fine send-off for Hayao Miyazaki. The tender 2013 biopic of fighter plane engineer ...
At three hours, writer-director Ryusuke Hamaguchi was able to turn Drive My Car’s deliberate pacing into an asset, transforming its ...
Indiewire reports that The Killer will be added to NYFF's slate, screening on October 14 at 7pm at the Paris ...
It’s hard not to get a little giddy when you read the names Pedro Almodóvar, Ethan Hawke, and Pedro Pascal ...
The evolution of queer cinema has long meant a stronger sense of authenticity coming into films about queer people and ...
In an era where every other director seems to be making their own autobiographical version of Roma, James Gray isn’t ...
At times, Sarah Polley’s Women Talking feels like an adaptation of a stage play more than it does a novel. ...
Expecting the unexpected goes hand in hand with the films of Park Chan-wook. His latest, Decision to Leave, a pulpy, ...
For a director who has mostly helmed understated character dramas, Joanna Hogg digs deep into the cinematic language of horror ...
With First Cow, Kelly Reichardt made her most acclaimed film to date, due in no small part to a funnier, ...
For roughly the first hour of White Noise, it feels like you’re watching the next great American satire. Based on ...
A lot of genres make their way into Luca Guadagnino’s adaptation of Camille DeAngelis’s 2015 novel Bones & All. It’s ...
Parallel Mothers feels like classic Pedro Almodóvar. The Spanish director’s 22nd feature, the film carries a plot that it feels ...
I hope you’re not sick of seeing Oliva Colman at awards shows because wow does she knock The Lost Daughter ...
As Hollywood and the artists within and surrounding it continue to (slowly) make strides in creating a more equitable industry ...
When Chloe Zhao’s The Rider released in 2018, it felt like a breath of fresh air for the western. A ...
Morphing an autobiographical vision into a meta text is a daring move. As a result, Joanna Hogg’s sequel to ...